Various

Blackwood's Edinburgh Magazine, No. 404, June, 1849


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have animals no less hallowed in Egypt – the cats! And how harmoniously the tranquil creatures blend with the prospect – how noiselessly they glide along at the distance, pause, peer about, and disappear. It is only from the attic that you can appreciate the picturesque which belongs to our domesticated tiger-kin! The goat should be seen on the Alps, and the cat on the house-top.

      By degrees the curious eye takes the scenery in detail: and first, what fantastic variety in the heights and shapes of the chimney-pots! Some all level in a row, uniform and respectable, but quite uninteresting; others, again, rising out of all proportion, and imperatively tasking the reason to conjecture why they are so aspiring. Reason answers that it is but a homely expedient to give freer vent to the smoke; whereon Imagination steps in, and represents to you all the fretting, and fuming, and worry, and care, which the owners of that chimney, now the tallest of all, endured, before, by building it higher, they got rid of the vapours! You see the distress of the cook, when the sooty invader rushed down, "like a wolf on the fold," full spring on the Sunday joint. You hear the exclamations of the mistress, (perhaps a bride, – house newly furnished,) when, with white apron and cap, she ventured into the drawing-room, and was straightway saluted by a joyous dance of those monads, called vulgarly smuts. You feel manly indignation at the brute of a bridegroom, who rushes out from the door, with the smuts dancing after him, and swears, "Smoked out again – By the Arch-smoker himself, I'll go and dine at the club!" All this might well have been, till the chimney-pot was raised a few feet nearer heaven; and now perhaps that long-suffering family owns the happiest home in the Row. Such contrivances to get rid of the smoke! It is not every one who merely heightens his chimney; others clap on the hollow tormentor all sorts of odd headgear and cowls. Here patent contrivances act the purpose of weathercocks, swaying to and fro with the wind; there others stand as fixed as if by a "sic jubeo" they had settled the business. But of all those houses that, in the street, one passes by, unsuspicious of what's the matter within, there is not one in a hundred but what there has been the devil to do, to cure the chimneys of smoking! At that reflection, Philosophy dismisses the subject; and decides that, whether one lives in a hut or a palace, the first thing to do is to look to the hearth – and get rid of the vapours.

      New beauties demand us. What endless undulations in the various declivities and ascents: here a slant, there a zig-zag! With what majestic disdain yon roof rises up to the left! – Doubtless, a palace of Genii or Gin, (which last is the proper Arabic word for those builders of halls out of nothing, employed by Aladdin.) Seeing only the roof of that palace boldly breaking the skyline – how serene your contemplations! Perhaps a star twinkles over it, and you muse on soft eyes far away; while below, at the threshold – No, phantoms, we see you not from our attic! Note, yonder, that precipitous fall – how ragged and jagged the roof-scene descends in a gorge. He who would travel on foot through the pass of that defile, of which we see but the picturesque summits, stops his nose, averts his eyes, guards his pockets, and hurries along through the squalor of the grim London lazzaroni. But seen above, what a noble break in the skyline! It would be sacrilege to exchange that fine gorge for a dead flat of dull roof-tops. Look here – how delightful! – that desolate house with no roof at all – gutted and skinned by the last London fire! You can see the poor green and white paper still clinging to the walls, and the chasm that once was a cupboard, and the shadows gathering black on the aperture that once was a hearth! Seen below, how quickly you would cross over the way! That great crack forbodes an avalanche; you would hold your breath, not to bring it down on your head. But seen above, what a compassionate inquisitive charm in the skeleton ruin! How your fancy runs riot – repeopling the chambers, hearing the last cheerful good-night of that destined Pompeii – creeping on tiptoe with the mother, when she gives her farewell look to the baby. Now all is midnight and silence; then the red, crawling serpent comes out. Lo! his breath; hark! his hiss. Now, spire after spire he winds and coils; now he soars up erect – crest superb, and forked tongue – the beautiful horror! Then the start from the sleep, and the doubtful awaking, and the run here and there, and the mother's rush to the cradle; the cry from the window, and the knock at the door, and the spring of those on high towards the stair that leads to safety below, and the smoke rushing up like the surge of a hell! And they run back stifled and blinded, and the floor heaves beneath them like a bark on the sea. Hark! the grating wheels thundering low; near and near comes the engine. Fix the ladders! – there! there! at the window, where the mother stands with the babe! Splash and hiss comes the water; pales, then flares out, the fire: foe defies foe; element, element. How sublime is the war! But the ladder, the ladder! – there at the window! All else are saved: the clerk and his books; the lawyer, with that tin box of title-deeds; the landlord, with his policy of insurance; the miser, with his bank-notes and gold: all are saved – all, but the babe and the mother. What a crowd in the streets! how the light crimsons over the gazers, hundreds on hundreds! All those faces seem as one face, with fear. Not a man mounts the ladder. Yes, there – gallant fellow! God inspires – God shall speed thee! How plainly I see him! – his eyes are closed, his teeth set. The serpent leaps up, the forked tongue darts upon him, and the reek of the breath wraps him round. The crowd has ebbed back like a sea, and the smoke rushes over them all. Ha! what dim forms are those on the ladder? Near and nearer – crash come the roof-tiles. Alas, and alas! – no; a cry of joy – a "Thank heaven!" and the women force their way through the men to come round the child and the mother. All is gone, save that skeleton ruin. But here, the ruin is seen from above. O Art, study life from the roof-tops!

