made to get his lessons, he can even be crowded through a series of examinations, but that is not educating him. Unless his interest in the subject has been awakened, the process has been a failure. Once get him thoroughly interested and he can educate himself, along that line, at least.
Hence the value of toys; they are not only promoters of play, but they appeal to the sympathies and give exercise to the emotions; in this way a hold is gotten upon the child, by interesting him before more intellectual training can make much impression. The two next great obstacles to the exercise of the right emotions are fear and pity; these do not come into the toy-world, hence we can see how toys, according to their own tendencies, help in the healthful education of the child's emotions, through his emotions the education of his thoughts, through his thoughts the education of his will, and hence his character. One can readily see how this is so. By means of their dolls, wagons, drums, or other toys, children's thoughts are turned in certain directions. They play that they are mothers and fathers, or shop-keepers, or soldiers, as the case may be. Through their dramatic play, they become interested more and more in those phases of life which they have imitated, and that which they watch and imitate they become like.
The toy-shops of any great city are to him who can read the signs of the times, prophecies of the future of that city. They not only predict the future career of a people, but they tell us of national tendencies. Seguin, in his report on the educational exhibit at Vienna a few years ago, said: "The nations which had the most toys had, too, more individuality, ideality, and heroism." And again: "The nations which have been made famous by their artists, artisans, and idealists supplied their infants with toys." It needs but a moment's thought to recognize the truth of this statement. Children who have toys exercise their own imagination, put into action their own ideals. Ah me, how much that means! What ideals have been strangled in the breasts of most of us because others did not think as we did! With the toy, an outline only is drawn; the child must fill in the details. On the other hand, in story-books the details are given. Both kinds of training are needed: individual development, and participation in the development of others – of the world, of the past, of the All. With this thought of the influence of toys upon the life of nations, a visit to any large toy-shop becomes an interesting and curious study. The following is the testimony, unconsciously given, by the shelves and counters in one of the large importing establishments which gather together and send out the playthings of the world. The French toys include nearly all the pewter soldiers, all guns and swords; surely, such would be the toys of the nation which produced a Napoleon. All Punch and Judy shows are of French manufacture; almost all miniature theaters; all doll tea-sets which have wine-glasses and finger-bowls attached. The French dolls mirror the fashionable world, with all its finery and unneeded luxury, and hand it down to the little child. No wonder Frances Willard made a protest against dolls, if she had in mind the French doll.
"You see," said the guileless saleswoman, as she handed me first one and then another of these dolls, thinking doubtless that she had a slow purchaser whom she had to assist in making a selection, "you can dress one of these dolls as a lady, or as a little girl, just as you like." And sure enough, the very baby dolls had upon their faces the smile of the society flirt, or the deep, passionate look of the woman who had seen the world. I beheld the French Salons of the eighteenth century still lingering in the nineteenth-century dolls. All their toys are dainty, artistic, exquisitely put together, but lack strength and power of endurance, are low or shallow in aim, and are oftentimes inappropriate in the extreme. For instance, I was shown a Noah's Ark with a rose-window of stained glass in one end of it. Do we not see the same thing in French literature? Racine's Orestes, bowing and complimenting his Iphigenia, is the same French adornment of the strong, simple, Greek story that the pretty window was of the Hebrew Ark.
The German toys take another tone. They are heavier, stronger, and not so artistic, and largely represent the home and the more primitive forms of trade-life. From Germany we get all our ready-made doll-houses, with their clean tile floors and clumsy porcelain stoves, their parlors with round iron center-tables, and stiff, ugly chairs with the inevitable lace tidies. Here and there in these miniature houses we see a tiny pot of artificial flowers. All such playthings tend to draw the child's thoughts to the home life. Next come the countless number of toy butcher shops, bakers, blacksmiths, and other representations of the small, thrifty, healthful trade-life which one sees all over Germany. Nor is the child's love attracted toward the home and the shops alone. Almost all of the better class of toy horses and carts are of German manufacture. The "woolly sheep," so dear to childish heart, is of the same origin. Thus a love for simple, wholesome out-of-door activities is instilled.
And then the German dolls! One would know from the dolls alone that Germany was the land of Froebel and the birthplace of the Kindergarten, that it was the country where even the beer-gardens are softened and refined by the family presence. All the regulation ornaments for Christmas trees come from this nation, bringing with them memories of Luther; of his breaking away from the celibacy enjoined by the church; of his entering into the joyous family life, and trying to bring with him into the home life all that was sacred in the church – Christmas festivals along with the rest. Very few firearms come from this nation, but among them I saw some strong cast-iron cannons from Berlin; they looked as if Bismarck himself might have ordered their manufacture.
The Swiss toys are largely the bluntly carved wooden cattle, sheep and goats, with equally blunt shepherds and shepherdesses, reminding one forcibly of the dull faces of those much-enduring beasts of burden called Swiss peasants. I once saw a Swiss girl who had sold to an American woman, for a few francs, three handkerchiefs, the embroidering of which had occupied the evenings of her entire winter; there was no look of discontent or disgust as the American tossed them into her trunk with a lot of other trinkets, utterly oblivious of the amount of human life which had been patiently worked into them. What kind of toys could come from a people among whom such scenes are accepted as a matter of course?
The English rag doll is particularly national in its placidity of countenance. The British people stand pre-eminent in the matter of story-books for children, but, so far as I have been able to observe, are somewhat lacking in originality as to toys; possibly this is due to the out-of-door life encouraged among them.
When I asked to see the American toys, my guide turned, and with a sweep of her hand, said: "These trunks are American. All doll-trunks are manufactured in this country." Surely our Emerson was right when he said that "the tape-worm of travel was in every American." Here we see the beginning of the restless, migratory spirit of our people; even these children's toys suggest, "How nice it would be to pack up and go somewhere!" All tool-chests are of domestic origin. Seemingly, all the inventions of the Yankee mind are reproduced in miniature form to stimulate the young genius of our country.
The Japanese and Chinese toys are a curious study, telling of national traits as clearly as do their laws or their religion. They are endurable, made to last unchanged a long time; no flimsy tinsel is used which can be admired for the hour, then cast aside. If "the hand of Confucius reaches down through twenty-four centuries of time still governing his people," so, too, can the carved ivory or inlaid wooden toy be used without injury or change by at least one or two successive generations of children.
Let us turn to the study of the development of the race as a whole, that we may the better grasp this thought. The toy not only directs the emotional activity of the child, but also forms a bridge between the great realities of life and his small capacities. To man was given the dominion over the earth, but it was a potential dominion. He had to conquer the beasts of the field; to develop the resources of the earth; by his own effort to subordinate all things else unto himself. We see the faint foreshadowing, or presentiment, of this in the myths and legends of the race. The famous wooden horse of Troy, accounts of which have come down to us in a dozen different channels of literature and history, seems to have been the forerunner of the nineteenth-century bomb, which defies walls and leaps into the enemy's camp, scattering death and destruction in every direction. At least, the two have the same effect; they speedily put an end to physical resistance, and bring about consultation and settlement by arbitration. The labors of Hercules tell the same story in another form – man's power to make nature perform the labors appointed to him; the winged sandals of Hermes, Perseus' cloak of invisibility, the armor of Achilles, and a hundred