sometimes with startling effect.
"I shall try to like him. I am past nineteen, and at twenty-one I shall be my own mistress. If I do not like him, I shall not live with him any longer after that."
"I think you will not, in any case, live at Mr. Colquhoun's residence," said Joseph; "but I am sure you will like him."
"A fortnight to wait."
"You must not be shy of him," Joseph went on; "you have nothing to be afraid of. Think highly of yourself, to begin with."
"I do," said Phillis; "Mr. Dyson always tried to make me think highly of myself. He told me my education was better than that of any girl he knew. Of course that was partly his kind way of encouraging me. Mr. Dyson said that shyness was a kind of cowardice, or else a kind of vanity. People who are afraid of other people, he said, either mistrust themselves or think they are not rated at their true value. But I think I am not at all afraid of strangers. Do I look like being afraid?" She drew herself up to her full height and smiled a conscious superiority. "Perhaps you will think that I rate myself too highly."
"That," said Joseph, with a compliment really creditable for a beginner, – "that would be difficult, Miss. Fleming."
When the Twins prepared to take their morning walk at twelve an unexpected event happened. Cæsar, for the first time on record, and for no reason apparent or assigned, refused to accompany them. They went out without him, feeling lonely, unhappy, and a little unprotected. They passed the Carnarvon Arms without a word. At the next halting-place they entered the bar in silence, glancing guiltily at each other. Could it be that the passion for drink, divested of its usual trappings of pretence, presented itself suddenly to the brethren in its horrid ugliness? They came out with shame-faced looks, and returned home earlier than usual. They were perfectly sober, and separated without the usual cheery allusions to Work. Perhaps the conscience was touched, for when Jane took up their tea she found the Poet in his Workshop sitting at the table, and the Artist in his Studio standing at his easel. Before the one was a blank sheet of paper; before the other was a blank canvas. Both were fractious, and both found fault with the tea. After dinner they took a bottle of port, which Humphrey said, they really felt to want.
CHAPTER VI
"I do not know
One of my sex; no woman's face remember
Save, from my glass, mine own."
In the afternoon Phillis, who was "writing up" her diary after the manner of the ancient Aztec, received a visitor. For the first time in her life the girl found herself face to face with – a lady. Men she knew – chiefly men of advanced age; they came to dine with Abraham Dyson. Women-servants she knew, for she had a French maid – imported too young to be mischievous; and there had been a cook at Highgate, with two or three maids. Not one of these virgins possessed the art of reading, or they would never have been engaged by Mr. Dyson. Nor was she encouraged by her guardian to talk with them. Also she knew that in the fulness of time she was to be somehow transferred from the exclusive society of men to that in which the leading part would be taken by ladies – women brought up delicately like herself, but not all, unhappily, on the same sound fundamental principle of oral teaching.
Among the loose odds and ends which remained in Mr. Dyson's portfolios, and where lay all that Joseph Jagenal could ever find to help in completing his great system of education, was the following scrap: —
"Women brought up with women are hindered in their perfect development. Let the girls be separated from the society of their sex, and be educated mostly among men. In this way the receptivity of the feminine mind may be turned to best account in the acquirement of robust masculine ideas. Every girl may become a mother; let her therefore sit among men and listen."
Perhaps this deprivation of the society of her own sex was a greater loss to Phillis than her ignorance of reading. Consider what it entailed. She grew up without the most rudimentary notions of the great art of flirtation; she had never even heard of looking out for an establishment; she had no idea of considering every young man as a possible husband; she had, indeed, no glimmerings, not the faintest streak of dawning twilight in the matter of love; while as for angling, hooking a big fish and landing him, she was no better than a heathen Hottentot. This was the most important loss, but there were others; she knew how to dress, partly by instinct, partly by looking at pictures; but she knew nothing about Making-up. Nature, which gave her the figure of Hebe, made this loss insignificant to her, though it is perhaps the opinion of Mr. Worth that there is no figure so good but Art can improve it. But not to know about Making-up is, for a woman, to lose a large part of useful sympathy for other women.
Again, she knew nothing of the way in which girls pour little confidences, all about trifles, into each other's ears; she had not cultivated that intelligence which girls can only learn from each other, and which enables them to communicate volumes with a half-lifted eyelid; she had a man's way of saying out what she thought, and even, so far as her dogmatic training permitted, of thinking for herself. She did not understand the mystery with which women enwrap themselves, partly working on the imagination of youth, and partly through their love of secluded talk – a remnant of barbaric times, and a proof of the subjection of the sex, the frou-frou of life was lost to her. And being without mystery, with the art of flirtation, with nothing to hide and no object to gain, Phillis was entirely free from the great vice into which women of the weaker nature are apt to fall – she was perfectly and wholly truthful.
And now she was about to make acquaintance for the first time with a lady – one of her own sex and of her own station.
I suppose Phillis must have preserved the characteristic instincts of her womanhood, despite her extraordinary training, because the first thing she observed was that her visitor was dressed in a style quite beyond her power of conception and imperfect taste. So she generalised from an individual case, and jumped at the notion that here was a very superior woman indeed.
The superiority was in the "young person" at Melton and Mowbray's, who designed the dress; but that Phillis did not know.
A more remarkable point with Mrs. Cassilis, Phillis's visitor, than her dress was her face. It was so regular as to be faultless. It might have been modelled, and so have served for a statue. It was also as cold as a face of marble. Men have prayed – men who have fallen into feminine traps – to be delivered from every species of woman except the cold woman; even King Solomon, who had great opportunities, including long life, of studying the sex, mentions her not; and yet I think that she is the worst of all. Lord, give us tender-hearted wives! When we carve our ideal woman in marble, we do not generally choose the wise Minerva nor the chaste Diana, but Venus, soft-eyed, lissom, tender – and generally true.
Mrs. Cassilis called. As she entered the room she saw a tall and beautiful girl, with eyes of a deep brown, who rose to greet her with a little timidity. She was taken by surprise. She expected to find a rough and rather vulgar young woman, of no style and unformed manners. She saw before her a girl whose attitude spoke unmistakably of delicacy and culture. Whatever else Miss Fleming might be, she was clearly a lady. That was immediately apparent, and Mrs. Cassilis was not likely to make a mistake on a point of such vital importance. A young lady of graceful figure, most attractive face, and, which was all the more astonishing, considering her education, perfectly dressed. Phillis, in fact, was attired in the same simple morning costume in which she had taken her early morning walk. On the table before her were her sketch-book and her pencils.
Mrs. Cassilis was dressed, for her part, in robes which it had taken the highest talent of Regent Street to produce. Her age was about thirty. Her cold face shone for a moment with the wintery light of a forced smile, but her eyes did not soften, as she took Phillis's hand.
Phillis's pulse beat a little faster, in spite of her courage.
Art face to face with Nature. The girl just as she left her nunnery, ignorant of mankind, before the perfect woman of the world. They looked curiously in each other's eyes. Now the first lesson taught by the world is the way to dissemble. Mrs. Cassilis said to herself, "Here is a splendid girl. She is not what I expected to see. This is a girl to cultivate and bring out – a girl to do one credit." But she said aloud —
"Miss Fleming? I am sure it