alone, he requested permission to wait upon me at the inn in the evening, urging, as a reason for this request, that he must be exceedingly gratified by the conversation of a gentleman who could read the characters upon the monument of Vernon, the founder of Haddon House, a treat he had not met with for many years. After a very pleasant gossip we parted, but not till my honest friend had, after some apparent struggle, begged of me to indulge him with my name.”
To his careful attention is to be attributed the preservation of the curious Vernon and other monuments in the church, over which in some instances he placed wooden framework to keep off the rough hands and rougher knives of the boys and young men of the congregation. He also watched with special care over the Wendesley tomb, and even took careful rubbings of the inscriptions.
While speaking of this Mr. Roe, it may be well to put the readers of this work in possession of an interesting fact in connection with the name of Roe, or Row. The writer above, in his letter to Mr. Urban, says, “If he did not possess the learning of his namesake, your old and valued correspondent,” &c. By this he means “T Row,” whose contributions to the Gent’s. Mag. were very numerous and interesting. The writer under this signature was the Rev. Samuel Pegge, rector of Whittington, and the letters forming this pseudonym were the initials of the words, T[he] R[ector] O[f] W[hittington].
Philip Roe, who succeeded his father (Samuel Roe) as parish clerk of Bakewell, was his son by his third wife. He was born in 1763, and succeeded his father in full parochial honours in 1792, having, we believe, for some time previously acted as his deputy. He died in 1815, aged 52 years, and was buried with the other members of the family. The following curious inscription appears on his grave-stone: —
Erected
The vocal Powers here let us mark
Of Philip our late Parish Clerk
In Church none ever heard a Layman
With a clearer Voice say “Amen!”
Who now with Hallelujahs Sound
Like Him can make the Roofs rebound?
The Choir lament his Choral Tones
The Town – so soon Here lie his Bones.
“Sleep undisturb’d within thy peaceful shrine
Till Angels wake thee with such notes as thine.”
Our genial friend, Cuthbert Bede, B.A., author of “Verdant Green,” tells us, “As a boy I often attended the service at Belbroughton Church, Worcestershire, where the parish clerk was Mr. Osborne, tailor. His family had there been parish clerks and tailors since the time of Henry the Eighth, and were lineally descended from William FitzOsborne, who, in the twelfth century, had been deprived by Ralph FitzHerbert of his right to the manor of Bellem, in the parish of Belbroughton. Often have I stood in the picturesque churchyard of Wolverley, Worcestershire, by the grave of its old parish clerk, whom I well remember, old Thomas Worrall, the inscription on whose monument is as follows: —
“He served with faithfulness in humble sphere,
As one who could his talent well employ.
Hope that when Christ his Lord shall reappear,
He may be bidden to his Master’s joy.”
It may be noted of this worthy parish clerk that, with the exception of a week or two before his death, he was never once absent from his Sunday and weekday duties in the forty-seven years during which he held office. He succeeded his father, James Worrall, who died in 1806, aged seventy-nine, after being parish clerk of Wolverley for thirty years. His tombstone, near to that of his son, was erected “to record his worth both in his public and private character, and as a mark of personal esteem – h. l. F. H. & W. C. p. c.” I am told that these initials stand for F. Hurtle and the Rev. William Callow, and that the latter was the author of the following lines inscribed on the monument, which are well worth quoting: —
“If courtly bards adorn each statesman’s bust,
And strew their laurels o’er each warrior’s dust
Alike immortalise, as good and great,
Him who enslaved as him who saved the state,
Surely the muse (a rustic minstrel) may
Drop one wild flower upon a poor man’s clay;
This artless tribute to his mem’ry give
Whose life was such as heroes seldom live.
In worldly knowledge, poor indeed his store —
He knew the village and he scarce knew more.
The worth of heavenly truth he justly knew —
In faith a Christian, and in practice too.
Yes, here lies one, excel him ye who can;
Go! imitate the virtues of that man!”
First amongst notable sextons is the name of Old Scarlett, who died July 2, 1591, at the good old age of ninety-eight, and occupied for a long time the position as sexton of Peterborough Cathedral. He buried two generations of his fellow-creatures. A portrait of him, placed at the west end of that noble church, has perpetuated his fame, and caused him to be introduced in effigy in various publications. Dr. Robert Chambers in his entertaining work, the “Book of Days,” writes: “And what a lively effigy – short, stout, hardy, and self-complacent, perfectly satisfied, and perhaps even proud, of his profession, and content to be exhibited with all its insignia about him! Two queens had passed through his hands into that bed which gives a lasting rest to queens and to peasants alike. An officer of Death, who had so long defied his principal, could not but have made some impression on the minds of bishop, dean, prebends, and other magnates of the Cathedral, and hence, as we may suppose, the erection of this lively portraiture of the old man, which is believed to have been only once renewed since it was first put up. Dr. Dibdin, who last copied it, tells us that ‘Old Scarlett’s jacket and trunkhose are of a brownish red, his stockings blue, his shoes black, tied with blue ribbons, and the soles of his feet red. The cap upon his head is red, and so also is the ground of the coat armour.’”
The following lines below his portrait are characteristic of his age: —
You see old Scarlett’s picture stand on hie;
But at your feet here doth his body lye.
His gravestone doth his age and death-time show,
His office by heis token [s] you may know.
Second to none for strength and sturdy lymm,
A scare-babe mighty voice, with visage grim;
He had inter’d two queenes within this place,
And this townes householders in his life’s space
Twice over; but at length his own time came
What he for others did, for him the same
Was done: no doubt his soule doth live for aye,
In heaven, though his body clad in clay.
The first of the queens interred by Scarlett was Catherine, the divorced wife of Henry VIII, who died in 1535, at Kimbolton Castle, in Huntingdonshire. The second was Mary Queen of Scots, who was beheaded at Fotheringay in 1587, and first interred here, though subsequently transported to Westminster Abbey.
Our next example is from Bingley, Yorkshire: —