of men distinguished by their genius and learning," passed into the rapacious hands of his bad sovereign, and by him was presented to Sir William Pawlet, ultimately Lord High Treasurer and Marquis of Winchester; from his hands it passed into Lord Dacre's, to whom succeeded Lord Burghley; then followed his son, the Earl of Salisbury, as its master; from him it pas
1
After the death of More, this favorite home of his, where he had so frequently gathered "a choice company of men distinguished by their genius and learning," passed into the rapacious hands of his bad sovereign, and by him was presented to Sir William Pawlet, ultimately Lord High Treasurer and Marquis of Winchester; from his hands it passed into Lord Dacre's, to whom succeeded Lord Burghley; then followed his son, the Earl of Salisbury, as its master; from him it passed successively to the Earl of Lincoln, Sir Arthur Gorges, the Earl of Middlesex, Villiers duke of Buckingham, Sir Bulstrode Whitelock, the second Duke of Buckingham, the Earl of Bristol, the Duke of Beaufort, and ultimately to Sir Hans Slonne, who obtained it in 1738, and after keeping it for two years razed it to the ground; an unhappy want of reverence on the part of the great naturalist for the home of so many great men. There is a print of it by J. Knyff, in 1699, which is copied (p. 292); it shows some old features, but it had then been enlarged and altered. Erasmus has well described it as it was in More's lifetime. It had "a chapel, a library, and a gallery, called the New Buildings, a good distance from his main house, wherein his custom was to busy himself in prayer and meditation, whensoever he was at leisure." Heywood, in his
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The conduct of this great man's house was a model to all, and as near an approach to his own Utopia as might well be. Erasmus says, "I should rather call his house a school or university of Christian religion, for though there is none therein but readeth and studyeth the liberal sciences, their special care is piety and virtue; there is no quarreling or intemperate words heard; none seen idle; which household discipline that worthy gentleman doth not govern, but with all kind and courteous benevolence." The servant-men abode on one side of the house, the women on another, and met at prayer-time, or on church festivals, when More would read and expound to them. He suffered no cards or dice, but gave each one his garden-plot for relaxation, or set them to sing or play music. He had an affection for all who truly served him, and his daughters' nurse is as affectionately remembered in his letters when from home as are they themselves. "Thomas More sendeth greeting to his most dear daughters Margaret, Elizabeth, and Cecily; and to Margaret Giggs, as dear to him as if she were his own," are his words in one letter; and his valued and trustworthy domestics appear in the family pictures of the family by Holbein. They requited his attachment by truest fidelity and love; and his daughter Margaret, in her last passionate interview with her father on his way to the Tower, was succeeded by Margaret Giggs and a maid-servant, who embraced and kissed their condemned master, "of whom, he said after, it was homely but very lovingly done." Of these and other of his servants, Erasmus remarks, "after Sir Thomas More's death, none ever was touched with the least suspicion of any evil fame."
3
Wood and Weaver both affirm that the body of More was first deposited in the Tower Chapel, but was subsequently obtained by his devoted and accomplished daughter, Margaret Roper, and re-interred in Chelsea Church, in the tomb he had finished in 1532, the year in which he had surrendered the chancellorship, and resolved to abide the issue of his conscientious opposition to the king's wishes, as if he felt that the tomb should then be prepared.
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Faulkner, in his history of Chelsea, adheres to this opinion, and says that the tomb in that church is but "an empty cenotaph." His grandson, in his Life, says, "his body was buried in the Chapel of St. Peter, in the Tower, in the belfry, or, as some say, as one entereth into the vestry;" and he does not notice the story of his daughter's re-interment of it elsewhere.
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The Ropers lived at Canterbury, in St Dunstan's-street. The house is destroyed, and a brewery occupies its site; but the picturesque old gateway, of red brick, still remains, and is engraved above. Margaret Roper, the noble-hearted, learned, and favorite daughter of More resided here with her husband, until her death, in 1544, nine years after the execution of her father, when she was buried in the family vault at St. Dunstan's, where she had reverently placed the head of her father. The story of her piety is thus told by Cresacre More, in his life of his grandfather, Sir Thomas: "His head having remained about a month upon London Bridge, and being to be cast into the Thames, because room should be made for divers others, who, in plentiful sort, suffered martyrdom for the same supremacy, shortly after, it was bought by his daughter Margaret, lest, as she stoutly affirmed before the council, being called before them after for the matter, it should be food for fishes; which she buried, where she thought fittest." Anthony-a-Wood says, that she preserved it in a leaden box, and placed it in her tomb "with great devotion;" and in 1715, Dr. Rawlinson told Hearne the antiquary, that he had seen it there "inclosed in an iron grate." This was fully confirmed in 1835, when the chancel of the church being repaired, the Roper vault was opened, and several persons descended into it, and saw the skull in a leaden box, something like a bee-hive, open in the front, and which was placed in a square recess, in the wall, with an iron-grating before it. A drawing was made, which was engraved in the
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Naseby, June 14, 1646.
7
It was this invasion that made Corsica a French island, and consequently Napoleon Bonaparte a French citizen
8
He had also been confined in two prisons, in the Ile de Rue, and the Castle of Dijon.
9
Madame Campan's Memoirs.
10
Madame de Staël.
11
Bertrand de Moleville.
12
De Levis.
13
De Ferrieres.
14
The idea of this story is partly taken from a Danish
15
16
Kong Tolv, or