Donald Wigal

Pollock


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participated. We also had look-alike actors playing Franz Kline, Helen Frankenthaler (the Art In America critic), and Philip Guston.

      In the movie, these characters are seen individually exchanging comments with Jackson prior to being set to work on the painting. (Rabinovich knew Guston, who visited his studio a few times).

      Rabinovitch said,

      I had tried to get Larry Rivers, whom I knew, to come over (to participate in the Blue Poles scene) which would have been great fun, but he was already very ill and in fact passed away that very week. In his honour we did a scene later that day where our Jackson runs over a Larry Rivers sculpture (on purpose) which provokes a bit of fun and a yelling fight, with a real Manhattan art dealer playing the part of Larry. Larry Rivers died on 26 August, 2002 of liver cancer. In its obituary of Rivers, Time Magazine remembers Rivers once suggested the headline for his obituary should state, ‘Genius of the Vulgar Dies at 63’[90]. He lived to be seventy-eight.

      Also in the scene are the sculptor Reuben Nakian’s son and a real Manhattan art critic and Greenberg look-alike. Rabinovitch adds, “Filling things out was a look-alike (Marcel) Duchamp. We returned late that night with a handful of people and by using my night vision camera did some meditation scenes of Pollock with the painting.”

      For the earlier feature film Pollock (2000), Ed Harris never got to use the actual Pollock studio. Instead, he recreated a look-alike studio from scratch somewhere in Brooklyn (45). However, Rabinovitch explained that for PollockSquared:

      We actually used the real studio several times, but not on the day of the Blue Poles shoot. When we did use the real studio we used slippers but in one scene our Pollock and Krasner play off each other barefoot as a reminiscing Pollock goes around pointing out patches of colour on the floor, identifying several by year and by painting. On the day of shooting that scene we also showed our handsome de Kooning, a real Italian art dealer playing (Leo) Castelli, as well as look-alikes playing (Clement) Greenberg, and our vivacious (Peggy) Guggenheim[91].

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      Примечания

      1

      to his father LeRoy, February, 1932

      2

      Gabor. Page 49

      3

      Solomon. Page 178. Letter to his friend, Louis Bunce.

      4

      Walsh. Paragraph 8

      5

      Walsh. Paragraph 13

      6

      interview for a Sag Harbor radio station in the Fall of 1950; Cf. O’Connor (77) Pages 79–81

      7

      Salomon. Page 19

      8

      Updike. Page 55

      9

      Stevens. Page 392

      10

      × 228.6 cm, Collection Samuel and Ronnie Heyman.

      11

      Harrison (46). Page 8

      12

      Solomon. Page 18

      13

      telegram to Time Magazine

      14

      Potter. Page 23

      15

      interview for a Sag Harbor radio station in the Fall of 1950; Cf. O’Connor (77) Pages 79–81

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Примечания

1

to his father LeRoy, February, 1932

2

Gabor. Page 49

3

Solomon. Page 178. Letter to his friend, Louis Bunce.

4

Walsh. Paragraph 8

5

Walsh. Paragraph 13

6

interview for a Sag Harbor radio station in the Fall of 1950; Cf. O’Connor (77) Pages 79–81

7

Salomon. Page 19

8

Updike. Page 55

9

Stevens. Page 392

10

× 228.6 cm, Collection Samuel and Ronnie Heyman.

11

Harrison (46). Page 8

12

Solomon. Page 18

13

telegram to Time Magazine

14

Potter. Page 23

15

interview for a Sag Harbor radio station in the Fall of 1950; Cf. O’Connor (77) Pages 79–81

16

To avoid confusion about New York geographic areas – the state, the city, the borough – this book refers to the borough as Manhattan.

17

New York Times. February 18, 2005. Page E37

18

Cf. Mark Cooper. Baseball Games: Home Versions of the National Pastime. 1860s to 1960s. (Schiffer, 1995.). Phone conversation with the author, March 11, 2005.

19

Naifeh. Page 29

20

Naifeh. Page 584.

21

Adams. Study for “Poker Night.” Pages 38–39. Painting reproduced in Adam’s biography of Benton. Page 333

22

interview for a Sag Harbor radio station in the Fall of 1950; Cf. O’Connor (77) Pages 79–81

23

Naifeh. Page 796

24

to Selden Rodman, 1956

25

Stephen Little. Isms. (Universe, 2004) Page 117.

26

Walsh. Paragraph 24–25

27

Dearborn. Page 219

28

Harrison. Page 9. Letter: January 31, 1930.

29

to his father LeRoy, February, 1932