that would protect her from such absurdity.
Madame Cheron looked on her niece's diffidence with a feeling very near to contempt, and endeavoured to overcome it by reproof, rather than to encourage it by gentleness.
The entrance of supper somewhat interrupted the complacent discourse of Madame Cheron and the painful considerations, which it had forced upon Emily. When the repast, which was rendered ostentatious by the attendance of a great number of servants, and by a profusion of plate, was over, Madame Cheron retired to her chamber, and a female servant came to show Emily to hers. Having passed up a large staircase, and through several galleries, they came to a flight of back stairs, which led into a short passage in a remote part of the château, and there the servant opened the door of a small chamber, which she said was Ma'amselle Emily's, who, once more alone, indulged the tears she had long tried to restrain.
Those, who know, from experience, how much the heart becomes attached even to inanimate objects, to which it has been long accustomed, how unwillingly it resigns them; how with the sensations of an old friend it meets them, after temporary absence, will understand the forlornness of Emily's feelings, of Emily shut out from the only home she had known from her infancy, and thrown upon a scene, and among persons, disagreeable for more qualities than their novelty. Her father's favourite dog, now in the chamber, thus seemed to acquire the character and importance of a friend; and, as the animal fawned over her when she wept, and licked her hands, “Ah, poor Manchon!” said she, “I have nobody now to love me – but you!” and she wept the more. After some time, her thoughts returning to her father's injunctions, she remembered how often he had blamed her for indulging useless sorrow; how often he had pointed out to her the necessity of fortitude and patience, assuring her, that the faculties of the mind strengthen by exertion, till they finally unnerve affliction, and triumph over it. These recollections dried her tears, gradually soothed her spirits, and inspired her with the sweet emulation of practising precepts, which her father had so frequently inculcated.
Chapter XII
Some pow'r impart the spear and shield, At which the wizard passions fly, By which the giant follies die!
Madame Cheron's house stood at a little distance from the city of Thoulouse, and was surrounded by extensive gardens, in which Emily, who had risen early, amused herself with wandering before breakfast. From a terrace, that extended along the highest part of them, was a wide view over Languedoc. On the distant horizon to the south, she discovered the wild summits of the Pyrenees, and her fancy immediately painted the green pastures of Gascony at their feet. Her heart pointed to her peaceful home – to the neighbourhood where Valancourt was – where St. Aubert had been; and her imagination, piercing the veil of distance, brought that home to her eyes in all its interesting and romantic beauty. She experienced an inexpressible pleasure in believing, that she beheld the country around it, though no feature could be distinguished, except the retiring chain of the Pyrenees; and, inattentive to the scene immediately before her, and to the flight of time, she continued to lean on the window of a pavilion, that terminated the terrace, with her eyes fixed on Gascony, and her mind occupied with the interesting ideas which the view of it awakened, till a servant came to tell her breakfast was ready. Her thoughts thus recalled to the surrounding objects, the straight walks, square parterres, and artificial fountains of the garden, could not fail, as she passed through it, to appear the worse, opposed to the negligent graces, and natural beauties of the grounds of La Vallée, upon which her recollection had been so intensely employed.
“Whither have you been rambling so early?” said Madame Cheron, as her niece entered the breakfast-room. “I don't approve of these solitary walks.” And Emily was surprised, when, having informed her aunt, that she had been no further than the gardens, she understood these to be included in the reproof. “I desire you will not walk there again at so early an hour unattended,” said Madame Cheron; “my gardens are very extensive; and a young woman, who can make assignations by moonlight at La Vallée, is not to be trusted to her own inclinations elsewhere.”
Emily, extremely surprised and shocked, had scarcely power to beg an explanation of these words, and, when she did, her aunt absolutely refused to give it, though, by her severe looks, and half sentences, she appeared anxious to impress Emily with a belief, that she was well informed of some degrading circumstances of her conduct. Conscious innocence could not prevent a blush from stealing over Emily's cheek; she trembled, and looked confusedly under the bold eye of Madame Cheron, who blushed also; but hers was the blush of triumph, such as sometimes stains the countenance of a person, congratulating himself on the penetration which had taught him to suspect another, and who loses both pity for the supposed criminal, and indignation of his guilt, in the gratification of his own vanity.
Emily, not doubting that her aunt's mistake arose from the having observed her ramble in the garden on the night preceding her departure from La Vallée, now mentioned the motive of it, at which Madame Cheron smiled contemptuously, refusing either to accept this explanation, or to give her reasons for refusing it; and, soon after, she concluded the subject by saying, “I never trust people's assertions, I always judge of them by their actions; but I am willing to try what will be your behaviour in future.”
Emily, less surprised by her aunt's moderation and mysterious silence, than by the accusation she had received, deeply considered the latter, and scarcely doubted, that it was Valancourt whom she had seen at night in the gardens of La Vallée, and that he had been observed there by Madame Cheron; who now passing from one painful topic only to revive another almost equally so, spoke of the situation of her niece's property, in the hands of M. Motteville. While she thus talked with ostentatious pity of Emily's misfortunes, she failed not to inculcate the duties of humility and gratitude, or to render Emily fully sensible of every cruel mortification, who soon perceived, that she was to be considered as a dependant, not only by her aunt, but by her aunt's servants.
She was now informed, that a large party were expected to dinner, on which account Madame Cheron repeated the lesson of the preceding night, concerning her conduct in company, and Emily wished that she might have courage enough to practise it. Her aunt then proceeded to examine the simplicity of her dress, adding, that she expected to see her attired with gaiety and taste; after which she condescended to show Emily the splendour of her château, and to point out the particular beauty, or elegance, which she thought distinguished each of her numerous suites of apartments. She then withdrew to her toilet, the throne of her homage, and Emily to her chamber, to unpack her books, and to try to charm her mind by reading, till the hour of dressing.
When the company arrived, Emily entered the saloon with an air of timidity, which all her efforts could not overcome, and which was increased by the consciousness of Madame Cheron's severe observation. Her mourning dress, the mild dejection of her beautiful countenance, and the retiring diffidence of her manner, rendered her a very interesting object to many of the company; among whom she distinguished Signor Montoni, and his friend Cavigni, the late visitors at M. Quesnel's, who now seemed to converse with Madame Cheron with the familiarity of old acquaintance, and she to attend to them with particular pleasure.
This Signor Montoni had an air of conscious superiority, animated by spirit, and strengthened by talents, to which every person seemed involuntarily to yield. The quickness of his perceptions was strikingly expressed on his countenance, yet that countenance could submit implicitly to occasion; and, more than once in this day, the triumph of art over nature might have been discerned in it. His visage was long, and rather narrow, yet he was called handsome; and it was, perhaps, the spirit and vigour of his soul, sparkling through his features, that triumphed for him. Emily felt admiration, but not the admiration that leads to esteem; for it was mixed with a degree of fear she knew not exactly wherefore.
Cavigni was gay and insinuating as formerly; and, though he paid almost incessant attention to Madame Cheron, he found some opportunities of conversing with Emily, to whom he directed, at first, the sallies of his wit, but now and then assumed an air of tenderness, which she observed, and shrunk from. Though she replied but little, the gentleness and sweetness of her manners encouraged him to talk, and she felt relieved when a young lady of the party, who spoke incessantly, obtruded herself on his notice. This lady, who