The Woman in White. Wilkie Collins

p>Wilkie Collins

      The Woman in White

      THE WOMAN IN WHITE

      She appears out of nowhere, a woman dressed all in white, standing in the moonlight on the lonely heath. Walter Hartright is at first alarmed, but then sees that she is frightened and confused, and needs his help. He speaks kindly to her, walks with her to show her the right road, and soon she disappears into the night again.

      This strange meeting begins a chain of events that bring together Walter, Marian and her half-sister Laura, Sir Percival and his Italian friend Count Fosco in a mystery in which nothing is as it seems. And at the heart of the mystery is the sad, lonely figure of the woman in white – her life, her history, and the secret that she is desperate to reveal before she dies.

      It is a story of greed and evil, innocence and betrayal, confused identities and cruel deceptions. And also love – a love that begins with heartbreak and misery, where there seems no way forward, no hope for the future. But love does not die easily; it can survive separation, and despair, and even death itself …

Great Clarendon Street, Oxford OX2 6DPOxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide inOxford New YorkAuckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei TorontoWith offices inArgentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine VietnamOXFORD and OXFORD ENGLISH are registered trade marks of Oxford University Press in the UK and in certain other countriesThis simplified edition © Oxford University Press 2008Database right Oxford University Press (maker)First published in Oxford Bookworms 20022 4 6 8 10 9 7 5 3 1No unauthorized photocopyingAll rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the ELT Rights Department, Oxford University Press, at the address aboveYou must not circulate this book in any other binding or cover and you must impose this same condition on any acquirerAny websites referred to in this publication are in the public domain and their addresses are provided by Oxford University Press for information only. Oxford University Press disclaims any responsibility for the contentISBN 978 0 19 479270 7ACKNOWLEDGEMENTS Illustrated by: Kanako Damerum and Yuzuru TakasakiWord count (main text): 31,770 wordsFor more information on the Oxford Bookworms Library, visit www.oup.com/bookwormswww.oup.com/bookwormse-Book ISBN 978 0 19 478632 4e-Book first published 2012

      PEOPLE IN THIS STORY

      Walter Hartright, a drawing teacher

      Professor Pesca, a friend of Walter Hartright

      Anne Catherick, the woman in white

      Mrs Catherick, Anne’s mother

      Mrs Clements, a friend of Anne Catherick

      Laura Fairlie, later Laura, Lady Glyde

      Marian Halcombe, Laura’s half-sister

      Frederick Fairlie, Laura’s uncle, owner of Limmeridge House

      Mr Gilmore, lawyer to the Fairlie family

      Mr Kyrle, Mr Gilmore's partner and lawyer to the Fairlie family

      Sir Percival Glyde, owner of Blackwater Park

      Count Fosco, an Italian nobleman

      Countess Fosco (Madame Fosco), the Count’s wife, and Laura Fairlie’s Aunt Eleanor

      Mrs Michelson, the housekeeper at Blackwater Park

      Mrs Rubelle, a nurse employed by Count Fosco

      Mr Dawson, a doctor

      Fanny, Lady Glyde’s maid

      PART ONE

      THE STORY TOLD BY WALTER HARTRIGHT

      1

      A meeting by moonlight

      It was the last day of July. The long hot summer was coming to an end, and I was feeling ill and depressed. I was also short of money, so I had little chance of escaping from the dusty London streets, and would have to spend the autumn economically between my rooms in the city and my mother’s house.

      My mother and my sister, Sarah, lived in a cottage in Hampstead, in the northern suburbs, and I usually went to see them twice a week. This evening I arrived at the gate of the cottage just as it was starting to get dark. I had hardly rung the bell before the door was opened violently, and my Italian friend, Professor Pesca, rushed out to greet me.

      Pesca was a language teacher who had left Italy for political reasons and had made his home in England. He was a strange, excitable little man, who was always trying to be more English than the English. I had met him from time to time when he was teaching in the same houses as I was, and then one day I met him by chance in Brighton. We agreed to go for a swim together in the sea. He was very enthusiastic and it never for a moment occurred to me that he did not know how to swim! Fortunately, when he suddenly sank to the bottom, I was able to dive down and save him. From that day on he was my grateful friend, and that evening he showed his gratitude to me in a way that changed my whole life.

      ‘Now, my good friends,’ he said, when we were all in my mother’s sitting-room. ‘I have some wonderful news for you. I have been asked by my employer to recommend a drawing teacher for a post with a rich family in the north of England. And who do you think I have recommended? The best drawing teacher in the world – Mr Walter Hartright!’

      ‘My dear Pesca! How good you are to Walter!’ exclaimed my mother. ‘How kind, how generous you are!’

      As for myself, although I was certainly grateful for his kindness, I still felt strangely depressed. I thanked him warmly, however, and asked to see the conditions. The note he gave me said that a qualified drawing teacher was wanted by Mr Frederick Fairlie of Limmeridge House, Cumberland, to teach his two young nieces for a period of at least four months. The teacher was to live at Limmeridge House as a gentleman and receive four pounds a week. Letters to show he was of good character would be required.

      The position was certainly an attractive one, and I could not understand why I felt so little enthusiasm for it. However, since my mother and sister thought it was a great opportunity, and I had no wish to hurt Pesca’s feelings, I agreed to apply for the job.

      The next morning I sent my letters of recommendation to the Professor’s employer, and four days later I heard that Mr Fairlie accepted my services and requested me to start for Cumberland immediately. I arranged to leave the next day, and in the evening I walked to Hampstead to say goodbye to my mother and Sarah.

      When I left them at midnight, a full moon was shining in a dark blue, starless sky, and the air was soft and warm. I decided to take the long route home, and walk across Hampstead Heath before joining the road into the centre of the city. After a while I came to a crossroads and turned onto the London road. I was lost in my own thoughts, wondering about the two young ladies in Cumberland, when suddenly, my heart seemed to stop beating. A hand had touched my shoulder from behind.

      I turned at once, my hand tightening on my walking stick.

      There, as if it had dropped from the sky, stood the figure of a woman, dressed from head to foot in white clothes. I was too surprised to speak.

      ‘Is that the road into London?’