be impressive, it is highly useful to draw the attention to it.
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1
Compare Lectures on Architecture and Painting, I. § 16.
2
Compare with this chapter, Modern Painters, vol. iv. chap. 1.
3
The annexed illustration will, perhaps, ma
1
Compare
2
Compare with this chapter,
3
The annexed illustration will, perhaps, make the remarks advanced more intelligible. The building, which is close to the city of Aosta, unites in itself all the peculiarities for which the Italian cottage is remarkable: the dark arcade, the sculptured capital, the vine-covered gallery, the flat and confused roof; and clearly exhibits the points to which we wish particularly to direct attention; namely, brightness of effect, simplicity of form, and elevation of character. Let it not be supposed, however, that such a combination of attributes is rare; on the contrary, it is common to the greater part of the cottages of Italy. This building has not been selected as a rare example, but it is given as a good one. [These remarks refer to a cut in the magazine text, represented in the illustrated edition by a photogravure from the original sketch.]
4
That part, however, was not written, as the "Architectural Magazine" stopped running soon after the conclusion of Part II. "The Villa."
5
I use the word Alp here, and in future, in its proper sense, of a high mountain pasture; not in its secondary sense, of a snowy peak.
6
Compare
7
That is to say, a
8
Compare the treatment of a similar theme in
9
Compare
10
Troutbeck, sixty years since?
11
This too refers to the unwritten sequel.
12
Herodotus viii, 137, freely quoted from memory. The story was that three brothers took service with a kinglet in Macedonia. The queen, who cooked their food herself, for it was in the good old times, noticed that the portion of Perdiccas, the youngest, always "rose" three times as large as any other. The king judged this to be an omen of the lad's coming to fortune; and dismissed them. They demanded their wages. "When the king heard talk about wages—you must know