a considerable number of songs – reserved their best inspirations for their operas, symphonies, and sonatas. Schubert was the first who was willing to put his best into a “mere song,” and that helps to explain his appeal to all music lovers.
SCHUBERT’S INSTRUMENTAL PIECES
While he put of his best into his songs, there was plenty of it left for his instrumental pieces. Rubinstein considered his short pieces for piano even more marvelous than his songs, and among his symphonies there are two (the “Unfinished,” in two movements, and the ninth) that are as popular with high-class audiences as the best of Beethoven’s, which they even surpass in richness and novelty of orchestral coloring and in variety and novelty of modulation, while their melodic charm is as great as that of his songs.
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