with an unwashed child of philosophical German lineage who inquired, earnestly: 'Teacher, what's the good of dat?'"
"What else do you hate?"
"Being tied up. Set down in one little corner of the world and being obliged to stay in it. I know to a certainty just what's going to happen to-morrow and next day and the day after that. Point out any day on the calendar, months ahead, and I can tell you just what I'll be doing. Nothing is uncertain but the weather."
"Some people pray for anchorage," she said.
"I never have," he flashed back. "I want the open sea – tide and tempest and grey surges, with the wind in my face and the thrill of danger in my heart! I want my blood to race through my body; I want to be hungry, cold, despairing, afraid – everything! God, how I want to live!"
He paced back and forth restlessly, his hands in his pockets. Rosemary watched him, half afraid, though his mood was far from strange to her. He was taller than the average man, clean-shaven, and superbly built, with every muscle ready and even eager for use. His thirty years sat lightly upon him, though his dark hair was already slightly grey at the temples, for his great brown eyes were boyish and always would be. In the half-light, his clean-cut profile was outlined against the sky, and his mouth trembled perceptibly. He had neither the thin, colourless lips that would have made men distrust him, nor the thick lips that would have warned women to go slowly with him and to watch every step.
With obvious effort, he shook himself partially free of his mood. "What do you hate?" he asked, gently.
"Brown alpaca, sassafras tea, the eternal dishes, the scrubbing, the endless looking for dust where dust would never dare to stay, and – " She paused, and bit her lips.
"Might as well go on," he urged, with a smile.
"I can't. It isn't nice of me."
"But it's true. I don't know why you shouldn't hate your Grandmother and your Aunt Matilda. I do. It's better to be truthful than nice."
"Is it?"
"Sincerity always has a charm of its own. Even when two men are fighting, you are compelled to admire their earnestness and singleness of purpose."
"I wish you lived where you could admire Grandmother and Aunt Matilda. They're always fighting."
"No doubt. Isn't it a little early for sassafras tea?"
"I thought so, but Grandmother said Spring was coming early this year. She feels it in her bones and she intends to be ready for it."
"She should know the signs of the seasons, if anyone does. How old is she now?"
"Something past eighty."
"Suffering Moses! Eighty Springs and Summers and Autumns! Let me see – I was only twenty when I began with the grapes. If I live to be eighty, that means I've got to go to town sixty times to buy baskets, sell the crop, and hire help – go through the whole process from Spring to frost sixty times, and I've only done it ten times. Fifty more! And when the imps who unwillingly learned their multiplication table from me are grandparents on their own account, I'll still be saying: 'See the cat! Can the cat run? Yes, the cat can run.'"
"Why don't you sell the vineyard?" she asked, though her heart sank at the mere suggestion.
"Sell it? Why didn't the Ancient Mariner sell his albatross and take a nice little trip around the world on the proceeds? Mother would die of a broken heart if I mentioned it to her. The Marsh family have been the slaves of that vineyard since the first mistaken ancestor went into the grape business. We've fertilised it, pruned it, protected it, tied it up, sat up nights with it, fanned the insects away from it, hired people to pick the fruit and pack it, fed the people, entertained them, sent presents to their wives and children – we've done everything! And what have we had for it? Only a very moderate living, all the grapes we could eat, and a few bottles of musty old wine.
"Mother, of course, has very little to do with it, and, to her, it has come to represent some sort of entailed possession that becomes more sacred every year. It's a family heirloom, like a title, or some very old and valuable piece of jewelry. Other people have family plate and family traditions, but we've got a vineyard, or, to speak more truthfully, it has us."
"Look at the Muses," said Rosemary, after a silence. "Do you think they've gone to sleep?"
The nine slender birches, that had apparently paused in their flight down the hillside, were, indeed, very still. Not a twig stirred, and the white trunks were ghostly in the twilight. Seemingly they leaned toward each other for protection and support; for comfort in the loneliness of the night.
"Happy Muses," he responded. "No vineyard to look after and no school to teach."
"And no Grandmother," continued Rosemary, "and no Aunt. Nor any dishes or brooms or scrubbing-brushes, or stoves that are possessed by evil spirits."
Star-like, a single light appeared in the front window of the big white house on the shore of the river. It was answered almost immediately by another, far across the stream.
"I like to watch the lights," the girl went on. "The first one is always in your house."
"Yes, I know. Mother dislikes twilight."
"Ours is the last – on account of the price of oil."
"Here," he said. "I almost forgot your book. And I brought you two candles this time. You mustn't read by the light of one – you'll spoil your eyes."
"Oh, Mr. Marsh! Thank you so much!"
"You're very welcome, Miss Starr."
"Please don't. I like to have you call me Rosemary."
"Then you must call me Alden. I've been telling you that for almost two years."
"I know, but I can't make myself say it, somehow. You're so much older and wiser than I."
"Don't be vain of your youth. I'm only five years ahead of you, and, as for wisdom, anybody could teach a country school in Winter and grow grapes the rest of the time."
"I'm not so sure of that. Come, it's getting late."
They went down the hill together, hand in hand like two children. The young man's mood had changed for the better and he was whistling cheerfully. They stopped at the corner where she must turn to go home.
"Good-night," she said.
"Good-night, Rosemary. I wish I could come to see you sometimes."
"So do I, but it's better that you shouldn't."
"I don't see why you can't come over in the evenings occasionally. I always read to Mother and you might as well listen, too. I'd gladly take you home."
"It would be lovely," she sighed, "but I can't."
"You know best," he answered, shivering. "It's pretty cold up there most of the time."
"The heights are always cold, aren't they?"
"Yes, and they're supposed to be lonely, too. Good-night again. Let me know how you like the book."
Woman-like, she watched him as he went down the street. She liked the way his head was set upon his broad shoulders; she admired his long, swinging stride. When his figure was lost in the gathering darkness she turned, regretfully, and went home.
II
Brown Alpaca
At seven o'clock, precisely, Grandmother Starr limped into the dining-room. It was one of her "lame" days, though sometimes she forgot which was her lame side, and limped irregularly and impartially with either foot, as chanced to please her erratic fancy.
A small lamp cast a feeble, unshaded light from the middle of the table, for the morning was dark, and the room smelled abominably of oil. The flickering rays picked out here and there a bit of tarnished gold from the wall paper, and, as though purposely, made the worn spots in the carpet unusually distinct. Meaningless china ornaments crowded the mantel,