daffodil was your great-uncle's favourite flower.'
"'Richard?' asked Amaryllis.
"'Richard,' repeated Iden. And Amaryllis, noting how handsome her father's intellectual face looked, wandered in her mind from the flower as he talked, and marvelled how he could be so rough sometimes, and why he talked like the labourers, and wore a ragged coat – he who was so full of wisdom in his other moods, and spoke, and thought, and indeed acted as a perfect gentleman.
"'Richard's favourite flower,' he went on. 'He brought the daffodils down from Luckett's; every one in the garden came from there. He was always reading poetry, and writing, and sketching, and yet he was such a capital man of business; no one could understand that. He built the mill, and saved heaps of money; he bought back the old place at Luckett's, which belonged to us before Queen Elizabeth's days; indeed, he very nearly made up the fortunes Nicholas and the rest of them got rid of. He was, indeed, a man. And now it is all going again – faster than he made it.'"
Everybody knows the Dutch picture of the dinner at the farm – the description of the leg of mutton. Was ever leg of mutton thus glorified?
"That day they had a leg of mutton – a special occasion – a joint to be looked on reverently. Mr. Iden had walked into the town to choose it himself some days previously, and brought it home on foot in a flag basket. The butcher would have sent it, and if not, there were men on the farm who could have fetched it, but it was much too important to be left to a second person. No one could do it right but Mr. Iden himself. There was a good deal of reason in this personal care of the meat, for it is a certain fact that unless you do look after such things yourself, and that persistently, too, you never get it first-rate. For this cause people in grand villas scarcely ever have anything worth eating on their tables. Their household expenses reach thousands yearly, and yet they rarely have anything eatable, and their dinner-tables can never show meat, vegetables, or fruit equal to Mr. Iden's. The meat was dark-brown, as mutton should be, for if it is the least bit white it is sure to be poor; the grain was short, and ate like bread and butter, firm, and yet almost crumbling to the touch; it was full of juicy red gravy, and cut pleasantly, the knife went through it nicely; you can tell good meat directly you touch it with the knife. It was cooked to a turn, and had been done at a wood fire on a hearth; no oven taste, no taint of coal gas or carbon; the pure flame of wood had browned it. Such emanations as there may be from burning logs are odorous of the woodland, of the sunshine, of the fields and fresh air; the wood simply gives out as it burns the sweetness it has imbibed through its leaves from the atmosphere which floats above grass and flowers. Essences of this order, if they do penetrate the fibres of the meat, add to its flavour a delicate aroma. Grass-fed meat, cooked at a wood fire, for me."
After the dinner, the great strong man with the massive head, who can never make anything succeed, sits down to sleep alone beside the fire, his head leaning where for thirty years it had daily leaned, against the wainscot, so that there was now a round spot upon it, completely devoid of varnish.
"That panel was in effect a cross on which a heart had been tortured for the third of a century, that is, for the space of time allotted to a generation.
"That mark upon the panel had still a further meaning; it represented the unhappiness, the misfortunes, the Nemesis of two hundred years. This family of Idens had endured already two hundred years of unhappiness and discordance for no original fault of theirs, simply because they had once been fortunate of old time, and therefore they had to work out that hour of sunshine to the utmost depths of shadow.
"The panel of the wainscot upon which that mark had been worn was in effect a cross upon which a human heart had been tortured – and thought can, indeed, torture – for a third of a century. For Iden had learned to know himself, and despaired."
Then the man falls asleep, and Amaryllis steals in on tiptoe to find a book. Then the wife, with a shawl round her shoulders, creeps outside the house and looks in at the window – angry with her unpractical husband.
"Slight sounds, faint rustlings, began to be audible among the cinders in the fender. The dry cinders were pushed about by something passing between them. After a while a brown mouse peered out at the end of the fender under Iden's chair, looked round a moment, and went back to the grate. In a minute he came again, and ventured somewhat farther across the width of the white hearthstone to the verge of the carpet. This advance was made step by step, but on reaching the carpet the mouse rushed home to cover in one run – like children at 'touch wood,' going out from a place of safety very cautiously, returning swiftly. The next time another mouse followed, and a third appeared at the other end of the fender. By degrees they got under the table, and helped themselves to the crumbs; one mounted a chair and reached the cloth, but soon descended, afraid to stay there. Five or six mice were now busy at their dinner.
"The sleeping man was as still and quiet as if carved.
"A mouse came to the foot, clad in a great rusty-hued iron-shod boot – the foot that rested on the fender, for he had crossed his knees. His ragged and dingy trouser, full of March dust, and earth-stained by labour, was drawn up somewhat higher than the boot. It took the mouse several trials to reach the trouser, but he succeeded, and audaciously mounted to Iden's knee. Another quickly followed, and there the pair of them feasted on the crumbs of bread and cheese caught in the folds of his trousers.
"One great brown hand was in his pocket, close to them – a mighty hand, beside which they were pigmies indeed in the land of the giants. What would have been the value of their lives between a finger and thumb that could crack a ripe and strong-shelled walnut?
"The size – the mass – the weight of his hand alone was as a hill overshadowing them; his broad frame like the Alps; his head high above as a vast rock that overhung the valley.
"His thumb-nail – widened by labour with spade and axe – his thumb-nail would have covered either of the tiny creatures as his shield covered Ajax.
"Yet the little things fed in perfect confidence. He was so still, so very still – quiescent – they feared him no more than they did the wall; they could not hear his breathing.
"Had they been gifted with human intelligence, that very fact would have excited their suspicions. Why so very, very still? Strong men, wearied by work, do not sleep quietly; they breathe heavily. Even in firm sleep we move a little now and then, a limb trembles, a muscle quivers, or stretches itself.
"But Iden was so still it was evident he was really wide awake and restraining his breath, and exercising conscious command over his muscles, that this scene might proceed undisturbed.
"Now the strangeness of the thing was in this way: Iden set traps for mice in the cellar and the larder, and slew them there without mercy. He picked up the trap, swung it round, opening the door at the same instant, and the wretched captive was dashed to death upon the stone flags of the floor. So he hated them and persecuted them in one place, and fed them in another.
"From the merest thin slit, as it were, between his eyelids, Iden watched the mice feed and run about his knees till, having eaten every crumb, they descended his leg to the floor."
This portrait is not true in all its details. For instance, the elder Jefferies had small and shapely hands and feet – not the massive hands described in "Amaryllis."
Another slighter portrait of his father is found in "After London." It is that of the Baron:
"As he pointed to the tree above, the muscles, as the limb moved, displayed themselves in knots, at which the courtier himself could not refrain from glancing. Those mighty arms, had they clasped him about the waist, could have crushed his bending ribs. The heaviest blow that he could have struck upon that broad chest would have produced no more effect than a hollow sound; it would not even have shaken that powerful frame.
"He felt the steel blue eyes, bright as the sky of midsummer, glance into his very mind. The high forehead bare, for the Baron had his hat in his hand, mocked at him in its humility. The Baron bared his head in honour of the courtier's office and the Prince who had sent him. The beard, though streaked with white, spoke little of age; it rather indicated an abundant, a luxuriant vitality."
And I have before me a letter which