Fladgate's patience began to tire. 'We don't seem to be making any way, do we?' he said, with rather affected pleasantry. 'I'm afraid I must ask you to come to a decision on this without any more delay. Here is the manuscript you sent us. If the real author is dead we are compelled to return it with much regret. If you can tell me anything which does away with the difficulty, this is the time to tell it. Of course you will do exactly as you please, but after what you have chosen to tell us we can hardly see our way, as I said, to treat with you without some further explanation. Come, Mr. Ashburn, am I to have it or not?'
'Give me a little time,' said Mark faintly, and the publisher, as he had expected, read the signs of wavering in his face, though it was not of the nature he believed it to be.
Mark sat down again and rested his chin on his hand, with his face turned away from the other's eyes. A conflict was going on within him such as he had never been called upon to fight before, and he had only a very few minutes allowed him to fight it.
Perhaps in these crises a man does not always arrange pros and cons to contend for him in the severely logical manner with which we find him doing it in print. The forces on the enemy's side can generally be induced to desert. All the advantages which would follow if he once allowed himself to humour the publisher's mistake were very prominently before Mark's mind – the dangers and difficulties kept in the background. He was incapable of considering the matter coolly; he felt an overmastering impulse upon him, and he had never trained himself to resist his impulses for very long. There was very little of logical balancing going on in his brain; it began to seem terribly, fatally easy to carry out this imposition. The fraud itself grew less ugly and more harmless every instant.
He saw his own books, so long kept out in the cold by ignorant prejudice, accepted on the strength of Holroyd's 'Glamour,' and, once fairly before the public, taking the foremost rank in triumph and rapidly eclipsing their forerunner. He would be appreciated at last, delivered from the life he hated, able to lead the existence he longed for. All he wanted was a hearing; there seemed no other way to obtain it; he had no time to lose. How could it injure Holroyd? He had not cared for fame in life; would he miss it after his death? The publishers might be mistaken; the book might be unnoticed altogether; he might prove to be the injured person.
But, as Mr. Fladgate seemed convinced of its merit, as he would evidently take anything alleged to come from the same source without a very severe scrutiny, there was nothing for it but to risk this contingency.
Mark was convinced that publishers were influenced entirely by unreasoning prejudices; he thoroughly believed that his works would carry all before them if any firm could once overcome their repugnance to his powerful originality, and here was one firm at least prepared to lay that aside at a word from him. Why should he let it go unsaid?
The money transactions caused him the most hesitation. If he took money for another man's work, there was a name, and a very ugly name, for that. But he would not keep it. As soon as he learnt the names of Holroyd's legal representatives, whoever they might be, he would pay the money over to them without mentioning the exact manner in which it had become due. In time, when he had achieved a reputation for himself, he could give back the name he had borrowed for a time – at least he told himself he could do so.
He stood in no danger of detection, or, if he did, it was very slight. Vincent was not the man to confide in more than one person; he had owned as much. He had been reticent enough to conceal his real surname from his publishers, and now he could never reveal the truth.
All this rushed through his mind in a hurried, confused form; all his little vanities and harmless affectations and encouragements of false impressions had made him the less capable of resisting now.
'Well?' said Mr. Fladgate at last.
Mark's heart beat fast. He turned round and faced the publisher. 'I suppose I had better trust you,' he said awkwardly, and with a sort of shamefaced constraint that was admirably in keeping with his confession, though not artificial.
'I think so. Then you are the man – this book "Glamour"'s your own work?'
'If you must have it – yes,' said Mark desperately.
The words were spoken now, and for good or ill he must abide by them henceforth to the end.
CHAPTER X.
REPENTE TURPISSIMUS
NO sooner had Mark declared himself the author of his dead friend's book than he would have given anything to recall his words, not so much from conscience (though he did feel he had suddenly developed into a surprisingly finished scoundrel), as from a fear that his lie might after all be detected. He sat staring stupidly at Mr. Fladgate, who patted him on the shoulder with well-meant encouragement; he had never seen quite so coy an author before. 'I'm very glad to make Mr. Vincent Beauchamp's acquaintance – at last,' he said, beaming with honest pride at the success of his tactics, 'and now we can come to terms again.'
He did not find Mark more difficult to deal with than most budding authors, and in this case Mark was morbidly anxious to get the money part of the transaction over as soon as possible; he could not decide whether his conscience would be better or worse satisfied if he insisted on the best pecuniary terms he could obtain, so in his indecision he took the easier course of agreeing to everything.
'About the title now?' said Mr. Fladgate, when the terms had been reduced to a formal memorandum. 'I don't think I quite like your present one; too moonshiny, eh?'
Mark owned that it did sound a little moonshiny.
'I think, too, I rather think, there's something very like it out already, and that may lead to unpleasantness, you know. Now, can you suggest something else which will give a general idea of the nature of the book?'
As Mark had absolutely no idea what the book was about, he could not.
'Well, Mr. Blackshaw suggested something like "Enchantment," or "Witchery."'
'I don't care about either of those,' said Mark, who found this sort of dissembling unexpectedly easy.
'No,' said Mr. Fladgate, 'No. I think you're right. Now, I had a notion – I don't know what you will think of it – but I thought you might call it "A Modern Merlin," eh?'
'"A Modern Merlin,"' repeated Mark thoughtfully.
'Yes, it's not quite the right thing, perhaps, but it's taking, I think, taking.'
Mark said it was taking.
'Of course your hero is not exactly a magician, but it brings in the "Vivien" part of the story, don't you see?' Of course Mark did not see, but he thought it best to agree. 'Well,' continued Mr. Fladgate, who was secretly rather proud of his title, 'how does it strike you now? it seems to me as good a title as we are likely to hit upon.'
After all, Mark thought, what did it matter? it wasn't his book, except in name. 'I think it's excellent,' he said, 'excellent; and, by the way, Mr. Fladgate,' he added, 'I should like to change the nom de plume: it's a whim of mine, perhaps, but there's another I've been thinking lately I should like better.'
'By all means,' said the other, taking up a pencil to make the necessary alteration on the manuscript, 'but why not use your real name? I prophesy you'll be proud of that book some day; think over it.'
'No,' said Mark, 'I don't wish my real name to appear just yet' (he hardly knew why; perhaps a lingering sense of shame held him back from this more open dishonesty). 'Will you strike out "Vincent Beauchamp," and put in "Cyril Ernstone," please?' For 'Cyril Ernstone' had been the pseudonym which he had chosen long ago for himself, and he wished to be able to use it now, since he must not use his own.
'Very well, then, we may consider that settled. We think of bringing out the book as soon as possible, without waiting for the spring season; it will go to press at once and we will send you the proofs as soon as we get them in.'
'There's one thing, perhaps, I'd better mention,' said Mark suddenly; after he had turned to go a new danger had occurred to him, 'the handwriting of the manuscript is not mine. I – I thought it as well to tell you that beforehand; it might lead to mistakes. I had it copied out for me by – by a friend.'
Mr.