Various

Blackwood's Edinburgh Magazine, Volume 69, No. 423, January 1851


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them, you might as well have expected that the widows and orphans of the Reign of Terror would have pitied Dr Guillotin when he slid through the grooves of his own deadly machine. And even the tinker, itinerant, ragamuffin vagabond as he was, felt ashamed to be found with the pattern boy! Lenny's head sank again on his breast, heavily as if it had been of lead. Some few minutes thus passed, when the unhappy prisoner became aware of the presence of another spectator to his shame: he heard no step, but he saw a shadow thrown over the sward. He held his breath, and would not look up, with some vague idea that if he refused to see he might escape being seen.

      CHAPTER IX

      "Per Bacco!" said Dr Riccabocca, putting his hand on Lenny's shoulder, and bending down to look into his face – "Per Bacco! my young friend, do you sit here from choice or necessity?"

      Lenny slightly shuddered, and winced under the touch of one whom he had hitherto regarded with a sort of superstitious abhorrence.

      "I fear," resumed Riccabocca, after waiting in vain for an answer to his question, "that, though the situation is charming, you did not select it yourself. What is this?" – and the irony of the tone vanished – "what is this, my poor boy? You have been bleeding, and I see that those tears which you try to cheek come from a deep well. Tell me, povero fanciullo mio, (the sweet Italian vowels, though Lenny did not understand them, sounded softly and soothingly,) – tell me, my child, how all this happened. Perhaps I can help you – we have all erred; we should all help each other."

      Lenny's heart, that just before had seemed bound in brass, found itself a way as the Italian spoke thus kindly, and the tears rushed down; but he again stopped them, and gulped out sturdily, —

      "I have not done no wrong; it ben't my fault – and 'tis that which kills me!" concluded Lenny, with a burst of energy.

      "You have not done wrong? Then," said the philosopher, drawing out his pocket-handkerchief with great composure, and spreading it on the ground – "then I may sit beside you. I could only stoop pityingly over sin, but I can lie down on equal terms with misfortune."

      Lenny Fairfield did not quite comprehend the words, but enough of their general meaning was apparent to make him cast a grateful glance on the Italian. Riccabocca resumed, as he adjusted the pocket-handkerchief, "I have a right to your confidence, my child, for I have been afflicted in my day: yet I too say with thee, 'I have not done wrong.' Cospetto!" (and here the Dr seated himself deliberately, resting one arm on the side column of the Stocks, in familiar contact with the captive's shoulder, while his eye wandered over the lovely scene around) – "Cospetto! my prison, if they had caught me, would not have had so fair a look-out as this. But, to be sure, it is all one: there are no ugly loves, and no handsome prisons!"

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      1

      See "Fall of Rome," Alison's Essays, vol. iii. p. 440.

      2

      See a very able article on California, Quarterly Review, Oct. 1850.

      3

      "Quum Censores ob inopiam ærarii, se jam locationibus abstinerent ædium sacrarum tuendarum, curuliumque equorum præbendorum, ac similium his rerum: convenere ad eos frequentes, qui hastæ hujus generis assueverant; hortatique censores, ut omnia perinde agerent, locarent, ac si pecunia in ærario esset. Neminem, nisi bello confecto, pecuniam ab ærario petiturum esse." – Livy, lib. xxiv. c. 19. "The censors," says Arnold, "found the treasury unable to supply the public services. Upon this, trust monies belonging to widows and minors, or to widows a

1

See "Fall of Rome," Alison's Essays, vol. iii. p. 440.

2

See a very able article on California, Quarterly Review, Oct. 1850.

3

"Quum Censores ob inopiam ærarii, se jam locationibus abstinerent ædium sacrarum tuendarum, curuliumque equorum præbendorum, ac similium his rerum: convenere ad eos frequentes, qui hastæ hujus generis assueverant; hortatique censores, ut omnia perinde agerent, locarent, ac si pecunia in ærario esset. Neminem, nisi bello confecto, pecuniam ab ærario petiturum esse." – Livy, lib. xxiv. c. 19. "The censors," says Arnold, "found the treasury unable to supply the public services. Upon this, trust monies belonging to widows and minors, or to widows and unmarried women, were deposited in the treasury; and whatever sums the trustees had to draw for, were paid by the quarter in bills on the banking commissioners, or triumvirs mensarii. It is probable that these bills were actually a paper currency, and that they circulated as money on the security of the public faith. In the same way the government contracts were also paid in paper; for the contractors came forward in a body to the censors, and begged them to make their contracts as usual, promising not to demand payment till the end of the war. This must mean, I conceive, that they were to be paid in orders upon the treasury, which orders were to be converted into cash when the present difficulties of the government should be at an end." – Arnold's History of Rome, ii. 207, 208. This was just an inconvertible paper currency; and its issue immediately after the battle of Cannæ saved the Roman empire. We have heard, from a gentleman who was present, that, in a political Whig party many years ago, when the conversation turned on the service of a paper currency in bringing a state through a pecuniary crisis, and some one said it was that which enabled the Romans to surmount the Second Punic war, Lord Melbourne, who was present, immediately repeated, from memory, the words above quoted from Livy in capitals.

4

Quarterly Review, October 1850.

5

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