The Victim Support people had got in touch after the beating, and now a woman in a paisley-patterned duvet jacket came round regularly to ask him, in a professionally hushed voice, how he was feeling. Titch confirmed regularly, in monosyllabic form, that he was feeling bad. As the awkward silences lengthened, the counsellor was forced to stare with false, fixed interest at the family photographs displayed on the mantelpiece. Titch’s hand moved with increasing frequency towards the open packet of Viennese whirls by his side. He wouldn’t even look at a Jaffa Cake now.
Titch’s mother said that once she had read, upside down in the counsellor’s notes, the single phrase: ‘uses food, mainly sweet things, as a comfort blanket’. Titch’s mother remarked to the counsellor that she had obviously never had the chance to observe Titch at work among savouries, in the Kentucky Fried Chicken restaurant in Shaftesbury Square. The counsellor stared blankly at her for a moment, with her biro quivering above Titch’s case notes, and then said without smiling, ‘Ah. Joke.’
The whole aim, said the counsellor, was to allow Titch to ‘achieve full closure’ with his experience at the hands of the paramilitaries. It would be useful if Titch could first learn to forgive himself for behaving as a victim, and then somehow – and she recognised this might take a while – forgive his attackers for perpetrating the assault. Titch’s mother said that she had a First World War bayonet, a family heirloom, and that she would first like to ‘achieve full closure’ with the backsides of his assailants. The counsellor looked at her oddly again, she said, and then made some quite extensive notes which she casually shielded from view with her arm.
When I called round Titch was up in his room. He was lying on his bed, reading his mother’s Bella magazine. He had it pulled open at the recipe section. When he saw me come in, he let it slide to the ground: a full-colour picture of Thai fishcakes with a tiger prawn garnish winked garishly up at us both.
I skated over the pervasive air of hopelessness. ‘I’ve got a job, Titch. I’m going to start as a barman at the Whistle on Tuesday. If you come into town to see me, I’ll treat you to a pint of lager, cider or orange squash for free, as an introductory offer. We need new customers.’
I knew there was no way he would come into town yet, but I wanted to ruffle him out of this awful torpor. I wanted to goad him into being cheeky to me again.
‘I’m not going out of the house,’ said Titch, sulkily. ‘I don’t want them fellas to get hold of me and do what they done last time.’
‘Titch, they’re not going to do you all over again just for the heck of it. They’ve already done you once.’
‘They’re not in jail, are they? There’s nothing to stop them, if they want to.’
I couldn’t argue with that. He had the relentless, correct logic of a child sometimes. The hopelessness came back to fill the small room, washing over me, touching the useless frills on the beige nylon curtains and the pointless, grinning Toby jug on the windowsill that his uncle had brought him back from Yorkshire. In my desire to shove it away, to jolt Titch out of his own grim reasoning, I threw in something even worse.
‘But Titch, it makes no difference anyway whether you go out or stay in. In fact, you’d be better off going out. They came up and got you here, didn’t they? They pulled you right out of this room, didn’t they?’
As soon as the words were out of my mouth, I knew I should never have said them. He stared at me for a second as though I had just smacked him full in the face. And then his expression began to disintegrate, falling apart into shapes that would have been almost comic if they hadn’t been so terrible. He was moving violently from side to side, putting his elbows up to shield his head, and all the time making the high-pitched wailing sound of some trapped animal in distress.
I waited until the worst of it had passed and then I went over and put my hands on his heaving shoulders. I told him gently: ‘Sshh. They won’t come for you again.’ The shoulders moved gradually to a shaking halt. And then he started to whisper something all jumbled together, like a child’s babble, and so softly that I had to lean in very close to hear. It was the same sentence, over again: ‘I don’t have anywhere to go. I don’t have anywhere to go.’
The Whistle was a great place to work. It was an old, established bar on the way in to the city centre: a bit dilapidated, but it had charm. We got a lot of students and gentle wastrels in the daytime, and a more eclectic, fired-up clientele by night.
It was never too busy in the afternoons, and in between serving customers Murdie demonstrated to me some of the little tricks of the barman’s trade: how to polish glasses to a high sheen without smearing them again when you set them down; the correct way to serve a whiskey and water; how to pull the perfect pint of Guinness; and the proper proportions of the constituent elements in a port and lemon.
When we had the basics of the bar sorted out, said Murdie, we’d move on to learning cocktails.
At a certain point in the day, if things were quiet, he would pour a single whiskey for each of us, to be drunk slowly and without ice. We would savour the peaty burning at the back of our throats while Murdie’s favourite song, Van Morrison’s ‘Tupelo Honey’, spun lazily out of the CD player. It was a surprisingly lush choice for such a self-contained man. The golden afternoon light would float in through the frosted pub windows, spilling in widening patches on the polished wood of the tables, and for that moment all the worries that clodded to me would flake away.
One day I was staring at the fat, corrugated worm lying at the bottom of a bottle of mescal. One of the regulars had brought it back from a trip to Mexico, as a present for Murdie. He had displayed it behind the bar, unopened, and the function of the worm had begun to nag at me.
‘What’s that thing for?’ I asked Murdie.
‘That’s the mescal worm,’ he said. ‘It soaks up all the lunacy in the bottle. If you eat that worm, you’ll start hallucinating. You’ll see demons.’
He could be quite poetic, Murdie, when you got him going. We both stood contemplating it floating there wickedly like a baby’s thumb.
‘If you ate that worm, Murdie,’ I said, ‘could you remember, in the moment of insanity, why you and my dad called your band a name like the Janglemen?’
‘It wasn’t us that thought of it, Jacky,’ he said: ‘it was your mother. She thought it would be funny, and it was. We got lots of bookings just because of that name.’
‘What was she like, Murdie?’
‘She was a laugh,’ he said gently, ‘a really good laugh. But kind, too, and a great dancer. And she was crazy about you.’
Then he started to empty all the ashtrays, to rinse them out before the evening crowd started coming in after work.
In the evenings, when things hotted up, the door at the Whistle was manned by Joe and Jimmy. They both wore tuxedos, the traditional doorman’s costume, and they were both built like brick shithouses, the historic doorman’s physique. Joe was dark-haired with a bristly, neat moustache. Jimmy was blond. Joe did weights at the gym to keep himself in peak condition. Jimmy probably kept fit by twirling his little brothers around like drumsticks on the Twelfth of July. I wouldn’t have liked to mess with either of them.
The year before had been a particularly bad year for Belfast doormen, security guards and taxi drivers. Doormen, whether Catholic or Protestant, were used as exclamation marks to punctuate the long-running argument between the IRA and the Loyalist paramilitaries.
The argument had long followed certain clear, established lines. The IRA would, for example, let off a bomb. The Loyalists, to emphasise how enormously they disapproved of this violence, would kill a Catholic doorman who was standing outside his workplace, musing on what to buy his son for his birthday. The IRA, to show how furious they were at this outrage, would gun down a Protestant security guard who was thinking