Benson Arthur Christopher

The Thread of Gold


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munches the tender herbage of the spirit. For myself I have generally a certain number of dull tasks to perform, not in themselves interesting, and out of which little pleasure can be extracted, except the pleasure which always results from finishing a piece of necessary work. When I am wise, I seize upon a day in which I am overhung with a shadow of sadness to clear off work of this kind. It is in itself a distraction, and then one has the pleasure both of having fought the mood and also of having left the field clear for the mind, when it has recovered its tone, to settle down firmly and joyfully to more congenial labours.

      To-day, little by little, the cloudy mood drew off and left me smiling. The love of the peaceful and patient earth came to comfort me. How pure and free were the long lines of ploughland, the broad back of the gently-swelling down! How clear and delicate were the February tints, the aged grass, the leafless trees! What a sense of coolness and repose! I stopped a long time upon a rustic-timbered bridge to look at a little stream that ran beneath the road, winding down through a rough pasture-field, with many thorn-thickets. The water, lapsing slowly through withered flags, had the pure, gem-like quality of the winter stream; in summer it will become dim and turbid with infusorial life, but now it is like a pale jewel. How strange, I thought, to think of this liquid gaseous juice, which we call water, trickling in the cracks of the earth! And just as the fish that live in it think of it as their world, and have little cognisance of what happens in the acid, unsubstantial air above, except the occasional terror of the dim, looming forms which come past, making the soft banks quiver and stir, so it may be with us; there may be a great mysterious world outside of us, of which we sometimes see the dark manifestations, and yet of the conditions of which we are wholly unaware.

      And now it grew dark; the horizon began to redden and smoulder; the stream gleamed like a wan thread among the distant fields. It was time to hurry home, to dip in the busy tide of life again. Where was my sad mood gone? The clear air seemed to have blown through my mind, hands had been waved to me from leafless woods, quiet voices of field and stream had whispered me their secrets; "We would tell, if we could," they seemed to say. And I, listening, had learnt patience, too – for awhile.

      IV

      The Flower

      I have made friends with a new flower. If it had a simple and wholesome English name, I would like to know it, though I do not care to know what ugly and clumsy title the botany books may give it; but it lives in my mind, a perfect and complete memory of brightness and beauty, and, as I have said, a friend.

      It was in a steep sea-cove that I saw it. Round a small circular basin of blue sea ran up gigantic cliffs, grey limestone bluffs; here and there, where they were precipitous, slanted the monstrous wavy lines of distorted strata, thrust up, God alone knows how many ages ago, by some sharp and horrible shiver of the boiling earth. Little waves broke on the pebbly beach at our feet, and all the air was full of pleasant sharp briny savours. A few boats were drawn up on the shingle; lobster-pots, nets, strings of cork, spars, oars, lay in pleasant confusion, by the sandy road that led up to the tiny hamlet above. We had travelled far that day and were comfortably weary; we found a sloping ledge of turf upon which we sat, and presently became aware that on the little space of grass between us and the cliff must once have stood a cottage and a cottage garden. There was a broken wall behind us, and the little platform still held some garden flowers sprawling wildly, a stunted fruitbush or two, a knotted apple-tree.

      My own flower, or the bushes on which it grew, had once, I think, formed part of the cottage hedge; but it had found a wider place to its liking, for it ran riot everywhere; it scaled the cliff, where, too, the golden wall-flowers of the garden had gained a footing; it fringed the sand-patches beyond us, it rooted itself firmly in the shingle. The plant had rough light-brown branches, which were now all starred with the greenest tufts imaginable; but the flower itself! On many of the bushes it was not yet fully out, and showed only in an abundance of small lilac balls, carefully folded; but just below me a cluster had found the sun and the air too sweet to resist, and had opened to the light. The flower was of a delicate veined purple, a five-pointed star, with a soft golden heart. All the open blossoms stared at me with a tranquil gaze, knowing I would not hurt them.

      Below, two fishermen rowed a boat quietly out to sea, the sharp creaking of the rowlocks coming lazily to our ears in the pauses of the wind. The little waves fell with a soft thud, followed by the crisp echo of the surf, feeling all round the shingly cove. The whole place, in that fresh spring day, was unutterably peaceful and content.

      And I too forgot all my busy schemes and hopes and aims, the tiny part I play in the world, with so much petty energy, such anxious responsibility. My purple-starred flower approved of my acquiescence, smiling trustfully upon me. "Here," it seemed to say, "I bloom and brighten, spring after spring. No one regards me, no one cares for me; no one praises my beauty; no one sorrows when these leaves grow pale, when I fall from my stem, when my dry stalks whisper together in the winter wind. But to you, because you have seen and loved me, I whisper my secret." And then the flower told me something that I cannot write even if I would, because it is in the language unspeakable, of which St Paul wrote that such words are not lawful for a man to utter; but they are heard in the third heaven of God.

      Then I felt that if I could but remember what the flower said I should never grieve or strive or be sorrowful any more; but, as the wise Psalmist said, be content to tarry the Lord's leisure. Yet, even when I thought that I had the words by heart, they ceased like a sweet music that comes to an end, and which the mind cannot recover.

      I saw many other things that day, things beautiful and wonderful, no doubt; but they had no voice for me, like the purple flower; or if they had, the sea wind drowned them in the utterance, for their voices were of the earth; but the flower's voice came, as I have said, from the innermost heaven.

      I like well to go on pilgrimage; and in spite of weariness and rainy weather, and the stupid chatter of the men and women who congregate like fowls in inn-parlours, I pile a little treasure of sights and sounds in my guarded heart, memories of old buildings, spring woods, secluded valleys. All these are things seen, impressions registered and gratefully recorded. But my flower is somehow different from all these; and I shall never again hear the name of the place mentioned, or even see a map of that grey coast, without a quiet thrill of gladness at the thought that there, spring by spring, blooms my little friend, whose heart I read, who told me its secret; who will wait for me to return, and indeed will be faithfully and eternally mine, whether I return or no.

      V

      The Fens

      I have lately become convinced – and I do not say it either sophistically, to plead a bad cause with dexterity, or resignedly, to make the best out of a poor business; but with a true and hearty conviction – that the most beautiful country in England is the flat fenland. I do not here mean moderately flat country, low sweeps of land, like the heaving of a dying groundswell; that has a miniature beauty, a stippled delicacy of its own, but it is not a fine quality of charm. The country that I would praise is the rigidly and mathematically flat country of Eastern England, lying but a few feet above the sea, plains which were once the bottoms of huge and ancient swamps.

      In the first place, such country gives a wonderful sense of expanse and space; from an eminence of a few feet you can see what in other parts of England you have to climb a considerable hill to discern. I love to feast my eyes on the interminable rich level plain, with its black and crumbling soil; the long simple lines of dykes and water-courses carry the eye peacefully out to a great distance; then, too, by having all the landscape compressed into so narrow a space, into a belt of what is, to the eye, only a few inches in depth, you get an incomparable richness of colour. The solitary distant clumps of trees surrounding a lonely farm gain a deep intensity of tint from the vast green level all about them; and the line of the low far-off wolds, that close the view many miles away, is of a peculiar delicacy and softness; the eye, too, is provided with a foreground of which the elements are of the simplest; a reedy pool enclosed by willows, the clustered buildings of a farmstead; a grey church-tower peering out over churchyard elms; and thus, instead of being checked by near objects, and hemmed in by the limited landscape, the eye travels out across the plain with a sense of freedom and grateful repose. Then, too, there is the huge perspective of the sky; nowhere else is it possible to see, so widely, the slow march of clouds from horizon to horizon; it