Chambers Robert William

The Slayer of Souls


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concerning the new bracelet shaped like a snake with real emeralds for eyes, which adorned the dead man's left wrist.

      Toward evening, however, after an autopsy had confirmed the house physician's diagnosis that heart-disease had finished Gutchlug, Sanang mustered enough courage to go to the desk in the lobby and send up his card to Miss Norne.

      It appeared, however, that Miss Norne had left for Chicago about noon.

      CHAPTER III

      GREY MAGIC

      To Victor Cleves came the following telegram in code:

      "Washington

      "April 14th, 1919."

      "Investigation ordered by the State Department as the result of frequent mention in despatches of Chinese troops operating with the Russian Bolsheviki forces has disclosed that the Bolsheviki are actually raising a Chinese division of 30,000 men recruited in Central Asia. This division has been guilty of the greatest cruelties. A strange rumour prevails among the Allied forces at Archangel that this Chinese division is led by Yezidee and Hassani officers belonging to the sect of devil-worshipers and that they employ black arts and magic in battle.

      "From information so far gathered by the several branches of the United States Secret Service operating throughout the world, it appears possible that the various revolutionary forces of disorder, in Europe and Asia, which now are violently threatening the peace and security, of all established civilisation on earth, may have had a common origin. This origin, it is now suspected, may date back to a very remote epoch; the wide-spread forces of violence and merciless destruction may have had their beginning among some ancient and predatory race whose existence was maintained solely by robbery and murder.

      "Anarchists, terrorists, Bolshevists, Reds of all shades and degrees, are now believed to represent in modern times what perhaps once was a tribe of Assassins – a sect whose religion was founded upon a common predilection for crimes of violence.

      "On this theory then, for the present, the United States Government will proceed with this investigation of Bolshevism; and the Secret Service will continue to pay particular attention to all Orientals in the United States and other countries. You personally are formally instructed to keep in touch with XLY-371 (Alek Selden) and ZB-303 (James Benton), and to employ every possible means to become friendly with the girl Tressa Norne, win her confidence, and, if possible, enlist her actively in the Government Service as your particular aid and comrade.

      "It is equally important that the movements of the Oriental, called Sanang, be carefully observed in order to discover the identity and whereabouts of his companions. However, until further instructions he is not to be taken into custody. M. H. 2479.

      "(Signed)

      "(John Recklow.)"

      The long despatch from John Recklow made Cleves's duty plain enough.

      For months, now, Selden and Benton had been watching Tressa Norne. And they had learned practically nothing about her.

      And now the girl had come within Cleves's sphere of operation. She had been in New York for two weeks. Telegrams from Benton in Chicago, and from Selden in Buffalo, had prepared him for her arrival.

      He had his men watching her boarding-house on West Twenty-eighth Street, men to follow her, men to keep their eyes on her at the theatre, where every evening, at 10:45, her entr' acte was staged. He knew where to get her. But he, himself, had been on the watch for the man Sanang; and had failed to find the slightest trace of him in New York, although warned that he had arrived.

      So, for that evening, he left the hunt for Sanang to others, put on his evening clothes, and dined with fashionable friends at the Patroons' Club, who never for an instant suspected that young Victor Cleves was in the Service of the United States Government. About half-past nine he strolled around to the theatre, desiring to miss as much as possible of the popular show without being too late to see the curious little entr' acte in which this girl, Tressa Norne, appeared alone.

      He had secured an aisle seat near the stage at an outrageous price; the main show was still thundering and fizzing and glittering as he entered the theatre; so he stood in the rear behind the orchestra until the descending curtain extinguished the outrageous glare and din.

      Then he went down the aisle, and as he seated himself Tressa Norne stepped from the wings and stood before the lowered curtain facing an expectant but oddly undemonstrative audience.

      The girl worked rapidly, seriously, and in silence. She seemed a mere child there behind the footlights, not more than sixteen anyway – her winsome eyes and wistful lips unspoiled by the world's wisdom.

      Yet once or twice the mouth drooped for a second and the winning eyes darkened to a remoter blue – the brooding iris hue of far horizons.

      She wore the characteristic tabard of stiff golden tissue and the gold pagoda-shaped headpiece of a Yezidee temple girl. Her flat, slipper-shaped foot-gear was of stiff gold, too, and curled upward at the toes.

      All this accentuated her apparent youth. For in face and throat no firmer contours had as yet modified the soft fullness of immaturity; her limbs were boyish and frail, and her bosom more undecided still, so that the embroidered breadth of gold fell flat and straight from her chest to a few inches above the ankles.

      She seemed to have no stock of paraphernalia with which to aid the performance; no assistant, no orchestral diversion, nor did she serve herself with any magician's patter. She did her work close to the footlights.

      Behind her loomed a black curtain; the strip of stage in front was bare even of carpet; the orchestra remained mute.

      But when she needed anything – a little table, for example – well, it was suddenly there where she required it – a tripod, for instance, evidently fitted to hold the big iridescent bubble of glass in which swarmed little tropical fishes – and which arrived neatly from nowhere. She merely placed her hands before her as though ready to support something weighty which she expected and – suddenly, the huge crystal bubble was visible, resting between her hands. And when she tired of holding it, she set it upon the empty air and let go of it; and instead of crashing to the stage with its finny rainbow swarm of swimmers, out of thin air appeared a tripod to support it.

      Applause followed, not very enthusiastic, for the sort of audience which sustains the shows of which her performance was merely an entr' acte is an audience responsive only to the obvious.

      Nobody ever before had seen that sort of magic in America. People scarcely knew whether or not they quite liked it. The lightning of innovation stupefies the dull; ignorance is always suspicious of innovation – always afraid to put itself on record until its mind is made up by somebody else.

      So in this typical New York audience approbation was cautious, but every fascinated eye remained focused on this young girl who continued to do incredible things, which seemed to resemble "putting something over" on them; a thing which no uneducated American conglomeration ever quite forgives.

      The girl's silence, too, perplexed them; they were accustomed to gabble, to noise, to jazz, vocal and instrumental, to that incessant metropolitan clamour which fills every second with sound in a city whose only distinction is its din. Stage, press, art, letters, social existence unless noisy mean nothing in Gotham; reticence, leisure, repose are the three lost arts. The megaphone is the city's symbol; its chiefest crime, silence.

      The girl having finished with the big glass bubble full of tiny fish, picked it up and tossed it aside. For a moment it apparently floated there in space like a soap-bubble. Changing rainbow tints waxed and waned on the surface, growing deeper and more gorgeous until the floating globe glowed scarlet, then suddenly burst into flame and vanished. And only a strange, sweet perfume lingered in the air.

      But she gave her perplexed audience no time to wonder; she had seated herself on the stage and was already swiftly busy unfolding a white veil with which she presently covered herself, draping it over her like a tent.

      The veil seemed to be translucent; she was apparently visible seated beneath it. But the veil turned into smoke, rising into the air in a thin white cloud; and there,