      CHAPTER LXXIV

      I was again foiled in seeing Trevanion. It was the Easter recess, and he was at the house of one of his brother ministers, somewhere in the north of England. But Lady Ellinor was in London, and I was ushered into her presence. Nothing could be more cordial than her manner, though she was evidently much depressed in spirits, and looked wan and careworn.

      After the kindest inquiries relative to my parents, and the Captain, she entered with much sympathy into my schemes and plans, which she said that Trevanion had confided to her. The sterling kindness that belonged to my old patron (despite his affected anger at my not accepting his proffered loan) had not only saved me and my fellow-adventurer all trouble as to allotment orders, but procured advice, as to choice of site and soil, from the best practical experience, which we found afterwards exceedingly useful. And as Lady Ellinor gave me the little packet of papers with Trevanion's shrewd notes on the margin, she said with a half sigh, "Albert bids me say, that he wishes he were as sanguine of his success in the cabinet as of yours in the Bush." She then turned to her husband's rise and prospects, and her face began to change. Her eyes sparkled, the colour came to her cheeks – "But you are one of the few who know him," she said, interrupting herself suddenly; "you know how he sacrifices all things – joy, leisure, health – to his country. There is not one selfish thought in his nature. And yet such envy – such obstacles still! and" (her eyes dropped on her dress, and I perceived that she was in mourning, though the mourning was not deep,) "and," she added, "it has pleased heaven to withdraw from his side one who would have been worthy his alliance."

      I felt for the proud woman, though her emotion seemed more that of pride than sorrow. And perhaps Lord Castleton's highest merit in her eyes had been that of ministering to her husband's power and her own ambition. I bowed my head in silence, and thought of Fanny. Did she, too, pine for the lost rank, or rather mourn the lost lover?

      After a time, I said hesitatingly, "I scarcely presume to condole with you, Lady Ellinor; yet, believe me, few things ever shocked me like the death you allude to. I trust Miss Trevanion's health has not much suffered. Shall I not see her before I leave England?"

      Lady Ellinor fixed her keen bright eyes searchingly on my countenance, and perhaps the gaze satisfied her, for she held out her hand to me with a frankness almost tender, and said – "Had I had a son, the dearest wish of my heart had been to see you wedded to my daughter."

      I started up – the blood rushed to my cheeks, and then left me pale as death. I looked reproachfully at Lady Ellinor, and the word "cruel" faltered on my lips.

      "Yes," continued Lady Ellinor, mournfully, "that was my real thought, my impulse of regret, when I first saw you. But, as it is, do not think me too hard and worldly, if I quote the lofty old French proverb, Noblesse oblige. Listen to me, my young friend, – we may never meet again, and I would not have your father's