a certain charm of strangeness, intensified, in the case of Cuzco, by the sense of all the changes they have witnessed.
The cathedral, if not beautiful, is stately, with its two solid towers and its spacious and solemn interior. One is shewn a picture attributed to Van Dyck – be it his or not it is a good picture – and an altar at which Pizarro communicated, and a curious painting representing ceremonies observed on the admission of monks and nuns in the seventeenth century. But what interested me most was a portrait in the sacristy, among those of other bishops of Cuzco, of the first bishop, Fray Vicente de Valverde. It may be merely a "stock" picture, made to order at a later time like those of the early Popes in the basilica of St. Paul at Rome. But one willingly supposed it taken from the life, because the hard, square face with pitiless eyes answered to the character of the man, one of the most remarkable persons in the history of the Spanish Conquest, because he is as perfect an illustration as history presents of a minister of Christ in whom every lineament of Christian character, except devotion to his faith, had been effaced.18 He was the friar who accompanied Pizarro on his expedition and stood by the leader's side in the square at Caxamarca when he was welcoming as a friend the Inca Atahuallpa. When Atahuallpa declined the summons of Valverde to accept baptism and recognize Charles the Fifth as sovereign, Pizarro, whose men were fully armed, and had already been instructed to seize the unsuspecting Inca and massacre his followers, hesitated or affected for a moment to hesitate, and turned to Valverde for advice. "I absolve you," answered the friar. "Fall on, Castilians, I absolve you." With this the slaughter of the astonished crowd began: and thousands perished in the city square before night descended on the butchery.
When Cuzco was taken, Valverde was made bishop of the new see, the first bishopric of Peru. Verily he had his reward. He did not long enjoy it. A few years later he was shipwrecked, while voyaging to Panama, on the coast near Tumbez, captured by the wild Indians of those parts, and (according to the story) devoured.
Of the other churches, the most externally handsome is that of the Compañia (the Jesuits), with its florid north façade of red sandstone, a piece of cunningly conceived and finely executed ornamentation superior even to that of the church of the same Order at Arequipa. Internally there is most to admire in the church of Merced (Our Lady of Mercy, the patroness of Peru), for it has richly decorated ceilings on both stories of its charming cloisters, and a fine staircase leading up to the choir. All the larger churches have silver altars, some of them very well chiselled. But by far the most remarkable piece of work in the city is the pulpit of the old and now scarcely used church of San Blas. It is said to be all of one piece, the glory of an Indian craftsman, and is a marvel of delicate carving, worthy of the best executive skill of Italy or Spain. My scanty knowledge does not qualify me to express an opinion, but it was hard not to fancy that in this pulpit and in the fine ornamentation of the façades of the Jesuit churches I have described, there may be discovered marks of a distinctive type of artistic invention which was not Spanish, but rather Peruvian, and gave evidence of a gift which might, if cultivated, have reflected credit upon the Indian race.
It has seemed worth while to dwell upon the ecclesiastical buildings of these three Peruvian cities just because there is so very little to attract the student of art in South America, less even than in Mexico. Though the two greatest Spanish painters lived after the days of Pizarro, one may say, broadly speaking, that the best days of Spanish architecture and of taste in works of art were passing away before these American countries were settled, and it was seldom that anything of high excellence was either brought from Europe or produced in South America, produced even in Peru, the wealthiest of all the colonial dominions of Spain.
Before I turn from Spanish Cuzco to the ancient city a word may be said as to its merits as a place of residence. Its height (11,100 feet) and its latitude give it a climate free from extremes of heat or cold, and, for those who have capacious lungs and sound hearts, pretty healthful throughout the year. We found the air cool and bracing in the end of September. Disgusting as are the dirt and the smells, they do not seem to breed much disease; foul gases are probably less noxious when discharged into the open air than when they ooze out into houses from closed drains.19 The country round is beautiful, bold heights surrounding a green and fertile vale, though there are so few trees that shade is wanting. Many places of great antiquarian interest are within reach, of course accessible by riding only, for there is only one tolerable road, that which leads down the valley to the Vilcamayu. Society, though small and old-fashioned, unfriendly to new ideas and tinged with ecclesiasticism, is simple mannered and kindly. No people can be more polite and agreeable than the Peruvians, whether of pure Spanish extraction, or mixed, as the great majority here are, with Indian blood. Though Cuzco is deemed, not less than Arequipa, a stronghold of conservatism and clericalism, modern tendencies can make themselves felt. Shortly before my visit there had been a revolt of the students of the University against a rector deemed "unprogressive": and there had been chosen as his successor a young North American professor who had been living in Peru for a few years only, employed in some government work when he was appointed here. He seemed to be on good terms with both officials and pupils.
The university is an old one, founded in 1598, but its revenues and the attendance of students are not worthy of its antiquity. Those who come seek instruction in professional subjects, especially law and medicine. Nearly everywhere in South America the demand for teaching in philosophy, letters, or science is scanty indeed. The clergy, it need hardly be said, are not educated in these lay institutions.
Though essentially a Spanish city in its edifices, Cuzco is predominantly Indian in its people. The Quichua language is that commonly spoken, and it is the Indian aborigines who give to the aspect of its streets and squares the picturesqueness which half atones for squalor. They set up their little booths, sometimes covered with canvas, along the arcades and in the plazas, and loaf about in their bright-coloured ponchos and broad, flat, straw hats, the dry-weather side of the straw covered with a sort of velveteen adorned with tinsel, and the wet-weather side with red flannel. Women lean over the rough wooden balconies on the first floors of the houses, and talk to the loungers in the plaza below. Strings of llamas bearing their burdens pass along, the only creatures, besides the tiny mules, who do any work. There are scarcely any wheeled vehicles, for those not forced by poverty to walk, ride mostly on donkeys; and the only events are saints' days, with their processions, occurring so frequently that the habit of laziness has unequalled opportunities for confirming itself. Though the Quichuas were under the Incas a most industrious race, and still give assiduous labour to their fields, the atmosphere of the city is one of easy idleness, nothing to do, and plenty of time to do it. The only manufactory we came across was a German brewery, – there is no place, however remote, where one does not find the enterprising German. Neither is there any trade, except that of supplying a few cheap goods to the surrounding country folk. By far the best general warehouse is kept by an Italian gentleman who has got together an interesting collection of antiquities.
Now let us turn from the Cuzco of the last three and a half centuries back to the olden time and see what remains of the ancient city of the Sun and of the Incas, his children. It is worth while to do so, for here, more than anywhere else in South America, there is something that helps the traveller to recall a society and a religion so unlike the present that it seems half mythic. Whoever has read, as most of us did in our boyhood, of the marvels of the Peruvian Empire which Pizarro destroyed, brings an ardent curiosity to the central seat of that Empire, and expects to find many a monument of its glories.
The reality is disappointing, yet it is impressive. One learns more from a little seeing than from reading many books. As our expectations had been unduly raised, it is right to give this reality with some little exactness of detail. The interest of the remains lies entirely in what they tell us about their builders, for there is nothing beautiful, nothing truly artistic to describe. The traces of the Incas20 to be seen in Cuzco, and, indeed, anywhere in Peru, are all of one kind only. They are Walls. No statue, no painting. No remains of a complete roofed building, either temple or palace; nothing but ruins, and mostly fragmentary ruins. The besom of Spanish destruction swept clean. Everything connected with the old religion had to perish: priests and friars took care of that. As for other buildings, it did not occur to anybody to spare them. Even in Italy, not long before Pizarro's day, a man