suddenly moved back from the door. Kuzin bolted out of the shed, seated himself on the ground, clutched his head with both hands, and opening his eyes wide, bawled hoarsely:
"Police!"
"Let's get away from evil, Yevsey," said the master withdrawing to one side.
The boy retreated to a corner by the stairway, and stood there looking on.
Nikolay came out of the shed with the little trampled body of the glazier's boy hanging limply over his arm. The furrier laid him on the ground then he straightened himself and shouted:
"Water, women, you rotten carrion!"
Zina and the cook ran off for water.
Kuzin lolling his head back snorted dully.
"Murder! Police!"
Nikolay turned to him, and gave him a kick on the breast which laid him flat on his back.
"You dirty dogs!" he shouted, the whites of his black eyes flashing. "You dirty dogs! A child is being killed, and it's a show to you! I'll smash every one of your ugly mugs!"
Oaths from all sides answered him, but nobody dared to approach him.
"Let's go," said the master, taking Yevsey by the hand.
As they walked away they saw Kuzin run noiselessly in a stooping position to the gates.
"To call the police," the master explained to Yevsey.
When Yevsey was alone he felt that his jealousy of Anatol had left him. He strained his slow mind to explain to himself what he had seen. It merely seemed that the people liked Anatol, who amused them. In reality it was not so. All people enjoyed fighting, enjoyed looking on while others fought, enjoyed being cruel. Nikolay had interceded for Anatol because he liked to beat Kuzin, and actually did beat him on almost every holiday. Very bold and strong he could lick any man in the house. In his turn he was beaten by the police. So to sum up, whether you are quiet or daring, you'll be beaten and insulted all the same.
Several days passed. The tenants talking in the yard, said that the glazier boy, who had been taken to the hospital, had gone insane. Then Yevsey remembered how the boy's eyes had burned when he gave his performances, how vehement his gestures and motions had been, and how quickly the expression of his face had changed. He thought with dread that perhaps Anatol had always been insane. He soon forgot the glazier boy.
CHAPTER VI
In the rainy nights of autumn short broken sounds came from the roof under Yevsey's window. They disquieted him and prevented him from sleeping. On one such night he heard the angry exclamations of his master:
"You vile woman!"
Rayisa Petrovna answered as always in a low singing voice:
"I cannot permit you, Matvey Matveyevich."
"You low creature! Look at the money I am paying you!"
The door to the master's room was open, and the voices came in clearly to Yevsey. The fine rain sang a tearful song outside the window. The wind crept over the roof, panting like a large homeless bird fatigued by the bad weather and softly flapping its wet wings against the panes. The boy sat up in bed, put his hands around his knees, and listened shivering.
"Give me back the twenty-five rubles, you thief!"
"I do not deny it. Dorimedont Lukin gave me the money."
"Aha! You see, you hussy!"
"No, permit me – when you asked me to spy on the man – "
"Hush! What are you screaming for?"
Now the door was closed, but even through the wall Yevsey could hear almost everything that was said.
"Remember, you vile woman, you, that you are in my hands," said the master, rapping his fingers on the table. "And if I notice that you've struck up relations with Dorimedont – "
The woman's voice was warm and flexible like the supple movements of a kitten, and it stole in softly, coiled around the old man's malicious words, wiping them from Yevsey's memory.
The woman must be right. Her composure and the master's entire relation to her convinced the boy that she was. Yevsey was now in his fifteenth year, and his inclination for this gentle and beautiful woman began to be marked by a pleasant sense of agitation. Since he met Rayisa very rarely and for only a minute at a time, he always looked into her face with a secret feeling of bashful joy. Her kindly way of speaking to him caused a grateful tumult in his breast, and drew him to her more and more powerfully.
While still in the village he had learned the hard truth of the relation between man and woman. The city bespattered this truth with mud, but it did not sully the boy himself. His being a timid nature, he did not dare to believe what was said about women, and such talk instead of exciting any feeling of temptation aroused painful aversion. Now, as he was sitting up in bed, Yevsey remembered Rayisa's amiable smile, her kind words; and carried away by the thought of them he had no time to lie down before the door to the master's room opened, and she stood before him, half dressed, with loose hair, her hand pressed to her breast. He grew frightened and faint. The woman wanted to open the door again to the old man's room and had already put out her hand, but suddenly smiling she withdrew it and shook a threatening finger at Yevsey. Then she walked into her room. Yevsey fell asleep with a smile.
In the morning as he was sweeping the kitchen floor he saw Rayisa at the door of her room. He straightened himself up before her with the broom in his hands.
"Good morning," she said. "Will you take coffee with me?"
Rejoiced and embarrassed, the boy replied:
"I haven't washed yet. One minute."
In a few minutes he was sitting at the table in her room, seeing nothing but the fair face with the dark brows, and the good, moist eyes with the smile in them.
"Do you like me?" she asked.
"Yes."
"Why?"
"You are good and beautiful."
He answered as in a dream. It was strange to hear her questions. Her eyes fixed upon him vanquished him. They must know everything that went on in his soul.
"And do you like Matvey Matveyevich?" Rayisa asked in a slow undertone.
"No," Yevsey answered simply.
"Is that so? He loves you. He told me so himself."
"No," rejoined the boy.
Rayisa raised her brows, moved a little nearer to him, and asked:
"Don't you believe me?"
"I believe you, but I don't believe my master, not a bit."
"Why? Why?" she asked in a quick whisper, moving still nearer to him. The warm gleam of her look penetrated the boy's heart, and stirred within him little thoughts never yet expressed to anybody. He quickly uttered them to this woman.
"I am afraid of him. I am afraid of everybody except you."
"Why are you afraid?"
"You know."
"What do I know?"
"You, too, are wronged, not by one master. I saw you cry. You were not crying then because you had been drinking. I understand. I understand much. Only I do not understand everything together. I see everything separately in its tiniest details, but side by side with them something different, not even resembling them. I understand this, too. But what is it all for? One thing is at variance with the other, and they do not go together. There is one kind of life and another besides."
"What are you talking about?" Rayisa asked in amazement.
"That's true."
For several moments they looked at each other in silence. The boy's heart beat quickly. His cheeks grew red with embarrassment.
"Well, now, go," said Rayisa quietly arising. "Go, or else he will ask you why you stayed away so long. Don't tell him you were with me. You won't, will you?"
Yevsey walked away filled