to the house to-night; and your old room over the stable is ready."
"Great!" said Thomas earnestly. "You are It, Annie. But when did these stunts happen?"
"To-night at Professor Cherubusco's. He sent his automobile for the Missis, and she took me along. I've been there with her before."
"What's the professor's line?"
"He's a clearvoyant and a witch. The Missis consults him. He knows everything. But he hasn't done the Missis any good yet, though she's paid him hundreds of dollars. But he told us that the stars told him we could find you here."
"What's the old lady want this cherry-buster to do?"
"That's a family secret," said Annie. "And now you've asked enough questions. Come on home, you big fool."
They had moved but a little way up the street when Thomas stopped.
"Got any dough with you, Annie?" he asked.
Annie looked at him sharply.
"Oh, I know what that look means," said Thomas. "You're wrong. Not another drop. But there's a guy that was standing next to me in the bed line over there that's in bad shape. He's the right kind, and he's got wives or kids or something, and he's on the sick list. No booze. If you could dig up half a dollar for him so he could get a decent bed I'd like it."
Annie's fingers began to wiggle in her purse.
"Sure, I've got money," said she. "Lots of it. Twelve dollars." And then she added, with woman's ineradicable suspicion of vicarious benevolence: "Bring him here and let me see him first."
Thomas went on his mission. The wan Bed Liner came readily enough. As the two drew near, Annie looked up from her purse and screamed:
"Mr. Walter – Oh – Mr. Walter!
"Is that you, Annie?" said the young man meekly.
"Oh, Mr. Walter! – and the Missis hunting high and low for you!"
"Does mother want to see me?" he asked, with a flush coming out on his pale cheek.
"She's been hunting for you high and low. Sure, she wants to see you. She wants you to come home. She's tried police and morgues and lawyers and advertising and detectives and rewards and everything. And then she took up clearvoyants. You'll go right home, won't you, Mr. Walter?"
"Gladly, if she wants me," said the young man. "Three years is a long time. I suppose I'll have to walk up, though, unless the street cars are giving free rides. I used to walk and beat that old plug team of bays we used to drive to the carriage. Have they got them yet?"
"They have," said Thomas, feelingly. "And they'll have 'em ten years from now. The life of the royal elephantibus truckhorseibus is one hundred and forty-nine years. I'm the coachman. Just got my reappointment five minutes ago. Let's all ride up in a surface car – that is – er – if Annie will pay the fares."
On the Broadway car Annie handed each one of the prodigals a nickel to pay the conductor.
"Seems to me you are mighty reckless the way you throw large sums of money around," said Thomas sarcastically.
"In that purse," said Annie decidedly, "is exactly $11.85. I shall take every cent of it to-morrow and give it to professor Cherubusco, the greatest man in the world."
"Well," said Thomas, "I guess he must be a pretty fly guy to pipe off things the way he does. I'm glad his spooks told him where you could find me. If you'll give me his address, some day I'll go up there, myself, and shake his hand."
Presently Thomas moved tentatively in his seat, and thoughtfully felt an abrasion or two on his knees and his elbows.
"Say, Annie," said he confidentially, maybe it's one of the last dreams of booze, but I've a kind of a recollection of riding in an automobile with a swell guy that took me to a house full of eagles and arc lights. He fed me on biscuits and hot air, and then kicked me down the front steps. If it was the d t's, why am I so sore?"
"Shut up, you fool," said Annie.
"If I could find that funny guy's house," said Thomas, in conclusion, "I'd go up there some day and punch his nose for him."
VI
THE POET AND THE PEASANT
The other day a poet friend of mine, who has lived in close communion with nature all his life, wrote a poem and took it to an editor.
It was a living pastoral, full of the genuine breath of the fields, the song of birds, and the pleasant chatter of trickling streams.
When the poet called again to see about it, with hopes of a beefsteak dinner in his heart, it was handed back to him with the comment:
"Too artificial."
Several of us met over spaghetti and Dutchess County chianti, and swallowed indignation with slippery forkfuls.
And there we dug a pit for the editor. With us was Conant, a well-arrived writer of fiction – a man who had trod on asphalt all his life, and who had never looked upon bucolic scenes except with sensations of disgust from the windows of express trains.
Conant wrote a poem and called it "The Doe and the Brook." It was a fine specimen of the kind of work you would expect from a poet who had strayed with Amaryllis only as far as the florist's windows, and whose sole ornithological discussion had been carried on with a waiter. Conant signed this poem, and we sent it to the same editor.
But this has very little to do with the story.
Just as the editor was reading the first line of the poem, on the next morning, a being stumbled off the West Shore ferryboat, and loped slowly up Forty-second Street.
The invader was a young man with light blue eyes, a hanging lip and hair the exact color of the little orphan's (afterward discovered to be the earl's daughter) in one of Mr. Blaney's plays. His trousers were corduroy, his coat short-sleeved, with buttons in the middle of his back. One bootleg was outside the corduroys. You looked expectantly, though in vain, at his straw hat for ear holes, its shape inaugurating the suspicion that it had been ravaged from a former equine possessor. In his hand was a valise – description of it is an impossible task; a Boston man would not have carried his lunch and law books to his office in it. And above one ear, in his hair, was a wisp of hay – the rustic's letter of credit, his badge of innocence, the last clinging touch of the Garden of Eden lingering to shame the gold-brick men.
Knowingly, smilingly, the city crowds passed him by. They saw the raw stranger stand in the gutter and stretch his neck at the tall buildings. At this they ceased to smile, and even to look at him. It had been done so often. A few glanced at the antique valise to see what Coney "attraction" or brand of chewing gum he might be thus dinning into his memory. But for the most part he was ignored. Even the newsboys looked bored when he scampered like a circus clown out of the way of cabs and street cars.
At Eighth Avenue stood "Bunco Harry," with his dyed mustache and shiny, good-natured eyes. Harry was too good an artist not to be pained at the sight of an actor overdoing his part. He edged up to the countryman, who had stopped to open his mouth at a jewelry store window, and shook his head.
"Too thick, pal," he said, critically – "too thick by a couple of inches. I don't know what your lay is; but you've got the properties too thick. That hay, now – why, they don't even allow that on Proctor's circuit any more."
"I don't understand you, mister," said the green one. "I'm not lookin' for any circus. I've just run down from Ulster County to look at the town, bein' that the hayin's over with. Gosh! but it's a whopper. I thought Poughkeepsie was some punkins; but this here town is five times as big."
"Oh, well," said "Bunco Harry," raising his eyebrows, "I didn't mean to butt in. You don't have to tell. I thought you ought to tone down a little, so I tried to put you wise. Wish you success at your graft, whatever it is. Come and have a drink, anyhow."
"I wouldn't mind having a glass of lager beer," acknowledged the other.
They went to a café frequented by men with smooth faces and shifty eyes, and sat at their drinks.
"I'm glad I come across you, mister," said