William Shakespeare

A Midsummer Night’s Dream


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for, and proceed.

      QUINCE

      You, Nick Bottom, are set down for Pyramus.

      BOTTOM

      What is Pyramus? a lover, or a tyrant?

      QUINCE

      A lover, that kills himself most gallantly for love.

      BOTTOM

      That will ask some tears in the true performing of it. If I do it, let the audience look to their eyes; I will move storms; I will condole in some measure. To the rest – yet my chief humour is for a tyrant: I could play Ercles rarely, or a part to tear a cat in, to make all split.

      The raging rocks

      And shivering shocks

      Shall break the locks

      Of prison gates:

      And Phibbus' car

      Shall shine from far,

      And make and mar

      The foolish Fates.

      This was lofty. – Now name the rest of the players. – This is Ercles' vein, a tyrant's vein;—a lover is more condoling.

      QUINCE

      Francis Flute, the bellows-mender.

      FLUTE

      Here, Peter Quince.

      QUINCE

      Flute, you must take Thisby on you.

      FLUTE

      What is Thisby? a wandering knight?

      QUINCE

      It is the lady that Pyramus must love.

      FLUTE

      Nay, faith, let not me play a woman; I have a beard coming.

      QUINCE

      That's all one; you shall play it in a mask, and you may speak as small as you will.

      BOTTOM

      An I may hide my face, let me play Thisby too: I'll speak in a monstrous little voice;—'Thisne, Thisne!'– 'Ah, Pyramus, my lover dear; thy Thisby dear! and lady dear!'

      QUINCE

      No, no, you must play Pyramus; and, Flute, you Thisby.

      BOTTOM

      Well, proceed.

      QUINCE

      Robin Starveling, the tailor.

      STARVELING

      Here, Peter Quince.

      QUINCE

      Robin Starveling, you must play Thisby's mother.—

      Tom Snout, the tinker.

      SNOUT

      Here, Peter Quince.

      QUINCE

      You, Pyramus' father; myself, Thisby's father;—

      Snug, the joiner, you, the lion's part – and, I hope, here is a play fitted.

      SNUG

      Have you the lion's part written? pray you, if it be, give it me, for I am slow of study.

      QUINCE

      You may do it extempore, for it is nothing but roaring.

      BOTTOM

      Let me play the lion too: I will roar that I will do any man's heart good to hear me; I will roar that I will make the duke say 'Let him roar again, let him roar again.'

      QUINCE

      An you should do it too terribly, you would fright the duchess and the ladies, that they would shriek; and that were enough to hang us all.

      ALL

      That would hang us every mother's son.

      BOTTOM

      I grant you, friends, if you should fright the ladies out of their wits, they would have no more discretion but to hang us: but I will aggravate my voice so, that I will roar you as gently as any sucking dove; I will roar you an 'twere any nightingale.

      QUINCE

      You can play no part but Pyramus; for Pyramus is a sweet-faced man; a proper man, as one shall see in a summer's day; a most lovely gentleman-like man; therefore you must needs play Pyramus.

      BOTTOM

      Well, I will undertake it. What beard were I best to play it in?

      QUINCE

      Why, what you will.

      BOTTOM

      I will discharge it in either your straw-colour beard, your orange-tawny beard, your purple-in-grain beard, or your French-crown-colour beard, your perfect yellow.

      QUINCE

      Some of your French crowns have no hair at all, and then you will play bare-faced. – But, masters, here are your parts: and I am to entreat you, request you, and desire you, to con them by to-morrow night; and meet me in the palace wood, a mile without the town, by moonlight; there will we rehearse: for if we meet in the city, we shall be dogg'd with company, and our devices known. In the meantime I will draw a bill of properties, such as our play wants. I pray you, fail me not.

      BOTTOM

      We will meet; and there we may rehearse most obscenely and courageously. Take pains; be perfect; adieu.

      QUINCE

      At the duke's oak we meet.

      BOTTOM

      Enough; hold, or cut bow-strings.

      [Exeunt.]

      ACT II

      SCENE I. A wood near Athens

      [Enter a FAIRY at One door, and PUCK at another.]

      PUCK

      How now, spirit! whither wander you?

      FAIRY

      Over hill, over dale,

      Thorough bush, thorough brier,

      Over park, over pale,

      Thorough flood, thorough fire,

      I do wander everywhere,

      Swifter than the moon's sphere;

      And I serve the fairy queen,

      To dew her orbs upon the green.

      The cowslips tall her pensioners be:

      In their gold coats spots you see;

      Those be rubies, fairy favours,

      In those freckles live their savours;

      I must go seek some dew-drops here,

      And hang a pearl in every cowslip's ear.

      Farewell, thou lob of spirits; I'll be gone:

      Our queen and all her elves come here anon.

      PUCK

      The king doth keep his revels here to-night;

      Take heed the Queen come not within his sight.

      For Oberon is passing fell and wrath,

      Because that she, as her attendant, hath

      A lovely boy, stol'n from an Indian king;

      She never had so sweet a changeling:

      And jealous Oberon would have the child

      Knight of his train, to trace the forests wild:

      But she perforce withholds the lovèd boy,

      Crowns