George Eliot

George Eliot's Life, as Related in Her Letters and Journals. Vol. 2 (of 3)


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Mr. Langford says there must be a second edition, in 3 vols., and they will print 500: whether Mudie takes more or not, they will have sold all by the end of a month. Lucas delighted with the book, and will review it in the Times the first opportunity.

      Letter to John Blackwood, 30th March, 1859.

      I should like you to convey my gratitude to your reviewer. I see well he is a man whose experience and study enable him to relish parts of my book, which I should despair of seeing recognized by critics in London back drawing-rooms. He has gratified me keenly by laying his finger on passages which I wrote either with strong feeling or from intimate knowledge, but which I had prepared myself to find entirely passed over by reviewers. Surely I am not wrong in supposing him to be a clergyman? There was one exemplary lady Mr. Langford spoke of, who, after reading "Adam," came the next day and bought a copy both of that and the "Clerical Scenes." I wish there may be three hundred matrons as good as she! It is a disappointment to me to find that "Adam" has given no impulse to the "Scenes," for I had sordid desires for money from a second edition, and had dreamed of its coming speedily.

      About my new story, which will be a novel as long as "Adam Bede," and a sort of companion picture of provincial life, we must talk when I have the pleasure of seeing you. It will be a work which will require time and labor.

      Do write me good news as often as you can. I owe thanks to Major Blackwood for a very charming letter.

      Letter to John Blackwood, 10th April, 1859.

      The other day I received a letter from an old friend in Warwickshire, containing some striking information about the author of "Adam Bede." I extract the passage for your amusement:

      "I want to ask you if you have read 'Adam Bede,' or the 'Scenes of Clerical Life,' and whether you know that the author is Mr. Liggins?.. A deputation of dissenting parsons went over to ask him to write for the 'Eclectic,' and they found him washing his slop-basin at a pump. He has no servant, and does everything for himself; but one of the said parsons said that he inspired them with a reverence that would have made any impertinent question impossible. The son of a baker, of no mark at all in his town, so that it is possible you may not have heard of him. You know he calls himself 'George Eliot.' It sounds strange to hear the Westminster doubting whether he is a woman, when here he is so well known. But I am glad it has mentioned him. They say he gets no profit out of 'Adam Bede,' and gives it freely to Blackwood, which is a shame. We have not read him yet, but the extracts are irresistible."

      Conceive the real George Eliot's feelings, conscious of being a base worldling – not washing his own slop-basin, and not giving away his MS.! not even intending to do so, in spite of the reverence such a course might inspire. I hope you and Major Blackwood will enjoy the myth.

      Mr. Langford sent me a letter the other day from Miss Winkworth, a grave lady, who says she never reads novels, except a few of the most famous, but that she has read "Adam" three times running. One likes to know such things – they show that the book tells on people's hearts, and may be a real instrument of culture. I sing my Magnificat in a quiet way, and have a great deal of deep, silent joy; but few authors, I suppose, who have had a real success, have known less of the flush and the sensations of triumph that are talked of as the accompaniments of success. I think I should soon begin to believe that Liggins wrote my books – it is so difficult to believe what the world does not believe, so easy to believe what the world keeps repeating.

      Letter to Miss Sara Hennell, 11th April, 1859.

      The very day you wrote we were driving in an open carriage from Ryde to the Sandrock Hotel, taking in a month's delight in the space of five hours. Such skies – such songs of larks – such beds of primroses! I am quite well now – set up by iron and quinine, and polished off by the sea-breezes. I have lost my young dislike to the spring, and am as glad of it as the birds and plants are. Mr. Lewes has read "Adam Bede," and is as dithyrambic about it as others appear to be, so I must refresh my soul with it now as well as with the spring-tide. Mr. Liggins I remember as a vision of my childhood – a tall, black-coated, genteel young clergyman-in-embryo.

      Letter to Miss Sara Hennell, 15th April, 1859.

      Mr. Lewes is "making himself into four" in writing answers to advertisements and other exertions which he generously takes on himself to save me. A model husband!

      We both like your literal title, "Thoughts in Aid of Faith," very much, and hope to see a little book under that title before the year is out – a book as thorough and effective in its way as "Christianity and Infidelity."

      Rewriting is an excellent process, frequently both for the book and its author; and to prevent you from grudging the toil, I will tell you that so old a writer as Mr. Lewes now rewrites everything of importance, though in all the earlier years of his authorship he would never take that trouble.

      We are so happy in the neighborhood of Mr. and Mrs. Richard Congreve. She is a sweet, intelligent, gentle woman. I already love her: and his fine, beaming face does me good, like a glimpse of an Olympian.

      Journal, 1859.

      April 17.– I have left off recording the history of "Adam Bede" and the pleasant letters and words that came to me – the success has been so triumphantly beyond anything I had dreamed of that it would be tiresome to put down particulars. Four hundred of the second edition (of 750) sold in the first week, and twenty besides ordered when there was not a copy left in the London house. This morning Hachette has sent to ask my terms for the liberty of translation into French. There was a review in the Times last week, which will naturally give a new stimulus to the sale; and yesterday I sent a letter to the Times denying that Mr. Liggins is the author, as the world and Mr. Anders had settled it. But I must trust to the letters I have received and preserved for giving me the history of the book if I should live long enough to forget details.

      Shall I ever write another book as true as "Adam Bede?" The weight of the future presses on me, and makes itself felt even more than the deep satisfaction of the past and present.

      Letter to John Blackwood, 20th April, 1859.

      This myth about Liggins is getting serious, and must be put a stop to. We are bound not to allow sums of money to be raised on a false supposition of this kind. Don't you think it would be well for you to write a letter to the Times, to the effect that, as you find in some stupid quarters my letter has not been received as a bonâ-fide denial, you declare Mr. Liggins not to be the author of "Clerical Scenes" and "Adam Bede;" further, that any future applications to you concerning George Eliot will not be answered, since that writer is not in need of public benevolence. Such a letter might save us from future annoyance and trouble, for I am rather doubtful about Mr. Liggins's character. The last report I heard of him was that he spent his time in smoking and drinking. I don't know whether that is one of the data for the Warwickshire logicians who have decided him to be the author of my books.

      Journal, 1859.

      April 29.– To-day Blackwood sent me a letter from Bulwer, which I copy because I have to send back the original, and I like to keep in mind the generous praise of one author for another.

      Letter from E. B. Lytton to John Blackwood.

"Malvern, April 24, 1859

      "My dear Sir, – I ought long since to have thanked you for 'Adam Bede.' But I never had a moment to look at it till arriving here, and ordered by the doctors to abstain from all 'work.'

      "I owe the author much gratitude for some very pleasing hours. The book indeed is worthy of great admiration. There are touches of beauty in the conception of human character that are exquisite, and much wit and much poetry embedded in the 'dialect,' which nevertheless the author over-uses.

      "The style is remarkably good whenever it is English and not provincial – racy, original, and nervous.

      "I congratulate you on having found an author of such promise, and published one of the very ablest works of fiction I have read for years. —

      Yours truly,

E. B. L.

      "I