the moment quite weak; but danger always stiffened him into a dangerous adversary, and his face when aroused was most unpleasantly fierce. He walked with a military swing, his shoulders well set back and his head crested like that of a striking serpent. A rough and warlike life would have brought out his best points of endurance, capability to plan and strike quickly, and iron decision; but the want of opportunity and the enervating influences of civilized existence, made him a man of possibilities. When time, and place, and chance offered he could act the hero with the best; but lacking these things he remained innocuous like gunpowder which has no spark to fire it.
Thinking of these things, Miss Greeby abandoned the subject of Chaldea, and of her possible love for Lambert, and exclaimed impulsively, "Why don't you chuck civilization and strike the out-trail?"
"Why should I?" he asked, unmoved, and rather surprised by the change of the subject. "I'm quite comfortable here."
"Too comfortable," she retorted with emphasis. "This loafing life of just-enough-to-live-on doesn't give you a chance to play the man. Go out and fight and colonize and prove your qualities."
Lambert's color rose again, and his eyes sparkled. "I would if the chance – "
"Ah, bah, Hercules and Omphale!" interrupted his companion.
"What do you mean?"
"Never mind," retorted Miss Greeby, who guessed that he knew what she meant very well. His quick flush showed her how he resented this classical allusion to Agnes Pine. "You'd carry her off if you were a man."
"Chaldea?" asked Lambert, wilfully misunderstanding her meaning.
"If you like. Only don't try to carry her off at night. Garvington says he will shoot any burglar who comes along after dark."
"I never knew Garvington had anything to do with Chaldea."
"Neither did I. Oh, I think you know very well what I mean."
"Perhaps I do," said the young man with an angry shrug, for really her interference with his affairs seemed to be quite unjustifiable. "But I am not going to bring a woman I respect into the Divorce Court."
"Respect? Love, you mean to say."
Lambert stopped, and faced her squarely. "I don't wish to quarrel with you, Clara, as we are very old friends. But I warn you that I do possess a temper, and if you wish to see it, you are going the best way to get what you evidently want. Now, hold your tongue and talk of something else. Here is Chaldea."
"Watching for you," muttered Miss Greeby, as the slight figure of the gypsy girl was seen advancing swiftly. "Ha!" and she snorted suspiciously.
"Rye!" cried Chaldea, dancing toward the artist. "Sarishan rye."
Miss Greeby didn't understand Romany, but the look in the girl's eyes was enough to reveal the truth. If Lambert did not love his beautiful model, it was perfectly plain that the beautiful model loved Lambert.
"O baro duvel atch' pa leste!" said Chaldea, and clapped her slim hands.
CHAPTER III.
AN UNEXPECTED RECOGNITION
"I wish you wouldn't speak the calo jib to me, Chaldea," said Lambert, smiling on the beautiful eager face. "You know I don't understand it."
"Nor I," put in Miss Greeby in her manly tones. "What does Oh baro devil, and all the rest of it mean?"
"The Great God be with you," translated Chaldea swiftly, "and duvel is not devil as you Gorgios call it."
"Only the difference of a letter," replied the Gentile lady good-humoredly. "Show us round your camp, my good girl."
The mere fact that the speaker was in Lambert's company, let alone the offensively patronizing tone in which she spoke, was enough to rouse the gypsy girl's naturally hot temper. She retreated and swayed like a cat making ready to spring, while her black eyes snapped fire in a most unpleasant manner.
But Miss Greeby was not to be frightened by withering glances, and merely laughed aloud, showing her white teeth. Her rough merriment and masculine looks showed Chaldea that, as a rival, she was not to be feared, so the angry expression on the dark face changed to a wheedling smile.
"Avali! Avali! The Gorgios lady wants her fortune told."
For the sake of diplomacy Miss Greeby nodded and fished in her pocket. "I'll give you half a crown to tell it."
"Not me – not me, dear lady. Mother Cockleshell is our great witch."
"Take me to her then," replied the other, and rapidly gathered into her brain all she could of Chaldea's appearance.
Lambert had painted a very true picture of the girl, although to a certain extent he had idealized her reckless beauty. Chaldea's looks had been damaged and roughened by wind and rain, by long tramps, and by glaring sunshine. Yet she was superlatively handsome with her warm and swarthy skin, under which the scarlet blood circled freely. To an oval face, a slightly hooked nose and two vermilion lips, rather full, she added the glossy black eyes of the true Romany, peaked at the corners. Her jetty hair descended smoothly from under a red handkerchief down to her shoulders, and there, at the tips, became tangled and curling. Her figure was magnificent, and she swayed and swung from the hips with an easy grace, which reminded the onlookers of a panther's lithe movements. And there was a good deal of the dangerous beast-of-prey beauty about Chaldea, which was enhanced by her picturesque dress. This was ragged and patched with all kinds of colored cloths subdued to mellow tints by wear and weather. Also she jingled with coins and beads and barbaric trinkets of all kinds. Her hands were perfectly formed, and so doubtless were her feet, although these last were hidden by heavy laced-up boots. On the whole, she was an extremely picturesque figure, quite comforting to the artistic eye amidst the drab sameness of latterday civilization.
"All the same, I suspect she is a sleeping volcano," whispered Miss Greeby in her companion's ear as they followed the girl through the camp.
"Scarcely sleeping," answered Lambert in the same tone. "She explodes on the slightest provocation, and not without damaging results."
"Well, you ought to know. But if you play with volcanic fire you'll burn more than your clever fingers."
"Pooh! The girl is only a model."
"Ha! Not much of the lay figure about her, anyway."
Lambert, according to his custom, shrugged his shoulders and did not seek to explain further. If Miss Greeby chose to turn her fancies into facts, she was at liberty to do so. Besides, her attention was luckily attracted by the vivid life of the vagrants which hummed and bustled everywhere. The tribe was a comparatively large one, and – as Miss Greeby learned later – consisted of Lees, Loves, Bucklands, Hernes, and others, all mixed up together in one gypsy stew. The assemblage embraced many clans, and not only were there pure gypsies, but even many diddikai, or half-bloods, to be seen. Perhaps the gradually diminishing Romany clans found it better to band together for mutual benefit than to remain isolated units. But the camp certainly contained many elements, and these, acting co-operatively, formed a large and somewhat reckless community, which justified Garvington's alarm. A raid in the night by one or two, or three, or more of these lean, wiry, dangerous-looking outcasts was not to be despised. But it must be admitted that, in a general way, law and order prevailed in the encampment.
There were many caravans, painted in gay colors and hung round with various goods, such as brushes and brooms, goat-skin rugs, and much tinware, together with baskets of all sorts and sizes. The horses, which drew these rainbow-hued vehicles, were pasturing on the outskirts of the camp, hobbled for the most part. Interspersed among the travelling homes stood tents great and small, wherein the genuine Romany had their abode, but the autumn weather was so fine that most of the inmates preferred to sleep in the moonshine. Of course, there were plenty of dogs quarrelling over bones near various fires, or sleeping with one eye open in odd corners, and everywhere tumbled and laughed and danced, brown-faced, lithe-limbed children, who looked uncannily Eastern. And the men, showing their white teeth in smiles, together with the fawning women, young and handsome, or old and hideously ugly, seemed altogether alien to the quiet, tame domestic English landscape. There was something prehistoric about the scene, and everywhere lurked that sense of