of building, which had been added to, and altered, and taken away from, and added to again, like that well-known puzzle in mental arithmetic which used to amuse us in our childhood. It was all gables, and chimney-stacks, and odd angles, and ivy-mantled wall, and richly-mullioned windows, or quaint little diamond-paned lattices, peeping like a watchful eye from under the shadow of a jutting cornice. The stables had been added in Queen Elizabeth's time, after the monks had been routed from their snug quarters, and the Abbey had been bestowed upon one of the Tudor favourites. These Elizabethan stables formed the four sides of a quadrangle, stone-paved, with an old marble basin in the centre – a basin which the Vicar pronounced to be an early Saxon font, but which Squire Tempest refused to have removed from the place it had occupied ever since the stables were built. There were curious carvings upon the six sides, but so covered with mosses and lichens that nobody could tell what they meant; and the Squire forbade any scraping process by officious antiquarians, which might lead to somebody's forcible appropriation of the ancient basin.
The Squire was not so modern in his ideas as to set up his own gasometer, so the stables were lighted by lanterns, with an oil-lamp fixed here and there against the wall. Into this dim uncertain light came Roderick and Vixen, through the deep stone archway which opened from the shrubbery into the stable-yard, and which was solid enough for the gate of a fortified town.
Titmouse's stable was lighted better then the rest. The door stood open, and there was Titmouse, with the neat little quilted doeskin saddle still on his back, waiting to be fed and petted by his young mistress. It was a pretty picture, the old low-ceiled stable, with its wide stalls and roomy loose-boxes and carpet of plaited straw, golden against the deep brown of the woodwork.
Vixen ran into the box, and took off Titmouse's bridle, he holding down his head, like a child submitting to be undressed. Then, with many vigorous tugs at straps and buckles, and a good deal of screwing up of her rosy lips in the course of the effort, Vixen took off her pony's saddle.
"I like to do everything I can for him," she explained, as Rorie watched her with an amused smile; "I'd wisp him down if they'd let me."
She left the leather panel on Titmouse's back, hung up saddle and bridle, and skipped off to a corn-chest to hunt for apples. Of these she brought half-a-dozen or so in the skirt of her habit, and then, swinging herself lightly into a comfortable corner of the manger, began to carry out her system of reward for good conduct, with much coquetry on her part and Titmouse's, Rorie watching it all from the empty stall adjoining, his folded inns resting on the top of the partition. He said not another word about his mother, or the duty that called him home to Briarwood, but stood and watched this pretty horsebreaker in a dreamy contentment.
What was Violet Tempest, otherwise Vixen, like, this October evening, just three months before her fifteenth birthday? She made a lovely picture in this dim light, as she sat in the corner of the old manger, holding a rosy-cheeked apple at a tantalising distance from Titmouse's nose: yet she was perhaps not altogether lovely. She was brilliant rather than absolutely beautiful. The white skin was powdered with freckles. The rippling hair was too warm an auburn to escape an occasional unfriendly remark from captious critics; but it was not red hair for all that. The eyes were brownest of the brown, large, bright, and full of expression. The mouth was a thought too wide, but it was a lovely mouth notwithstanding. The lips were full and firmly moulded – lips that could mean anything, from melting tenderness to sternest resolve. Such lips, a little parted to show the whitest, evenest teeth in Hampshire, seemed to Rorie lovely enough to please the most critical connoisseur of feminine beauty. The nose was short and straight, but had a trick of tilting itself upward with a little impatient jerk that made it seem retroussé; the chin was round and full and dimpled; the throat was full and round also, a white column supporting the tawny head, and indicated that Vixen was meant to be a powerful woman, and not one of those ethereal nymphs who lend themselves most readily to the decorative art of a court milliner.
"I'm afraid Violet will be a dreadfully large creature," Mrs. Tempest murmured plaintively, as the girl grew and flourished; that lady herself being ethereal, and considering her own appearance a strictly correct standard of beauty. How could it be otherwise, when she had been known before her marriage as "the pretty Miss Calthorpe?"
