Bennett Arnold

A Man from the North


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got my hook. If you don't mind I'll put your things on this other one."

      "Certainly," assented Richard.

      The youth spread his back luxuriously to the empty fireplace and opened the "Times," when another and smaller boy put his head in at the door.

      "Jenkins, Mr. Alder wants the 'Times.'"

      The youth silently handed over the advertisement pages which were lying on the table. In a minute the boy returned.

      "Mr. Alder says he wants the inside of the 'Times.'"

      "Tell Mr. Alder to go to hell, with my compliments." The boy hesitated.

      "Go on, now," Jenkins insisted. The boy hung on the door-handle, smiling dubiously, and then went out.

      "Here, wait a minute!" Jenkins called him back. "Perhaps you'd better give it him. Take the damn thing away."

      A sound of hurried footsteps in the next room was succeeded by an imperious call for Jenkins, at which Jenkins slipped nimbly into his chair and untied a bundle of papers.

      "Jenkins!" the call came again, with a touch of irritation in it, but Jenkins did not move. The door was thrust open.

      "Oh! You are there, Jenkins. Just come in and take a letter down." The tones were quite placid.

      "Yes, Mr. Smythe."

      "I never take any notice of Smythe's calls," said Jenkins, when he returned. "If he wants me, he must either ring or fetch me. If I once began it, I should be running in and out of his room all day, and I've quite enough to do without that."

      "Fidgety, eh?" Richard suggested.

      "Fidgety's no word for it, I tell you. Alder – that's the manager, you know – said only yesterday that he has less trouble with forty Chancery actions of Curpet's than with one county-court case of Smythe's. I know I'd a jolly sight sooner write forty of Curpet's letters than ten of Smythe's. I wish I'd got your place, and you'd got mine. I suppose you can write shorthand rather fast."

      "Middling," said Richard. "About 120."

      "Oh! We had a man once who could do 150, but he'd been a newspaper reporter. I do a bit over a hundred, if I've not had much to drink overnight. Let's see, they're giving you twenty-five bob, aren't they?"

      Richard nodded.

      "The man before you had thirty-five, and he couldn't spell worth a brass button. I only get fifteen, although I've been here seven years. A damn shame I call it! But Curpet's beastly near. If he'd give some other people less, and me a bit more…"

      "Who are 'some other people'?" asked Richard, smiling.

      "Well, there's old Aked. He sits in the outer office – you won't have seen him because he doesn't generally come till eleven. They give him a pound a week, just for doing a bit of engrossing when he feels inclined to engross, and for being idle when he feels inclined to be idle. He's a broken-down something or other, – used to be clerk to Curpet's father. He has some dibs of his own, and this just finds him amusement. I bet he doesn't do fifty folios a week. And he's got the devil's own temper."

      Jenkins was proceeding to describe other members of the staff when the entry of Mr. Curpet himself put an end to the recital. Mr. Curpet was a small man, with a round face and a neatly trimmed beard.

      "Good morning, Larch. If you'll kindly come into my room, I'll dictate my letters. Good morning, Jenkins." He smiled and withdrew, leaving Richard excessively surprised at his suave courtesy.

      In his own room Mr. Curpet sat before a pile of letters, and motioned Richard to a side table.

      "You will tell me if I go too fast," he said, and began to dictate regularly, with scarcely a pause. The pile of letters gradually disappeared into a basket. Before half a dozen letters were done Richard comprehended that he had become part of a business machine of far greater magnitude than anything to which he had been accustomed in Bursley. This little man with the round face dealt impassively with tens of thousands of pounds; he mortgaged whole streets, bullied railway companies, and wrote familiarly to lords. In the middle of one long letter, a man came panting in, whom Richard at once took for Mr. Alder, the Chancery manager. His rather battered silk hat was at the back of his head, and he looked distressed.

      "I'm sorry to say we've lost that summons in Rice v. The L. R. Railway."

      "Really!" said Mr. Curpet. "Better appeal, and brief a leader, eh?"

      "Can't appeal, Mr. Curpet."

      "Well, we must make the best of it. Telegraph to the country. I'll write and keep them calm. It's a pity they were so sure. Rice will have to economise for a year or two. What was my last word, Larch?" The dictation proceeded.

      One hour was allowed for lunch, and Richard spent the first moiety of it in viewing the ambrosial exteriors of Strand restaurants. With the exception of the coffee-house at Bursley, he had never been in a restaurant in his life, and he was timid of entering any of those sumptuous establishments whose swinging doors gave glimpses of richly decorated ceilings, gleaming tablecloths, and men in silk hats greedily consuming dishes placed before them by obsequious waiters.

      At last, without quite knowing how he got there, he sat in a long, low apartment, papered like an attic bedroom, and odorous of tea and cake. The place was crowded with young men and women indifferently well-dressed, who bent over uncomfortably small oblong marble-topped tables. An increasing clatter of crockery filled the air. Waitresses, with pale, vacant faces, dressed in dingy black with white aprons, moved about with difficulty at varying rates of speed, but none of them seemed to betray an interest in Richard. Behind the counter, on which stood great polished urns emitting clouds of steam, were several women whose superior rank in the restaurant was denoted by a black apron, and after five minutes had elapsed Richard observed one of these damsels pointing out himself to a waitress, who approached and listened condescendingly to his order.

      A thin man, rather more than middle-aged, with a grey beard and slightly red nose, entered and sat down opposite to Richard. Without preface he began, speaking rather fast and with an expressive vivacity rarely met with in the ageing, —

      "Well, my young friend, how do you like your new place?"

      Richard stared at him.

      "Are you Mr. Aked?"

      "The same. I suppose Master Jenkins has made you acquainted with all my peculiarities of temper and temperament. – Glass of milk, roll, and two pats of butter – and, I say, my girl, try not to keep me waiting as long as you did yesterday." There was a bright smile on his face, which the waitress unwillingly returned.

      "Don't you know," he went on, looking at Richard's plate, – "don't you know that tea and ham together are frightfully indigestible?"

      "I never have indigestion."

      "No matter. You soon will have if you eat tea and ham together. A young man should guard his digestion like his honour. Sounds funny, doesn't it? But it's right. An impaired digestive apparatus has ruined many a career. It ruined mine. You see before you, sir, what might have been an author of repute, but for a wayward stomach."

      "You write?" Richard asked, interested at once, but afraid lest Mr. Aked might be cumbrously joking.

      "I used to." The old man spoke with proud self-consciousness.

      "Have you written a book?"

      "Not a book. But I've contributed to all manner of magazines and newspapers."

      "What magazines?"

      "Well, let me see – it's so long ago. I've written for 'Cornhill.' I wrote for 'Cornhill' when Thackeray edited it. I spoke to Carlyle once."

      "You did?"

      "Yes. Carlyle said to me – Carlyle said to me – Carlyle said – " Mr. Aked's voice dwindled to an inarticulate murmur, and, suddenly ignoring Richard's presence, he pulled a book from his pocket and began to finger the leaves. It was a French novel, "La Vie de Bohème." His face had lost all its mobile expressiveness.

      A little alarmed by such eccentricity, and not quite sure that this associate of Carlyle was perfectly sane, Richard sat silent,