Benson Edward Frederic

The Capsina. An Historical Novel


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and I and you and the ship, will go straight up to heaven."

      She laughed softly at herself, and buried her face in the dog's shaggy ruff. "Oh, Michael," she whispered, "the cousins are all saying how queer a girl I am. So perhaps am I, but not as they think. I should be the queerer if I married Christos, and yet to their minds my queerness is that I do not. Why did you not bite him when he came here this morning? for so he would have run away, and this thinking would have been saved. Yet you were right, he is a familiar thing, and we do not bite what is familiar. Perhaps, when the strange man comes, I shall hate him, although I do nothing else but love him. Yet, oh, I am proud, for we are prouder, as the proverb says, than the Mavromichales of Maina. But, Christos, he is slower than a tortoise, and less amusing than a mule; oh, well enough no doubt for some, but not for me. Perhaps I shall marry none; that is very likely, for the men I see here, for instance, are not fit things to marry, and so, I make no doubt, they think me. And there is always the ship-building. Oh, we will get very wise, Michael, and sail our ship ourselves, and see strange countries and over-sea people. There must be some one in this big world as well as I, and yet I have not seen him, but we will do nothing without thinking, Michael, unless it so happens that some day we no longer want or are able to think. Perhaps that – there, get down, you are heavy."

      She pushed the dog's paws off her lap, and, rising from her chair, went to the end of the veranda to look out upon the night. The full moon swung high and white among the company of stars, and the sea was all a shimmer of pearly light. A swell was rolling in soft and huge from the south, and the end of the pier was now and again outlined with broken foam. Beneath the moonlight the massive seas looked only a succession of waving light and shadow, and the rattle of the pebbles on the shingly beach outside the pier in the drag of the swell came rhythmical and muffled. The Capsina, in the unrest and ferment of her thoughts, was unwittingly drawn towards that vastness of eternal and majestic movement, and slipping her embroidered Rhodian hood over her head, she whistled softly to Michael, and went down through the strip of garden towards the shore.

      She passed along the quay and out beyond the harbor; all the wandering scents of a night in early summer were in the air, and the rough strip of untrained moorland which lay beyond the town was covered with flowering thyme and aromatic herbs, rooty and fragrant to the nostrils. She walked quickly across this and came down to the shingly beach which fringed the promontory. All along its edge the swell was breaking in crash and flying foam, for the south wind of the day before had raised a storm out to sea, and several ships had that day put in for shelter. Far out she could see a pillar of spray rise high and disappear again over a reef of rock, gleaming for a moment with incredible whiteness in the moonlight. Michael snuffed about in rapturous pursuit of interesting smells among the edge of rough herbs that fringed the beach, making sudden excursions and flank movements inland, and grubbing ecstatically among the tussocks of cistus and white heath after wholly imaginary hares. By degrees Sophia walked more slowly, and, coming to the end of the promontory, stopped for a moment before she began to retrace her steps. No, she could not marry Christos; she could not cut herself off from the thrill that her large independence gave her, from working for herself, from the headship of the clan. For her she thought was a wider life than that of the women of her race. How could she limit herself, with her young, strong body, and the will which moved it, to the distaff and the spinning-wheel? Christos! He was afraid of Michael, he was afraid of the sea, he was afraid of her. But how to make this clear to demonstration to the clan was beyond her. Moreover – and the thought was like a stinging insect – there lay at home the deed of her betrothal to her cousin.

      She whistled to Michael and turned back into the town. Several groups of men were scattered along the length of the quay, and the Capsina, walking swiftly by, saw that Christos was among them. She hung on her step a moment, and then, with a sudden idea, turned round and called to him.

      "Christos Capsas," she said, "I would speak to you a moment. Yes, it is I, Sophia."

      Christos disengaged himself from the group a little reluctantly and followed her. He was a somewhat handsome-looking fellow, but rather heavily made, and slow and slouching in his movements. The Capsina, seeming by his side doubly alert, walked on with him in silence for a space, and then stopped again.

