Marsh Richard

Under One Flag


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ready by the time you're back."

      The man put on his hat. He went, without a word, to do her bidding, with the obedience and the silence of a well-trained dog. Indeed, on his face, in his eyes, even in his bearing, there was something which was dog-like. The girl stared for a moment at the door through which he had gone.

      "He's useful if he's not ornamental."

      She returned to the mirror. Not impossibly it suggested to her that exactly the contrary might have been said of herself-she was ornamental if she was not useful. Even stronger than the man's resemblance to a dog was hers to a humming-bird. Like it, she was small; like it, too, she was exquisitely, daintily fashioned, almost too fragile for human nature's daily food. She seemed singularly out of place in that poor, tawdry chamber. Fitted, rather, for a gilded cage, or at least for some shrine of elegance and glitter. Everything about her was in proportion, tiny, and, if she was a little overdressed-if, for instance, in the details of her costume there was too much colour, the accentuation became her peculiarly exotic beauty. Her attitudes, her gestures, her little tricks of movement, all were bird-like; one felt, so free from grossness was her frame, that she scarcely was a thing of earth at all.

      She preened herself before the poor apology for a looking-glass as if there was nothing in the world which could be better worth her doing. In it her pretty black eyes flashed back their enjoyment of the situation; they loved to see themselves imaged in a mirror; nor were they ashamed to confess their pleasure. If, on her cheeks, there was the suspicion of a bloom which was not Nature's, it was not there because either youth or health was failing; when one earns one's living behind the floats one's roses fade. The blood-red line of her lips was real enough, as also was the rose-pink of her delicate nostrils.

      She had scarcely been alone a minute, and with so small a looking-glass had had no time to examine all that there was of herself that would repay examining, when she heard the sound of footsteps coming up the stairs. She listened.

      "Who's that?" Her small white teeth gleamed between her scarlet lips. "It's that silly Tom come back again. Now, what's he forgotten? Perhaps he's met Liz, so they've both come back together." The steps were but a single pair, hardly a woman's. There was an audible uncertainty in the way in which they negotiated each separate tread which suggested that the road was unfamiliar. "It's that Tom! Now, what's he want, I wonder?" Someone tapped at the door. "That doesn't sound like Tom. Someone, I expect, for Lizzie. Bother!" Then aloud, "Come in."

      The abuse which had been on the tip of the girl's tongue, ready to be hurled at the offending Tom, gave place to something very different indeed. She appeared, for the moment, to be overcome by something which was akin to consternation, to have lost her presence of mind, her readiness of speech. Nor, possibly, was her confusion lessened by the fact that the newcomer seemed to be, every whit, as embarrassed as she was. He was a young man, except, perhaps, in a legal sense, nothing but a boy. Not a very intellectual nor healthy-looking boy either. For a person of his age he was unpleasantly stout; so stout as almost to merit the epithet of bloated. His cheeks were puffy, so also was his body. That the redness of his face was not the ruddiness of physical vigour was demonstrated by the obvious fact that the mere exertion of climbing the staircase had made him short of breath. Although his dress was that of a man of fashion he scarcely seemed a gentleman. Not only was he gauche and clumsy, there was about him an atmosphere of coarseness which was redolent rather of the tap-room than the drawing-room. One perceived, instinctively, that the society in which he would be most at home would be that of the convives of the bar.

      That the girl knew him was evident-as evident as that he knew her. He looked at her with something in his eyes which was not spiritual; she at him as if she would infinitely have preferred his room to his company.

      She was the first to speak.

      "Well, you've got a cheek! Upon my word! What do you mean by coming here?"

      There was a curious quality in his voice as he replied, which almost amounted to an impediment in his speech.

      "When you gave me your address last night, Miss Emmett, I told you I'd look you up. You didn't suppose I gave you a fiver for it unless I meant to use it."

      The girl continued to look at him for still another second. Then a burning flush set all her face in flames. She turned away trembling, as if she were positively frightened. She murmured to herself, -

      "Here's a pretty kettle of fish! The brute! If I hadn't clean forgotten all about it! Whatever shall I say?"

      He came farther into the room.

      "I hope you've received my little present, Miss Emmett, and that you like it."

      She angrily confronted him.

      "My name's not Emmett, so don't you think it."

      "Not Emmett!" He winked. "Of course not. Still, as it's been good enough for me to find you with, it's near enough, for me. If it comes to that, my name's not Smith."

      "I don't care what your name is, and the sooner you get out of this the better it'll be for you."

      "Don't be cross, my dear. I only want you and I to understand each other."

      "I don't want any of your understandings. I don't want to have anything to say to you. My friend's just stepped out; if he comes back and finds you here he'll throw you down the stairs quicker than you came up them."

      "Your friend?" An ugly look came into the young man's eyes. "So you've got a friend."

      As she met his glance the girl's face hardened.

      "What do you mean? You think yourself too clever. I'm not the sort you take me for. When I say my friend I mean the young man to whom I'm engaged to be married, so don't you make any error."

      "On my honour, I believe that you look prettier by day than you do by night."

      "Don't try any of your nonsense on with me. Are you going to get out of this?"

      "You might at least thank me for the pretty present which I sent you!"

      "Don't talk stuff to me about your presents, you've sent me none of them."

      A look of inquiry came into the young man's face, and of annoyance.

      "Hasn't Rossignol been yet? Do you mean to say you haven't had it?"

      "Had what? Oh, stow this, do! Do you think I don't know what kind of chap you are? You're a barber's clerk, that's what you are. You've got a pound or two in your pocket, and you go gassing about and pretending you're a don, and talk about sending presents as if you'd got the Bank of England at your back, when, I lay odds, it breaks you to pay for your clothes. We girls come across lots of your sort, so we come to know your trade mark, don't you see."

      "I do assure you that in my case you're wrong, Miss Emmett."

      "Don't I tell you that my name's not Emmett? When you said last night that you'd give me five pounds for my name and address I saw that you were fool enough for anything, so I gave you the first that came, and that happened to be a friend of mine's, and I'm in her place now, waiting for her to come back with my young man, so that's how you've chanced to find me here."

      Her companion eyed her as if he were endeavouring to ascertain from her countenance whether or not she was speaking the truth.

      "If what you say is true, then I shouldn't be surprised if your friend has got the present I sent to you."

      "Oh, has she? Then she's welcome. I daresay fifteen pence would pay for it." With an exclamation as of alarm she ran to the door. "There's my young man. If you don't go, I'll call out to him. If there's anything you want to say to me you can say it to-night at the theatre. Now, are you going?"

      "Honour bright, if I come to the theatre will you let me speak to you?"

      "Of course I will. Haven't I always done. Hark! there's my young man coming along the pavement, I know his step. Go, there's a good chap, you don't want to get me into trouble."

      "Will you give me a kiss if I go?"

      "What, here, now? What do you take me for? Do you want me to get my head knocked off my shoulders? If my young man caught me at any of those games he'd do it as soon as look at me, and yours too. We'll talk about that