natal morn;
I see thy life is stuff o’ prief,
Scarce quite half worn.
This day thou metes three score eleven,
And I can tell that bounteous Heaven
(The second sight, ye ken, is given
To ilka Poet)
On thee a tack o’ seven times seven
Will yet bestow it.
If envious buckies view wi’ sorrow
Thy lengthen’d days on this blest morrow,
May desolation’s lang teeth’d harrow,
Nine miles an hour,
Rake them like Sodom and Gomorrah,
In brunstane stoure—
But for thy friends, and they are mony,
Baith honest men and lasses bonnie,
May couthie fortune, kind and cannie,
In social glee,
Wi’ mornings blythe and e’enings funny
Bless them and thee!
Fareweel, auld birkie! Lord be near ye,
And then the Deil he daur na steer ye;
Your friends ay love, your faes ay fear ye;
For me, shame fa’ me,
If neist my heart I dinna wear ye
While Burns they ca’ me!
Dumfries, 18 Feb. 1792.
CXXXI. THE RIGHTS OF WOMAN. AN OCCASIONAL ADDRESS SPOKEN BY MISS FONTENELLE ON HER BENEFIT NIGHT, Nov. 26, 1792.
[Miss Fontenelle was one of the actresses whom Williamson, the manager, brought for several seasons to Dumfries: she was young and pretty, indulged in little levities of speech, and rumour added, perhaps maliciously, levities of action. The Rights of Man had been advocated by Paine, the Rights of Woman by Mary Wolstonecroft, and nought was talked of, but the moral and political regeneration of the world. The line
“But truce with kings and truce with constitutions,”
got an uncivil twist in recitation, from some of the audience. The words were eagerly caught up, and had some hisses bestowed on them.]
While Europe’s eye is fix’d on mighty things,
The fate of empires and the fall of kings;
While quacks of state must each produce his plan,
And even children lisp the Rights of Man;
Amid this mighty fuss just let me mention,
The Rights of Woman merit some attention.
First on the sexes’ intermix’d connexion,
One sacred Right of Woman is protection.
The tender flower that lifts its head, elate,
Helpless, must fall before the blasts of fate,
Sunk on the earth, defac’d its lovely form,
Unless your shelter ward th’ impending storm.
Our second Right—but needless here is caution,
To keep that right inviolate’s the fashion,
Each man of sense has it so full before him,
He’d die before he’d wrong it—’tis decorum.—
There was, indeed, in far less polish’d days,
A time, when rough, rude man had haughty ways;
Would swagger, swear, get drunk, kick up a riot,
Nay, even thus invade a lady’s quiet.
Now, thank our stars! these Gothic times are fled;
Now, well-bred men—and you are all well-bred—
Most justly think (and we are much the gainers)
Such conduct neither spirit, wit, nor manners.
For Right the third, our last, our best, our dearest,
That right to fluttering female hearts the nearest,
Which even the Rights of Kings in low prostration
Most humbly own—’tis dear, dear admiration!
In that blest sphere alone we live and move;
There taste that life of life—immortal love.—
Smiles, glances, sighs, tears, fits, flirtations, airs,
‘Gainst such an host what flinty savage dares—
When awful Beauty joins with all her charms,
Who is so rash as rise in rebel arms?
But truce with kings and truce with constitutions,
With bloody armaments and revolutions,
Let majesty your first attention summon,
Ah! ça ira! the majesty of woman!
CXXXII. MONODY, ON A LADY FAMED FOR HER CAPRICE
[The heroine Of this rough lampoon was Mrs. Riddel of Woodleigh Park: a lady young and gay, much of a wit, and something of a poetess, and till the hour of his death the friend of Burns himself. She pulled his displeasure on her, it is said, by smiling more sweetly than he liked on some “epauletted coxcombs,” for so he sometimes designated commissioned officers: the lady soon laughed him out of his mood. We owe to her pen an account of her last interview with the poet, written with great beauty and feeling.]
How cold is that bosom which folly once fired,
How pale is that cheek where the rouge lately glisten’d!
How silent that tongue which the echoes oft tired,
How dull is that ear which to flattery so listen’d!
If sorrow and anguish their exit await,
From friendship and dearest affection remov’d;
How doubly severer, Maria, thy fate,
Thou diest unwept as thou livedst unlov’d.
Loves, Graces, and Virtues, I call not on you;
So shy, grave, and distant, ye shed not a tear:
But come, all ye offspring of Folly so true,
And flowers let us cull for Maria’s cold bier.
We’ll search through the garden for each silly flower,
We’ll roam through the forest for each idle weed;
But chiefly the nettle, so typical, shower,
For none e’er approach’d her but rued the rash deed.
We’ll sculpture the marble, we’ll measure the lay;
Here Vanity strums on her idiot lyre;
There keen indignation shall dart on her prey,
Which spurning Contempt shall redeem from his ire.
THE EPITAPH
Here lies, now a prey to insulting neglect,
What once was a butterfly, gay in life’s beam:
Want only of wisdom denied her respect,
Want only of goodness denied her esteem
CXXXIII. EPISTLE FROM ESOPUS TO MARIA
[Williamson, the actor, Colonel Macdouall, Captain Gillespie, and Mrs. Riddel, are the characters which pass over the stage in this strange composition: it is printed from the Poet’s own manuscript, and seems a sort of outpouring of wrath and contempt, on persons who, in his eyes, gave themselves airs beyond their condition, or their merits. The verse of the lady is held up to contempt and laughter: the satirist