"This is very nice, you know, Vixen," said Roderick critically, as Titmouse made a greedy snap at an apple, and was repulsed with a gentle pat on his nose, "but it can't go on for ever. What'll you do when you are grown up?"
"Have a horse instead of a pony," answered Vixen unhesitatingly.
"And will that be all the difference?"
"I don't see what other difference there can be. I shall always love papa, I shall always love hunting, I shall always love mamma – as much as she'll let me. I shall always have a corner in my heart for deal old Crokey; and, perhaps," looking at him mischievously, "even an odd corner for you. What difference can a few more birthdays make in me? I shall be too big for Titmouse, that's the only misfortune; but I shall always keep him for my pet, and I'll have a basket-carriage and drive him when I go to see my poor people. Sitting behind a pony is an awful bore when one's natural place is on his back, but I'd sooner endure it than let Titmouse fancy himself superannuated."
"But when you're grown up you'll have to come out, Vixen. You'll be obliged to go to London for a season, and be presented, and go to no end of balls, and ride in the Row, and make a grand marriage, and have a page all to yourself in the Court Journal."
"Catch me – going to London!" exclaimed Vixen, ignoring the latter part of the sentence. "Papa hates London, and so do I. And as to riding in Rotten Row, je voudrais bien me voir faisant cela," added Vixen, whose study of the French language chiefly resulted in the endeavour to translate English slang into that tongue. "No, when I grow up I shall take papa the tour of Europe. We'll see all those places I'm worried about at lessons – Marathon, Egypt, Naples, the Peloponnesus, tout le tremblement– and I shall say to each of them, 'Oh, this is you, is it? What a nuisance you've been to me on the map.' We shall go up Mount Vesuvius, and the Pyramids, and do all sorts of wild things; and by the time I come home I shall have forgotten the whole of my education."
"If Miss McCroke could hear you!"
"She does, often. You can't imagine the wild things I say to her. But I love her – fondly."
A great bell clanged out with a vigorous peal, that seemed to shake the old stable.
"There's the first bell. I must run and dress. Come to the drawing-room and see mamma."
"But, Vixen, how can I sit down to dinner in such a costume," remonstrated Rorie, looking down at his brown shooting-suit, leather gaiters, and tremendous boots – boots which, instead of being beautified with blacking, were suppled with tallow; "I can't do it, really."
"Nonsense," cried Vixen, "what does it matter? Papa seldom dresses for dinner. I believe he considers it a sacrifice to mamma's sense of propriety when he washes his hands after coming in from the home farm. And you are only a boy – I beg pardon – an undergraduate. So come along."
"But upon my word, Vixen, I feel too much ashamed of myself."
"I've asked you to dinner, and you've accepted," cried Vixen, pulling him out of the stable by the lapel of his shooting-jacket.
He seemed to relish that mode of locomotion, for he allowed himself to be pulled all the way to the hall-door, and into the glow of the great beech-wood fire; a ruddy light which shone upon many a sporting trophy, and reflected itself on many a gleaming pike and cuirass, belonging to days of old, when gentlemanly sport for the most part meant man-hunting.
It was a fine old vaulted hall, a place to love and remember lovingly when far away. The walls were all of darkly bright oak panelling, save where here and there a square of tapestry hung before a door, or a painted window let in the moonlight. At one end there was a great arched fireplace, the arch surmounted with Squire Tempest's armorial bearings, roughly cut in freestone. A mailed figure of the usual stumpy build, in helm and hauberk, stood on each side of the hearth; a large three-cornered chair covered with stamped and gilded leather was drawn up to the fireside, the Squire's favourite seat on an autumn or winter afternoon. The chair was empty now, but, stretched at full length before the blazing logs, lay the Squire's chosen companion, Nip, a powerful liver-coloured