a vein if you follow it up. I wouldn't have missed this book for a pair of red blankets."
"You're welcome to it," says I. "What I want is a disinterested statement of facts for the mind to work on, and that's what I seem to find in the book I've drawn."
"What you've got," says Idaho, "is statistics, the lowest grade of information that exists. They'll poison your mind. Give me old K. M.'s system of surmises. He seems to be a kind of a wine agent. His regular toast is 'nothing doing,' and he seems to have a grouch, but he keeps it so well lubricated with booze that his worst kicks sound like an invitation to split a quart. But it's poetry," says Idaho, "and I have sensations of scorn for that truck of yours that tries to convey sense in feet and inches. When it comes to explaining the instinct of philosophy through the art of nature, old K. M. has got your man beat by drills, rows, paragraphs, chest measurement, and average annual rainfall."
So that's the way me and Idaho had it. Day and night all the excitement we got was studying our books. That snowstorm sure fixed us with a fine lot of attainments apiece. By the time the snow melted, if you had stepped up to me suddenly and said: "Sanderson Pratt, what would it cost per square foot to lay a roof with twenty by twenty- eight tin at nine dollars and fifty cents per box?" I'd have told you as quick as light could travel the length of a spade handle at the rate of one hundred and ninety-two thousand miles per second. How many can do it? You wake up 'most any man you know in the middle of the night, and ask him quick to tell you the number of bones in the human skeleton exclusive of the teeth, or what percentage of the vote of the Nebraska Legislature overrules a veto. Will he tell you? Try him and see.
About what benefit Idaho got out of his poetry book I didn't exactly know. Idaho boosted the wine-agent every time he opened his mouth; but I wasn't so sure.
This Homer K. M., from what leaked out of his libretto through Idaho, seemed to me to be a kind of a dog who looked at life like it was a tin can tied to his tail. After running himself half to death, he sits down, hangs his tongue out, and looks at the can and says:
"Oh, well, since we can't shake the growler, let's get it filled at the corner, and all have a drink on me."
Besides that, it seems he was a Persian; and I never hear of Persia producing anything worth mentioning unless it was Turkish rugs and Maltese cats.
That spring me and Idaho struck pay ore. It was a habit of ours to sell out quick and keep moving. We unloaded our grubstaker for eight thousand dollars apiece; and then we drifted down to this little town of Rosa, on the Salmon river, to rest up, and get some human grub, and have our whiskers harvested.
Rosa was no mining-camp. It laid in the valley, and was as free of uproar and pestilence as one of them rural towns in the country. There was a three-mile trolley line champing its bit in the environs; and me and Idaho spent a week riding on one of the cars, dropping off at nights at the Sunset View Hotel. Being now well read as well as travelled, we was soon /pro re nata/ with the best society in Rosa, and was invited out to the most dressed-up and high-toned entertainments. It was at a piano recital and quail-eating contest in the city hall, for the benefit of the fire company, that me and Idaho first met Mrs. De Ormond Sampson, the queen of Rosa society.
Mrs. Sampson was a widow, and owned the only two-story house in town. It was painted yellow, and whichever way you looked from you could see it as plain as egg on the chin of an O'Grady on a Friday. Twenty-two men in Rosa besides me and Idaho was trying to stake a claim on that yellow house.
There was a dance after the song books and quail bones had been raked out of the Hall. Twenty-three of the bunch galloped over to Mrs. Sampson and asked for a dance. I side-stepped the two-step, and asked permission to escort her home. That's where I made a hit.
On the way home says she:
"Ain't the stars lovely and bright to-night, Mr. Pratt?"
"For the chance they've got," says I, "they're humping themselves in a mighty creditable way. That big one you see is sixty-six million miles distant. It took thirty-six years for its light to reach us. With an eighteen-foot telescope you can see forty-three millions of 'em, including them of the thirteenth magnitude, which, if one was to go out now, you would keep on seeing it for twenty-seven hundred years."
"My!" says Mrs. Sampson. "I never knew that before. How warm it is! I'm as damp as I can be from dancing so much."
"That's easy to account for," says I, "when you happen to know that you've got two million sweat-glands working all at once. If every one of your perspiratory ducts, which are a quarter of an inch long, was placed end to end, they would reach a distance of seven miles."
"Lawsy!" says Mrs. Sampson. "It sounds like an irrigation ditch you was describing, Mr. Pratt. How do you get all this knowledge of information?"
"From observation, Mrs. Sampson," I tells her. "I keep my eyes open when I go about the world."
"Mr. Pratt," says she, "I always did admire a man of education. There are so few scholars among the sap-headed plug-uglies of this town that it is a real pleasure to converse with a gentleman of culture. I'd be gratified to have you call at my house whenever you feel so inclined."
And that was the way I got the goodwill of the lady in the yellow house. Every Tuesday and Friday evening I used to go there and tell her about the wonders of the universe as discovered, tabulated, and compiled from nature by Herkimer. Idaho and the other gay Lutherans of the town got every minute of the rest of the week that they could.
I never imagined that Idaho was trying to work on Mrs. Sampson with old K. M.'s rules of courtship till one afternoon when I was on my way over to take her a basket of wild hog-plums. I met the lady coming down the lane that led to her house. Her eyes was snapping, and her hat made a dangerous dip over one eye.
"Mr. Pratt," she opens up, "this Mr. Green is a friend of yours, I believe."
"For nine years," says I.
"Cut him out," says she. "He's no gentleman!"
"Why ma'am," says I, "he's a plain incumbent of the mountains, with asperities and the usual failings of a spendthrift and a liar, but I never on the most momentous occasion had the heart to deny that he was a gentleman. It may be that in haberdashery and the sense of arrogance and display Idaho offends the eye, but inside, ma'am, I've found him impervious to the lower grades of crime and obesity. After nine years of Idaho's society, Mrs. Sampson," I winds up, "I should hate to impute him, and I should hate to see him imputed."
"It's right plausible of you, Mr. Pratt," says Mrs. Sampson, "to take up the curmudgeons in your friend's behalf; but it don't alter the fact that he has made proposals to me sufficiently obnoxious to ruffle the ignominy of any lady."
"Why, now, now, now!" says I. "Old Idaho do that! I could believe it of myself, sooner. I never knew but one thing to deride in him; and a blizzard was responsible for that. Once while we was snow-bound in the mountains he became a prey to a kind of spurious and uneven poetry, which may have corrupted his demeanour."
"It has," says Mrs. Sampson. "Ever since I knew him he has been reciting to me a lot of irreligious rhymes by some person he calls Ruby Ott, and who is no better than she should be, if you judge by her poetry."
"Then Idaho has struck a new book," says I, "for the one he had was by a man who writes under the /nom de plume/ of K. M."
"He'd better have stuck to it," says Mrs. Sampson, "whatever it was. And to-day he caps the vortex. I get a bunch of flowers from him, and on 'em is pinned a note. Now, Mr. Pratt, you know a lady when you see her; and you know how I stand in Rosa society. Do you think for a moment that I'd skip out to the woods with a man along with a jug of wine and a loaf of bread, and go singing and cavorting up and down under the trees with him? I take a little claret with my meals, but I'm not in the habit of packing a jug of it into the brush and raising Cain in any such style as that. And of course he'd bring his book of verses along, too. He said so. Let him go on his scandalous picnics alone! Or let him take his Ruby Ott with him. I reckon she wouldn't kick unless it was on account of there being too much bread along. And what do you think of your gentleman friend now, Mr. Pratt?"
"Well, 'm," says I, "it may be that Idaho's invitation was a kind of poetry, and meant no harm. May be it belonged to the class of rhymes they call figurative.