it was an attraction that she loved and befriended his favourite Gay. The earlier part of the brief correspondence from which the above quotation is borrowed, shows the Duchess in her most amiable light; and it was with Gay that it originated. From the days of her marriage she had protected and petted that fat and feckless fabulist; she had championed him in the matter of his second ballad-opera in such a way as to procure her own exile from Court; and at the time she began to write to Swift, Gay was domiciled at the Duke's country house at Ambresbury, or Amesbury, near Salisbury, in Wiltshire. Gay begins by sending Swift the Duchess's 'services,' and by wishing on his own account that Swift could come to England, – could come to Amesbury. Swift replies with conventional acknowledgment of the civility of the lady, whom he had not seen since she was a girl. He hears an ill thing of her, he says' – that she is matre pulchrâ filia pulchrior, and he would be angry she should excel her mother (Jane Leveson Gower), who, of old, had long been his 'principal goddess.' In the letter that succeeds, the Duchess herself adds a postscript to confirm Gay's invitation. 'I would fain have you come,' she writes. 'I can't say you'll be welcome; for I don't know you, and perhaps I shall not like you; but if I do not (unless you are a very vain person), you shall know my thoughts as soon as I do myself.' No mode of address could have suited Swift's humour better; and part of his next epistle to Gay replies to her challenge in the true Swiftian style. He begins very low down on the page – 'as a mark of respect, like receiving her Grace at the bottom of the stairs.' He goes on with a protest for form's sake against the imperious manner of her advances; but he argues ingeniously that she must like him, since they are both unpopular with the Queen. If he comes, 'he will,' he adds, 'out of fear and prudence, appear as vain as he can, that he may not know her thoughts of him.' His closing sentences are in Malvolio's manner. 'This is your own direction, but it was needless. For Diogenes himself would be vain, to have received the honour of being one moment of his life in the thoughts of your grace.'
After this, les épées s'engagent. As to the correspondence that ensued, opinions differ widely. Warton discovered 'exquisite humour and pleasantry' in Swift's 'affected bluntness,' and compares him to Voiture, – to Waller writing to Sacharissa on her marriage. Later editors are less enthusiastic, regarding the whole series of letters as 'empty, laboured, and childish on both sides.' Each of these verdicts is extreme. Swift tempering candour by compliment, is an unusual but not an impossible spectacle; while the Duchess writes exactly as one would expect her to write with Swift's fast friend at her elbow. Gay, knowing that she will probably follow him, warns Swift playfully that she has her antipathies, – that she likes her own way, – that she is very frank, and that in any dispute he must be on her side. Thereupon her Grace takes up the pen herself:
'Write I must, particularly now, as I have an opportunity to indulge my predominant passion of contradiction. I do, in the first place, contradict most things Mr. Gay says of me, to deter you from coming here; which if you ever do, I hereby assure you, that, unless I like my own way better, you shall have yours; and in all disputes you shall convince me if you can. But, by what I see of you, this is not a misfortune, that will always happen; for I find you are a great mistaker. For example, you take prudence for imperiousness:'tis from this first that I determined not to like one, who is too giddy-headed for me to be certain whether or no I shall ever be acquainted with [him]. I have known people take great delight in building castles in the air; but I should choose to build friends upon a more solid foundation. I would fain know you; for I often hear more good likable things [of you] than 'tis possible any one can deserve. Pray, come, that I may find out something wrong; for I, and I believe most women, have an inconceivable pleasure to find out any faults, except their own. Mr. Cibber is made poet laureate. 3 I am, Sir, as much your humble servant as I can be to any person I don't know.
'C. Q.
'P.S. Mr. Gay is very peevish that I spell and write ill; but I don't care: for neither the pen nor I can do better. Besides, I think you have flattered me, and such people ought to be put to trouble.'
That this fashion of writing, so new to him, should not have captivated Swift, is impossible. He could not accept the invitation; but at least he could prolong the correspondence. In his next letter he enters upon preliminaries. He is old, dull, peevish, perverse, morose. Has she a clear voice? – and will she let him sit at her left hand, for his right ear is the better? Can the parson of the parish play at backgammon, and hold his tongue? Has she a good nurse among her women, in case he should fancy himself sick? How long will she maintain him and his equipage if he comes? A week or two later, in the form of another postscript to Gay, follows the reply of the Duchess:
'It was Mr. Gay's fault that I did not write sooner; which if I had, I should hope you would have been here by this time; for I have to tell you, all your articles are agreed to; and that I only love my own way, when I meet not with others whose ways I like better. I am in great hopes that I shall approve of yours; for to tell you the truth, I am at present a little tired of my own. I have not a clear or distinct voice, except when I am angry; but I am a very good nurse, when people don't fancy themselves sick. Mr. Gay knows this; and he knows too how to play at backgammon. Whether the parson of the parish can, I know not; but if he cannot hold his tongue, I can. Pray set out the first fair wind and stay with us as long as ever you please. I cannot name my fixed time, that I shall like to maintain you and your equipage; but if I don't happen to like you, I know I can so far govern my temper as to endure you for about five days. So come away directly; at all hazards you'd be allowed a good breathing time. I shall make no sort of respectful conclusions; for till I know you, I cannot tell what I am to you.'
And so the correspondence, always conducted on the one side by Gay and his kind protectress, or Gay and the Duke, protracts itself until arrives to Swift that fatal missive from Pope and Arbuthnot announcing Gay's sudden death, – a missive which, overmastered by a foreboding of its contents, he kept unopened for days. At a later date some further communications followed between Swift and the Duchess. But he liked best her postscripts to his dead friend's letters. 'They made up,' he told Pope unaffectedly, 'a great part of the little happiness I could have here.'
Swift survived Gay for nearly fifteen years, and the Duchess lived far into the reign of George the Third. In the changing procession of Walpole's pages one gets glimpses of her from time to time, generally emphasized by some malicious anecdote or epithet. At the coronation she returned to Court, appearing with perfectly white hair. Yet, four years before her death, Walpole says of her that (by twilight) you would sooner 'take her for a young beauty of an old-fashioned century than for an antiquated goddess of this age.' Indeed her all-conquering charms seduced him into panegyric; and one day in 1771, she found these verses on her toilet-table, wrung from her most persistent detractor:
'To many a Kitty, Love his car
Will for a day engage,
But Prior's Kitty, ever fair,
Obtained it for an age!'
She was then seventy-one. In later life she was often at her seat of Drumlanrig, in Dumfriesshire (where she was visited by Mr. Matthew Bramble and his party 4); and Scott in his 'Journal,' under date of August, 1826, speaks of the 'Walk' by the river Nith which she had formed, and which still went by her name. Her peculiarities, over which her friend Mrs. Delany sighs plaintively, did not abate with age; but her kind heart remained. She died in Savile Row in 1777, of a surfeit of cherries, and was buried at Durrisdeer.
III. SPENCE'S 'ANECDOTES.'
WHEN, in the year 1741, after his quarrel with Gray, Horace Walpole lay sick of a quinsy at Reggio, the shearing of his thin-spun life was only postponed by the opportune intervention of a passing acquaintance. The Rev. Joseph Spence, Fellow of New College, Oxford, and Professor of Poetry to that University, then travelling in Italy as Governor to Henry Clinton, Earl of Lincoln, promptly arrived to his aid, summoned Dr. Cocchi posthaste from Florence, and thus became instrumental in enabling the Prince of Letter-Writers to expand the thirty or forty epistles he had already produced into that magnificent correspondence which, incomplete even now, 5 fills no fewer than nine closely printed volumes.
Spence, to whom all Walpole's admirers owe a lasting