course, when she leaves London, I shall never see her again. Of course not. 'It is getting dusk; I had better go back, or I shall grow confused presently. It is cold. What an idiot I was to come without an overcoat! Why did I come at all? Why did I leave that warm room and that wonderful presence? Because the presence was too much for me. 'It is chilly. 'Here is the Thames again. I did not notice it much when I went over it awhile ago. Down there it flows from Westminster Bridge to meet all the other waters of the world. This is a main road to the ocean. I have seen only lanes and byways of water before, and never the sea. This is an imperial highway to the sea-the most important piece of water in the world, except the Jordan. The Amazon, the Mississippi, ay, all the watery plains of the Pacific, are nothing to man compared with this highway, from which set out the fleets of Britain. This river is the type of commerce, the symbol of enterprise; its shores are the gateway through which pass the riches and the sea-power of the greatest nation.' He left the bridge. 'I wonder is that girl still sitting where I left her? Is she sitting on that couch still, or has she left the room? How commonplace the room would be without her! All the things would look cold and cheerless. I have been in that room only once, and yet I know it would look mean and paltry without her. But when she is there everything gathers splendour from her, commonplace things are lifted up and made partakers of her glory. 'I in love with her! No more than the Straits of Dover are with Homer.' The cold began to pinch him a little, and letting go his musings, he walked rapidly back to the hotel. Without thinking of where he went, he walked into the drawing-room. By this time it was almost dark, but the gas had not yet been lighted. At first Osborne thought he was alone, but before he had reached the middle of the room that voice came to him, saying, – 'Oh, Mr Osborne, I am so glad you have come back to flirt with me. I have been doing my best to fall in love with Mr Nevill, but I couldn't. So I sent him away.' He could not have mistaken that voice. He could not mistake her voice, but he must have mistaken the words. What, his divinity speak thus! Monstrous! 'Shall I light the gas for you, Miss Gordon?' he asked, in a cold, formal tone. 'Yes, turn up the gas for us. You can bear the gaslight, he can't. Thank you. Now come over here and sit down and amuse me. Don't get a hassock at my feet, and say you want to worship me. It is all very well to worship solemn people, but I am not a bit solemn, and I want to be amused. Mr Nevill wanted to worship me and I sent him away.' 'I am afraid you will find me less amusing than Mr Nevill.' Why, it wasn't the feet of the idol alone, but the whole of the idol was clay! What clay! What glorious clay! Was ever so frivolous a spirit in so splendid a mould? 'Nonsense! Come and sit down here. Not on a hassock, but on a good stout oak chair. That one will answer. Come nearer-nearer still. That will do.' She was more flippant than Nevill. Why had he come back? Why had he not gone on and found some other place to stay at and there preserve his ideal? It was cruel, too cruel. Now he could never conjure up the image of her who sat before him, without hearing, not the music he had listened to that day at dinner, but these disenchanting, discordant, flippant words. What a magnificent creature she was! 'Well,' she said, fixing those dark eyes on him, 'where have you been since?' 'I have been out taking my first daylight look at London.' 'And how do you like it?' 'I think London is the most wonderful place in the world.' 'The most wonderful place in the world for dulness?' 'No; for everything that is great and noble and significant.' 'Whe-ew!' A whistle! A lady whistling! A lady whistling at the idea of London being great and august! Well, he might expect anything now. No doubt she smoked. 'Now, look here, Mr Osborne.' He wondered she didn't call him simple 'Osborne.' 'Now look here, Mr Osborne, take this London Sunday and this very day as a specimen of dulness. What could be more satisfactory? I don't know what you did before dinner. I go in to dinner, I sit down. A man opposite me makes a remark; everyone stares. I say something, another man says something, Mr Nevill says something more. You try to say something, and choke and say nothing. Then four ladies give us scraps of sermons we had grown tired of as children. We come into the drawing-room, we go to sleep, and are waked up by you and Mr Nevill coming back. You walk over, stare at me in a most frightful manner, and rush away. Mr Nevill tries to make love to me, and fails. The other ladies go away to lie down or get ready for church, and I am left here alone until you turn up. When you do look in, you are as cheerful as a mute at a funeral. Now, tell me, Mr Osborne, is not that stupid?' Osborne felt rather disappointed she did not wind up with 'Damn it all, Georgie, old man, but this is infernally slow; let's go liquor-up and have a weed.' Nothing she could say or do now would surprise him. She was no longer an enigma or a mystery, but an ascertained certainty, a denounced deception. He said, simply and sadly, – 'You know, Miss Gordon, we Anglo-Saxons are a stupid race.' 