my ideal. You may carry that song and dance to your impresario[215].”
“I’m shy on one word, lady. Jux – jux – put me wise on dat, will yer?”
“Juxtaposition – or you may call it propinquity – or, if you like, being rather too near for one maintaining the position of an ideal.”
The gravel spun from beneath the boy’s feet. He stood by the other bench. The man’s eyes interrogated him, hungrily. The boy’s were shining with the impersonal zeal of the translator.
“De lady says dat she’s on to de fact dat gals is dead easy when a feller comes spielin’ ghost stories and tryin’ to make up, and dat’s why she won’t listen to no soft-soap. She says she caught yer dead to rights, huggin’ a bunch o’ calico[216] in de hot-house. She side-stepped in to pull some posies and yer was squeezin’ de oder gal to beat de band. She says it looked cute, all right all right, but it made her sick. She says yer better git busy, and make a sneak for de train.”
The young man gave a low whistle and his eyes flashed with a sudden thought. His hand flew to the inside pocket of his coat, and drew out a handful of letters. Selecting one, he handed it to the boy, following it with a silver dollar from his vest-pocket.
“Give that letter to the lady,” he said, “and ask her to read it. Tell her that it should explain the situation. Tell her that, if she had mingled a little trust with her conception of the ideal, much heartache might have been avoided. Tell her that the loyalty she prizes so much has never wavered. Tell her I am waiting for an answer.”
The messenger stood before the lady.
“De gent says he’s had de ski-bunk put on him widout no cause. He says he’s no bum guy; and, lady, yer read dat letter, and I’ll bet yer he’s a white sport, all right.”
The young lady unfolded the letter; somewhat doubtfully, and read it.
Dear Dr. Arnold: I want to thank you for your most kind and opportune aid to my daughter last Friday evening, when she was overcome by an attack of her old heart-trouble in the conservatory at Mrs. Waldron’s reception. Had you not been near to catch her as she fell and to render proper attention, we might have lost her. I would be glad if you would call and undertake the treatment of her case.
Gratefully yours,
Robert Ashburton.
The young lady refolded the letter, and handed it to the boy.
“De gent wants an answer,” said the messenger. “Wot’s de word?”
The lady’s eyes suddenly flashed on him, bright, smiling and wet.
“Tell that guy on the other bench,” she said, with a happy, tremulous laugh, “that his girl wants him.”
The Furnished Room
Restless, shifting, fugacious as time itself is a certain vast bulk of the population of the red brick district of the lower West Side. Homeless, they have a hundred homes. They flit from furnished room to furnished room, transients forever – transients in abode, transients in heart and mind. They sing “Home, Sweet Home” in ragtime[217]; they carry their lares et penates[218] in a bandbox; their vine is entwined about a picture hat; a rubber plant is their fig tree.
Hence the houses of this district, having had a thousand dwellers, should have a thousand tales to tell, mostly dull ones, no doubt; but it would be strange if there could not be found a ghost or two in the wake of all these vagrant guests.
One evening after dark a young man prowled among these crumbling red mansions, ringing their bells. At the twelfth he rested his lean hand-baggage upon the step and wiped the dust from his hatband and forehead. The bell sounded faint and far away in some remote, hollow depths.
To the door of this, the twelfth house whose bell he had rung, came a housekeeper who made him think of an unwholesome, surfeited worm that had eaten its nut to a hollow shell and now sought to fill the vacancy with edible lodgers.
He asked if there was a room to let.
“Come in,” said the housekeeper. Her voice came from her throat; her throat seemed lined with fur. “I have the third floor back, vacant since a week back. Should you wish to look at it?”
The young man followed her up the stairs. A faint light from no particular source mitigated the shadows of the halls. They trod noiselessly upon a stair carpet that its own loom would have forsworn. It seemed to have become vegetable; to have degenerated in that rank, sunless air to lush lichen or spreading moss that grew in patches to the staircase and was viscid under the foot like organic matter. At each turn of the stairs were vacant niches in the wall. Perhaps plants had once been set within them. If so they had died in that foul and tainted air. It may be that statues of the saints had stood there, but it was not difficult to conceive that imps and devils had dragged them forth in the darkness and down to the unholy depths of some furnished pit below.
“This is the room,” said the housekeeper, from her furry throat. “It’s a nice room. It ain’t often vacant. I had some most elegant people in it last summer – no trouble at all, and paid in advance to the minute. The water’s at the end of the hall. Sprowls and Mooney kept it three months. They done a vaudeville sketch. Miss B’retta Sprowls – you may have heard of her – Oh, that was just the stage names – right there over the dresser is where the marriage certificate hung, framed. The gas is here, and you see there is plenty of closet room. It’s a room everybody likes. It never stays idle long.”
“Do you have many theatrical people rooming here?” asked the young man.
“They comes and goes. A good proportion of my lodgers is connected with the theatres. Yes, sir, this is the theatrical district. Actor people never stays long anywhere. I get my share. Yes, they comes and they goes.”
He engaged the room, paying for a week in advance. He was tired, he said, and would take possession at once. He counted out the money. The room had been made ready, she said, even to towels and water. As the housekeeper moved away he put, for the thousandth time, the question that he carried at the end of his tongue.
“A young girl – Miss Vashner – Miss Eloise Vashner – do you remember such a one among your lodgers? She would be singing on the stage, most likely. A fair girl, of medium height and slender, with reddish, gold hair and a dark mole near her left eyebrow.”
“No, I don’t remember the name. Them stage people has names they change as often as their rooms. They comes and they goes. No, I don’t call that one to mind.”
No. Always no. Five months of ceaseless interrogation and the inevitable negative. So much time spent by day in questioning managers, agents, schools and choruses; by night among the audiences of theatres from all-star casts down to music halls so low that he dreaded to find what he most hoped for. He who had loved her best had tried to find her. He was sure that since her disappearance from home this great, water-girt city held her somewhere, but it was like a monstrous quicksand, shifting its particles constantly, with no foundation, its upper granules of to-day buried to-morrow in ooze and slime.
The furnished room received its latest guest with a first glow of pseudo-hospitality, a hectic, haggard, perfunctory welcome like the specious smile of a demirep. The sophistical comfort came in reflected gleams from the decayed furniture, the ragged brocade upholstery of a couch and two chairs, a foot-wide cheap pier glass between the two windows, from one or two gilt picture frames and a brass bedstead in a corner.
The guest reclined, inert, upon a chair, while the room, confused in speech as though it