friends among the merchants who lounged about the city's pleasure-ground, lazily chatting over their business affairs. Then they turned up past Bowling Green into Broadway, where Mr. Dolph kept on bowing, for half the town was out, taking the fresh morning for marketing and all manner of shopping. Everybody knew Jacob Dolph afar off by his blue coat with the silver buttons, his nankeen waistcoat, and his red-checked Indian silk neckcloth. He made it a sort of uniform. Captain Beare had brought him a bolt of nankeen and a silk kerchief every year since 1793, when Mr. Dolph gave him credit for the timber of which the Ursa Minor was built.
And everybody seemed willing to make acquaintance with young Jacob's London-made kerseymere breeches, of a bright canary color, and with his lavender silk coat, and with his little chapeau de Paris. Indeed, young Jacob was quite the most prominent moving spectacle on Broadway, until they came to John Street, and saw something rolling down the street that quite cut the yellow kerseymeres out of all popular attention.
This was a carriage, the body of which was shaped like a huge section of a cheese, set up on its small end upon broad, swinging straps between two pairs of wheels. It was not unlike a piece of cheese in color, for it was of a dull and faded grayish-green, like mould, relieved by pale-yellow panels and gilt ornaments. It was truly an interesting structure, and it attracted nearly as much notice on Broadway in 1807 as it might to-day. But it was received with far more reverence, for it was a court coach, and it belonged to the Des Anges family, the rich Huguenots of New Rochelle. It had been built in France, thirty years before, and had been sent over as a present to his brother from the Count des Anges, who had himself neglected to make use of his opportunities to embrace the Protestant religion.
When the white-haired old lady who sat in this coach, with a very little girl by her side, saw Mr. Dolph and his son, she leaned out of the window and signalled to the old periwigged driver to stop, and he drew up close to the sidewalk. And then Mr. Dolph and his son came up to the window and took off their hats, and made a great low bow and a small low bow to the old lady and the little girl.
"Madam Des Anges," said Mr. Dolph, with an idiom which he had learned when he was presented at the court of Louis the Sixteenth, "has surely not driven down from New Rochelle this morning? That would tax even her powers."
Madam Des Anges did not smile – she had no taste for smiling – but she bridled amiably.
"No, Mr. Dolph," she replied; "I have been staying with my daughter-in-law, at her house at King's Bridge, and I have come to town to put my little granddaughter to school. She is to have the privilege of being a pupil of Mme. Dumesnil."
Madam Des Anges indicated the little girl with a slight movement, as though she did not wish to allow the child more consideration than a child deserved. The little girl turned a great pair of awed eyes, first on her grandmother, and then on the gentlemen, and spoke no word. Young Jacob Dolph stared hard at her, and then contemplated his kerseymeres with lazy satisfaction. He had no time for girls. And a boy who had his breeches made in London was a boy of consequence, and need not concern himself about every one he saw.
"And this is your son, I make no doubt," went on Madam Des Anges; "you must bring him to see us at King's Bridge, while we are so near you. These young people should know each other."
Mr. Dolph said he would, and showed a becoming sense of the honor of the invitation; and he made young Jacob say a little speech of thanks, which he did with a doubtful grace; and then Mr. Dolph sent his compliments to Madam Des Anges' daughter-in-law, and Madam Des Anges sent her compliments to Mrs. Dolph, and there was more stately bowing, and the carriage lumbered on, with the little girl looking timorously out of the window, her great eyes fixed on the yellow kerseymeres, as they twinkled up the street.
"Papa," said young Jacob, as they turned the corner of Ann Street, "when may I go to a boys' school? I'm monstrous big to be at Mrs. Kilmaster's. And I don't like to be a girl-boy."
"Are you a girl-boy?" inquired his father, smiling.
"Aleck Cameron called me one yesterday. He said I was a girl-boy because I went to dame-school. He called me Missy, too!" the boy went on, with his breast swelling.
"We'll see about it," said Mr. Dolph, smiling again; and they walked on in silence to Mrs. Kilmaster's door, where he struck the knocker, and a neat mulatto girl opened the narrow door. Then he patted his boy on the head and bade him good-by for the morning, and told him to be a good boy at school. He took a step or two and looked back. Young Jacob lingered on the step, as if he had a further communication to make. He paused.
"I thumped him," said young Jacob, and the narrow door swallowed him up.
Mr. Dolph continued on his walk up Broadway. As he passed the upper end of the Common he looked with interest at the piles of red sandstone among the piles of white marble, where they were building the new City Hall. The Council had ordered that the rear or northward end of the edifice should be constructed of red stone; because red stone was cheap, and none but a few suburbans would ever look down on it from above Chambers Street. Mr. Dolph shook his head. He thought he knew better. He had watched the growth of trade; he knew the room for further growth; he had noticed the long converging lines of river-front, with their unbounded accommodation for wharves and slips. He believed that the day would come – and his own boy might see it – when the business of the city would crowd the dwelling-houses from the river side, east and west, as far, maybe, as Chambers Street. He had no doubt that the boy might find himself, forty years from then, in a populous and genteel neighborhood. Perhaps he foresaw too much; but he had a jealous yearning for a house that should be a home for him, and for his child, and for his grandchildren. He wanted a place where his wife might have a garden; a place which the boy would grow up to love and cherish, where the boy might bring a wife some day. And even if it were a little out of town – why, his wife did not want a rout every night; and it was likely his old friends would come out and see him once in a while, and smoke a pipe in his garden and eat a dish of strawberries, perhaps.
As he thought it all over for the hundredth time, weighing for and against in his gentle and deliberative mind, he strolled far out of town. There was a house here and there on the road – a house with a trim, stiff little garden, full of pink and white and blue flowers in orderly, clam-shell-bordered beds. But it was certainly, he had to admit, as he looked about him, very countrified indeed. It seemed that the city must lose itself if it wandered up here among these rolling meadows and wooded hills. Yet even up here, half way to Greenwich Village, there were little outposts of the town – clumps of neighborly houses, mostly of the poorer class, huddling together to form small nuclei for sporadic growth. There was one on his right, near the head of Collect Street. Perhaps that quizzical little old German was right, who had told him that King's Bridge property was a rational investment.
He went across the hill where Grand Street crosses Broadway, and up past what was then North and is to-day Houston Street, and then turned down a straggling road that ran east and west. He walked toward the Hudson, and passed a farmhouse or two, and came to a bare place where there were no trees, and only a few tangled bushes and ground-vines.
Here a man was sitting on a stone, awaiting him. As he came near, the man arose.
"Ah, it's you, Weeks? And have you the plan?"
"Yes, Colonel – Mr. Dolph. I've put the window where you want it – that is, my brother Levi did – though I don't see as you're going to have much trouble in looking over anything that's likely to come between you and the river."
Mr. Dolph took the crisp roll of parchment and studied it with loving interest. It had gone back to Ezra Weeks, the builder, and his brother Levi, the architect, for the twentieth time, perhaps. Was there ever an architect's plan put in the hands of a happy nest-builder where the windows did not go up and down from day to day, and the doors did not crawl all around the house, and the veranda did not contract and expand like a sensitive plant; or where the rooms and closets and corridors did not march backward and forward and in and out at the bidding of every fond, untutored whim?
"It's a monstrous great big place for a country-house, Mr. Dolph," said Ezra Weeks, as he looked over Jacob Dolph's shoulder at the drawings of the house, and shook his head with a sort of pitying admiration for the projector's audacity.
They talked for a while, and looked at the site