'But there are exceptions.' 'You will not find many in the pure Anglo-Saxon blood.' Bowing slightly. 'Things are much altered when, through the matter-of-fact Anglo-Saxon veins, flows brighter and livelier blood.' 'You are not stupid,' she said. 'I approve of the dull ways you have been finding fault with.' 'Ah, that is acquired stupidity, not natural. I did not say you are intelligent, but you are intellectual, intensely intellectual, and poetic. You always look at the glorified side of things. You are a poet.' He stared at her. He forgot everything, and stared at her. When he recovered himself he replied nervously, hesitatingly, diffidently, – 'I-I assure you, Miss Gordon, I never wrote a line of poetry in my life-never even thought of such a thing.' 'It isn't necessary a poet should write poetry. He may think it.' 'But I assure you I have never even thought a line of poetry in my life.' 'Yes, you have. You thought poetry to-day at dinner, and were too shy to speak it.' Again he forgot everything, and stared. A criminal caught red-handed could not have been more amazed with fear. He had never been accused of poetry before, and her words were like heartless revellers who broke into the sanctuary of his soul, tore from it his most sacred secret, and set it up in the marketplace to be jeered at by all the town. She laughed softly. 'There is no witchery in it. I told you you were not intelligent, but you were intellectual. I am not intellectual, but I am intelligent. You are intellectual and a poet. I am intelligent, and I found you out.'
CHAPTER III.
IN THE CHURCHYARD
'As you people live here in England,' said Nevill, next morning at breakfast, 'this meal is the gloomiest, dinner is the solemnest, and supper is the sleepiest of the day. I can always understand a man being gloomy in the morning, but why people should be solemn at dinner and sleepy at supper I never could make out. The only way I can come near accounting for a man being solemn at dinner is because it is the most expensive meal of the day, and there is no way in the world so good for knocking the fun out of John Bull as to bleed him. But why people should look sleepy at supper licks me hollow!' 'Perhaps, sir,' said the solid-looking man, 'it is because the people are sleepy.' 'From what I know of Mr Nevill,' said Miss Gordon, 'I don't think he will be satisfied with a straightforward answer like that.' 'This very straightforwardness is the curse of the English character,' answered Nevill. 'To tell the plain truth, right out, is the impulse of a savage. To conceal all that is unpleasant, because it may give pain to others, is the perfection of culture. Why on earth should straightforwardness or any other virtue come stamping on my corns? I know, for instance, that my nose is not Roman. But that is no reason why Mr Straightforwardness should come and say to me, "Sir, you have a snub nose, not to say a cocked nose." No, Miss Gordon; give me the man who uses his wits to make those around him pleasant.' 'Do you,' asked Miss Gordon, 'practise what you preach?' 'In a humble way,' with a bow. 'And do you think you are adding to the pleasure of a company of English men and women, by attacking the character of the whole nation?' 'Undoubtedly.' 'But how?' 'A lady who has been a great traveller like you, Miss Gordon, must know that all our pleasures, or nearly all, are derived from thinking of other people or things; all our pains arise from thinking of ourselves. A comedy, a tragedy, a marriage, or an execution amuses us equally, because it makes us forget ourselves. But when we are compelled to think of ourselves by debt or pain, we are no longer happy. The debt or pain of other people is a source of diversion to us.' 'But, sir,' said the solid-looking man, 'I can't see how that is a reply to Miss Gordon's question.' 'It is not a direct reply, I own. But you may, sir, deduce the reply from it.' 'I confess I can't.' 'Well, you are an Englishman. I attack your race. That takes your mind off yourself by making it turn towards your race, and making you individually hate me.' 'That is not an ordinary theory.' 'Ordinary theories are, sir, never sound.' 'Mr Nevill,' said Miss Gordon, 'you are a great traveller.' 'Yes, I have been about a bit; but I'm not old, and I intend doing better before I die.' 'Are you a good linguist?' 'No. Don't speak a word of any language but English.' 'There is a general theory that linguists have prominent eyes. Now you have