      "See, Christos," she said, "I have no wish to offend you or any. If what I said this morning was an offence to you, please know that to me now my words were an offence. Yet I will not marry you," and on the word she suddenly flared out – "oh! be very sure of that! And I have something to say to the clan. Be good enough to tell them that I expect all the men to dinner with me to-morrow, when I will speak to them. You will come yourself. Yes? Let me know how many will be there to-morrow early. Good-night, my cousin. Michael, be quiet, and come with me."

      The clan signified their intention of accepting the Capsina's invitation in large numbers, for they too felt that their family affairs must come to a crisis, and that something explicit was needed. The Capsina, they were sure, would supply this need. As the day was warm, she gave orders that the dinner should be served in the veranda, and that the barrel of wine which had been put on board the brig should be brought back, for it was her best. All morning she attended to the things for their entertainment, first going to the market to buy the best of the freshly caught mullet and a lump of caviare, wrapped up in vine leaves, and choosing with care a lamb to be roasted whole over the great open fireplace; then, returning to see that the pilaff of chicken was properly seasoned, that the olives were dried and put in fresh oil, and herself mixing the salad, flavoring it with mint and a sprinkling of cheese and garlic. After that the rose-leaf jam had to be whipped up with cream and raw eggs for the sweets, and another pot to be opened to be offered to the guests, with glasses of cognac as an appetizer; cheese had to be fetched from the cellar, and dried figs and oranges from the store cupboard. Then Michael, to whom the hot smells were a tremulous joy, must be chained up, and in the midst of these things there arrived a notary from the town, who, at Sophia's dictation, for she had but little skill at writing herself, drew up a deed and explained to her where the witnesses should sign or make their mark. By this time it was within an hour of dinner, and she went to her room to dress, and think over what she was going to say.

      Sophia had an inbred instinct for completeness, and she determined on this occasion to make herself magnificent. She took from their paper-wrappings her three fête dresses, one of which had never been worn, and looked them over carefully before deciding between them. Eventually she fixed on the new one. This consisted of three garments, a body, a skirt, and a long sleeveless jacket reaching to the knees. The body was made of fine home-spun wool buttoning down the side, but the whole of the front was a piece of silk Rhodian embroidery in red, green, and gold, and a narrow strip of the same went round the wrists. The skirt was of the same material, but there was stitched over it a covering of thin Greek silk, creamy-white in color, and round the bottom of the skirt ran a trimming of the same Rhodian stuff. Before putting the jacket on she opened a box that stood by her bed, and took from it four necklaces of Venetian gold sequins, one short and coming round the neck like a collar, and the other three of increasing size, the largest hanging down almost as far as her waist. Then she put on the jacket, which, like the other garments, was bordered with embroidery, and draping her hair in an orange-colored scarf of Greek silk, she fastened it with another band of Venetian gold coins, which passed twice round her head. Then, hesitating a moment, she went back to the box where her gold ornaments were kept, and drew out the great heirloom of her clan, and held it in her hand a moment. It was a belt of antique gold chain, more than an inch in width, each link being set with two pearls. The clasp was of two gold circles, with a hook behind, and on each of them was chased the lion of Venice. Scroll-work of leaves and branches, on which sat curious archaic eagles, ran round it, and eight large emeralds were set in each rim. Sophia looked at it doubtfully for a moment or two, and then fastened it round her waist, inside her jacket, so as to hide the joining of the body and skirt.

      Her guests soon began to arrive, the first of them being Christos, the father of her betrothed, with his son. The old man had determined to be exceedingly dignified and cold to Sophia, and as a mark of his disapproval had not put on his festa clothes. But the sight of that glorious figure, all color, walking out from the shade of the veranda into the brilliant sunlight to meet them, took, as he said afterwards, "all the pith" out of him.

      Sophia received him with a sort of regal dignity as befitted the head of the clan: