WISE MAN'S FOLLY
Mr. Richard Gilbert went to New York, and the girl with the black Canadian eyes and floating hair went with him – in spirit, that is to say. That dark, piquant face; that uplifted, gentle glance; that dimpling smile haunted him all through the upward journey; haunted and lit up his dingy office, and came between him and Blackstone, and Coke upon Littleton, and other legal lights.
Her bright, seventeen-year old face formed itself into a picture upon every page of those mouldering, dry-as-dust tomes, looked at him in the purple twilight, in the sunny mornings, in the dead waste and middle of the night. He had become "A Haunted Man," in short, Mr. Gilbert was in love.
And so, "how it came let doctors tell," all of a sudden Mr. Gilbert found that business required his presence Down East early in July. It was trifling business, too, understrappers in the office thought, that could very well have done without his personal supervision; but Mr. Gilbert reasoned otherwise; and, with a very unwonted glow about the region of the heart, packed his portmanteau, and started for Portland, Me.
The hot July sun was blazing in the afternoon sky and the streets of Portland were blistering in the heat, as the New York lawyer walked from the cars to his hotel. That important business which had brought him so many miles was transacted in a couple of hours, and then he returned to his hotel to dress and dine. Dress! – when had Richard Gilbert in his plain business pepper-and-salt suit and round-topped straw hat, ever taken so much pains with his toilet before, ever sported such faultless broadcloth in July, ever wore a diamond pin in his snowy linen, ever stood so long before the glass, ever felt so little satisfied with the result? When had the crow's feet around mouth and eyes ever shown so plainly, when had his tall, bald forehead ever appeared so patriarchal, when had he ever looked so dreadfully middle-aged, and plodding and priggish in his own legal eyes? Ah, when indeed?
He hired a light wagon and a bony horse at the nearest livery stable, and inquired the way to Kent Farm. Kent Farm was three miles distant, he found, and the white, dusty road lay like a strip of silver between the golden, green fields. The haymakers were at work, the summer air was sweet with perfume, the fields of buckwheat waved, the birds sang in the branches of the elms, the grasshoppers chirped until the drowsy air was alive, and far beyond all, more beautiful than all, the silver sea lay asleep under the sparkling sun. Pretty houses, all white and green, were everywhere; and more than one Maud Müller leaned on her rake, and looked up under her broad-brimmed hat as this thoughtful Judge rode by. He rode very slowly, so slowly that it was nearly an hour before he reached his destination and drew up at the gate of Kent Farm.
Had he been wise to come? What was this young girl, this child of seventeen, to him? What could she ever be? Youth turns to youth, as flowers to the sun. What if he found her the plighted wife of some stalwart young farmer, some elegant dry-goods clerk of the town? What? His heart contracted with a sharp, sudden spasm, and told him what?
Kent Farm at last. Half a mile from any other house, on the summit of a green, sloping eminence, an old red, weather-beaten farm-house its once glaring color toned and mellowed down by the sober hand of Time. A charming old place, its garden sloping down to the roadside, its lilac trees in full bloom. A wide-spreading old-fashioned garden, with rose bushes, and gooseberry bushes, currant bushes, sunflowers, and hollyhocks, and big gnarled old apple trees, mixed up in picturesque confusion.
Seated in a chair of twisted branches, under one of these crooked, blossoming apple trees, the sunlight tangled in her shining hair, and the mignonne face, sat Norine Kent Bourdon, reading a novel.
He opened the gate. Her book was interesting – she did not hear. He walked up the gravelled path, and drew near. Then she looked up, then half rose, in doubt for a moment, and then – to the day of his death, until all things earthly, will Richard Gilbert remember the flush of joy, the flash of recognition, the glad cry of welcome, with which she flung aside her book and sprang towards him, both hands outstretched.
"Monsieur! monsieur!" the sweet voice cried. "Ah, monsieur! how glad I am to see you."
She gave him her hands. The lovely, laughing face the eyes of fathomless light, looked up into his. Yes, she was glad to see him, glad with the impulsive gladness of a little younger sister to see an indulgent brother, old and grave, yet beloved. But Mr. Gilbert, holding those hands, looking into that eager, sparkling face, drew no such nice distinctions.
"Thank you, mademoiselle. You have not quite forgotten me, then, after all?"
"Forgotten you, monsieur? Oh, my memory is better than that. You have come to pay us that promised visit, have you not? Uncle Reuben has been looking for you ever since the first of June, and Aunt Hester is never so happy as when she has company. You have come to stay, I know."
"Well, I'm not sure about that, Miss Bourdon. I may remain a week or two, certainly. New York is not habitable after the first week of July, but I am stopping at the Preble House. I am too much of a stranger to trespass on your good uncle's hospitality."
"You have been kind to me, monsieur, and you are a stranger no more. Besides, it is dull here – pleasant but dull, and it will be a second kindness to enliven us with a little New York society."
She laughed and drew away her hands. The golden light of the July afternoon gilded the girlish face, upon which the New York gentleman gazed with an admiration he did not try to hide.
"Dull," he repeated; "you don't find it dull, I should think. Your face tells a very different story."
Mademoiselle shook back her rippling satin hair, and made a little French moue mutine.
"Ah, but it is. Only the fields and the flowers, the trees and the birds, the eating and sleeping, and reading. Now, flowers and fields and birds are very nice and pleasant things, but I like people, new faces, new friends, pleasure, excitement, change. I ride the horse, I milk the cows, I pick the strawberries, I darn the stockings, I play the piano, I make the beds, I read the novels. But I see nobody – nobody – nobody, and it is dull."
"Then you prefer the old life and Montreal?"
"Montreal!" Miss Bourdon's black eyes flashed out, as your black eyes can. "Monsieur," solemnly, "I adore Montreal. It was always new and always nice there; bright and gay and French. French! it is all Yankee here, not but that I like Yankees too. Aunt Hester thinks," a merry laugh, "there never was anybody born like me, and Uncle Reuben thinks I would be an angel if I didn't read so many novels and eat so many custard pies. And, monsieur," with the saucy uplifted coquettish glance he remembered so well, "if you find out I'm not an angel don't tell him, please. I wouldn't have him undeceived for the world."
"I don't think I shall find it out, mademoiselle. I quite agree with your uncle. Here he comes now."
Reuben Kent came out of the open front door, smoking a pipe. He paused at sight of his niece in friendly colloquy with a strange gentleman. The next moment he recognized him, and came forward at once in hearty welcome.
"Wal, squire," Mr. Kent said, "you hev come, when I had e'enamost gi'n you up. How dye deow? 'Tarnal hot, ain't it? Must be a powerful sight hotter, though, up to York. How air you. You're lookin' pretty considerably spry. Norry's glad to see you, I know. That gal's bin a talkin' o' ye continual. Come in, squire – come in. My sister Hester will be right glad to see ye."
What a cordial welcome it was; what a charming agricultural person Mr. Reuben Kent, one of nature's Down East noblemen, indeed. In a glow of pleasure, feeling ten years younger and ten times better looking than when he had started, the New York lawyer walked up to the house, into the wide, cool hall, into the "keepin' room," and took a seat. A pleasant room; but was not everything about Kent Farm pleasant, with two large western windows, through which the rose and golden light of the low dropping sun streamed over the store carpet, the cane-seated chairs, the flowers in the cracked tumblers, and white, delf pitchers. Traces of Norine were everywhere; the piano in a corner, the centre-table littered with books, papers, magazines and scraps of needle-work, the two canaries singing in the sunny windows, all spoke of taste, and girlhood. There were white muslin curtains, crocheted tidies on every chair in the room, a lounge, covered with cretonne in a high state of glaze and gaudy coloring, and the scent of the hay fields and the lilacs over all. No fifth-avenue drawing-room,