more marked. There were several smart new headings: "Jots and Tittles from Littleton," I remember, was one of them, and even the sanctity of the editorial column had been invaded with an extraordinary production quite foreign to the Captain's pen. It was entitled:
I can scarcely describe how I was affected by these changes; but I should have realized that any man bold enough to hitch his wagon to a star must prepare himself for a swift course through the skies, and not take it amiss if he collides occasionally with the heavenly bodies.
I think it was secretly amusing to Harriet during the weeks that followed my first great visit to the printing-office to watch the eagerness with which I awaited the postman on the publication days of the Star. I even went out sometimes to meet him, and took the paper from his hand. I have been a devoted reader of books these many years, but I think I have never read anything with sharper interest than I now began to read the Star. I picked out the various items, editorials, reading notices, and the like, and said to myself: "That's the old Captain's pungent pen," or "Anthy must have written that," or "I warrant the Scotchman, Fergus, had a finger in that pie." As I read the editorials I could fairly see the old Captain at his littered desk, the cat rubbing against his leg, the canary singing in the cage above him, and his head bent low as he wrote. And I was disturbed beyond measure by the signs of an unknown hand at work upon the Star.
"I thought, David, you did not care for country newspapers," said my sister.
She wore that comfortably superior smile which becomes her so well. The fact is, she is superior.
"Well," said I, "you may talk all you like about Browning and Carlyle – "
"I have not," said my sister, "referred to Browning or Carlyle."
"You may talk all you like" – I disdained her pointed interruption – "but for downright human nature here in the country, give me the Hempfield Star."
Once during these weeks I paid a short obligatory visit to the printing-office, and gave Anthy the name of my uncle in California and got the envelopes that had been printed for me. I also took in a number of paragraphs relating to affairs in our neighbourhood, and told Anthy (only I did not call her Anthy then) that if agreeable I would contribute occasionally to the Star. She seemed exceedingly grateful, and I liked her better than ever.
I also had a characteristic exchange with Fergus, in which, as usual, I came off worsted. In those troublous days Fergus was the toiling Atlas upon whose wiry shoulders rested the full weight of that heavenly body. He set most of the type, distributed it again, made up the forms, inked the rollers, printed the paper (for the most part), did all the job work which Hempfield afforded, and smoked the worst pipe in America.
When I told him that I was going to write regularly for the Star and showed him the paragraphs I had brought in (I suspect they were rather long) this was his remark:
"Oh, Lord, more writers!"
It was on this occasion, too, that I really made the acquaintance of the Captain. He was in the best of spirits. He told me how he had beaten the rebels at Antietam. I enjoyed it all very much, and decided that for the time being I would suspend judgment on the pipe incident.
One day I reached the point where I could stand it no longer. So I hitched up the mare and drove to town. All the way along the road I tried to imagine what had taken place in the printing-office.
I thought with a sinking heart that the paper might have been sold, and that my new friends would go away. I thought that Anthy might be carrying out some new and vigorous plan of reconstruction, only somehow I could not feel Anthy's hand in the changes I had seen.
It was all very vivid to me; I had, indeed, a feeling, that afterward became familiar enough, that the Star was a living being, struggling, hoping, suffering, like one of us. In truth, it was just that.
No sooner had I turned in at the gate than I perceived that some mysterious and revolutionary force had really been at work. The gate itself had acquired two hinges where one had been quite sufficient before, and inside the office – what a change was there! It was not so much in actual rearrangement, though the editorial desk looked barren and windswept; it was rather in the general atmosphere of the place. Even Tom, the cat, showed it: when I came in at the door he went out through the window. He was scared! No more would he curl himself contentedly to sleep in editorial chairs; no more make his bed in the office wastebasket. Though it was still early in the morning, Fergus was not reading "Tom Sawyer." No, Fergus was hard at work, and didn't even look around when I came in.
Anthy was there, too, in her long crisp gingham apron, which I always thought so well became her. She had just put down her composing stick, and was standing quite silent, with a curious air of absorption (which I did not then understand), before the dingy portrait of Lincoln on the wall just over the cases. On her desk, not far away, a book lay open. I saw it later: it was Rand's "Modern Classical Philosophers." It represented Anthy's last struggling effort to keep on with her college work. In spite of all the difficulties and distractions of the printing-office, she had never quite given up the hope that some day she might be able to go back and graduate. It had been her fondest desire, the deepest purpose of her heart.
As she glanced quickly around at me I surprised on her face a curious look. How shall I describe it? – a look of exaltation, and of anxiety, too, I thought. But it passed like a flash, and she gave me a smile of friendly recognition, and stepped toward me with the frank and outright way she had. It gave me a curious deep thrill, not, I think, because she was a woman, a girl, and so very good to look upon, but because I suddenly saw her, the very spirit of her, as a fine, brave human being, fighting one of the hard and bitter fights of our common life. I do not pretend to know very much about women in general, and I think perhaps there is some truth in one of Nort's remarks, made long afterward:
"David's idea of generalizing about women," said that young upstart, "is to talk about Anthy without mentioning her name."
Is yours any different, Nort? – or yours?
Yes, I think it is true; and this I know because I know Anthy, that, however beautiful and charming a woman may be, as a woman, that which finally rings all the bells in the chambers of the souls of men are those qualities which are above and beyond womanly charm, which are universal and human: as that she is brave, or simple, or noble in spirit.
That Anthy was deeply troubled on that summer morning I saw plainly when the Captain came, in the keen glance she gave him. He, too, seemed somehow changed, so unlike himself as to be almost gloomy. He gave me a sepulchral, "Good morning, sir," and sat down at his desk without even lighting his pipe.
Something tremendous, I could feel, was taking place there in the printing-office, and I said to Anthy – we had been talking about the paragraphs I brought in:
"What's been happening to the Star since I was here before?"
"You've discovered it, too!" she said with a whimsical smile. "Well, we're just now in process of being modernized." At this I heard Fergus snort behind me.
"Bein' busted, you mean," said he.
Fergus, besides being temperamentally unable to contain his opinions, had been so long the prop of the mechanical fortunes of the Star that he was a privileged character.
"I knew something was the matter," I said. "As I was coming in I felt like saying, 'Fee, fie, fo, fum, I smell the blood of an Englishmun.'"
"Plain Yankee this time," said Fergus.
"Now, Fergus!" exclaimed Anthy severely. "You see," she continued, "we positively had to do something. The paper has been going downhill ever since my father's death. Father knew how to make it pay, even with half the families in town taking the cheap city dailies. But times are changing, and we've got to modernize or perish."
While she spoke with conviction, her words lacked enthusiasm, and they had, moreover, a certain cut-and-dried sound. "Times are changing. Modernize or perish!"
Anthy did not know it, of course, but she was living at the psychological moment in our history when the whole country was turning for salvation to that finished product, that perfect flower,