had not expected this. He met it as well as he could.
'I'm not a little sneak of a white mouse squeezing in where I'm not wanted, anyhow,' he said.
And then they stood looking at each other, breathing quickly, both of them.
'I'd rather be a white mouse than a cruel bully,' said Lucy at last.
'I'm not a bully,' said Philip.
Then there was another silence. Lucy sniffed. Philip looked round the bare room, and suddenly it came to him that he and Lucy were companions in misfortune, no matter whose fault it was that they were imprisoned. So he said:
'Look here, I don't like you and I shan't pretend I do. But I'll call it Pax for the present if you like. We've got to escape from this place somehow, and I'll help you if you like, and you may help me if you can.'
'Thank you,' said Lucy, in a tone which might have meant anything.
'So we'll call it Pax and see if we can escape by the window. There might be ivy—or a faithful page with a rope ladder. Have you a page at the Grange?'
'There's two stable-boys,' said Lucy, 'but I don't think they're faithful, and I say, I think all this is much more magic than you think.'
'Of course I know it's magic,' said he impatiently; 'but it's quite real too.'
'Oh, it's real enough,' said she.
They leaned out of the window. Alas, there was no ivy. Their window was very high up, and the wall outside, when they touched it with their hand, felt smooth as glass.
'That's no go,' said he, and the two leaned still farther out of the window looking down on the town. There were strong towers and fine minarets and palaces, the palm trees and fountains and gardens. A white building across the square looked strangely familiar. Could it be like St. Paul's which Philip had been taken to see when he was very little, and which he had never been able to remember? No, he could not remember it even now. The two prisoners looked out in a long silence. Far below lay the city, its trees softly waving in the breeze, flowers shining in a bright many-coloured patchwork, the canals that intersected the big squares gleamed in the sunlight, and crossing and recrossing the squares and streets were the people of the town, coming and going about their business.
'Look here!' said Lucy suddenly, 'do you mean to say you don't know?'
'Know what?' he asked impatiently.
'Where we are. What it is. Don't you?'
'No. No more do you.'
'Haven't you seen it all before?'
'No, of course I haven't. No more have you.'
'All right. I have seen it before though,' said Lucy, 'and so have you. But I shan't tell you what it is unless you'll be nice to me.' Her tone was a little sad, but quite firm.
'I am nice to you. I told you it was Pax,' said Philip. 'Tell me what you think it is.'
'I don't mean that sort of grandish standoffish Pax, but real Pax. Oh, don't be so horrid, Philip. I'm dying to tell you—but I won't if you go on being like you are.'
'I'm all right,' said Philip; 'out with it.'
'No. You've got to say it's Pax, and I will stand by you till we get out of this, and I'll always act like a noble friend to you, and I'll try my best to like you. Of course if you can't like me you can't, but you ought to try. Say it after me, won't you?'
Her tone was so kind and persuading that he found himself saying after her, 'I, Philip, agree to try and like you, Lucy, and to stand by you till we're out of this, and always to act the part of a noble friend to you. And it's real Pax. Shake hands.'
'Now then,' said he when they had shaken hands, and Lucy uttered these words:
'Don't you see? It's your own city that we're in, your own city that you built on the tables in the drawing-room? It's all got big by magic, so that we could get in. Look,' she pointed out of the window, 'see that great golden dome, that's one of the brass finger-bowls, and that white building's my old model of St. Paul's. And there's Buckingham Palace over there, with the carved squirrel on the top, and the chessmen, and the blue and white china pepper-pots; and the building we're in is the black Japanese cabinet.'
Philip looked and he saw that what she said was true. It was his city.
'But I didn't build insides to my buildings,' said he; 'and when did you see what I built anyway?'
'The insides are part of the magic, I suppose,' Lucy said; 'and I saw the cities you built when Auntie brought me home last night, after you'd been sent to bed. And I did love them. And oh, Philip, I'm so glad it's Pax because I do think you're so frightfully clever, and Auntie thought so too, building those beautiful things. And I knew nurse was going to pull it all down. I begged her not to, but she was addymant, and so I got up and dressed and came down to have another look by moonlight. And one or two of the bricks and chessmen had fallen down. I expect nurse knocked them down. So I built them up again as well as I could—and I was loving it all like anything; and then the door opened and I hid under the table, and you came in.'
'Then you were there—did you notice how the magic began?'
'No, but it all changed to grass; and then I saw you a long way off, going up a ladder. And so I went after you. But I didn't let you see me. I knew you'd be so cross. And then I looked in at the guard-room door, and I did so want some of the cocoa-nut milk.'
'When did you find out it was my city?'
'I thought the soldiers looked like my lead ones somehow. But I wasn't sure till I saw the judge. Why he's just old Noah, out of the Ark.'
'So he is,' cried Philip; 'how wonderful! How perfectly wonderful! I wish we weren't prisoners. Wouldn't it be jolly to go all over it—into all the buildings, to see what the insides of them have turned into? And all the other people. I didn't put them in.'
'That's more magic, I expect. But—Oh, we shall find it all out in time.'
She clapped her hands. And on the instant the door opened and the gaoler appeared.
'A visitor for you,' he said, and stood aside to let some one else come in, some one tall and thin, with a black hooded cloak and a black half-mask, such as people wear at carnival time.
When the gaoler had shut the door and gone away the tall figure took off its mask and let fall its cloak, showing to the surprised but recognising eyes of the children the well-known shape of Mr. Noah—the judge.
'How do you do?' he said. 'This is a little unofficial visit. I hope I haven't come at an inconvenient time.'
'We're very glad,' said Lucy, 'because you can tell us–'
'I won't answer questions,' said Mr. Noah, sitting down stiffly on his yellow mat, 'but I will tell you something. We don't know who you are. But I myself think that you may be the Deliverer.'
'Both of us,' said Philip jealously.
'One or both. You see the prophecy says that the Destroyer's hair is red. And your hair is not red. But before I could get the populace to feel sure of, that my own hair would be grey with thought and argument. Some people are so wooden-headed. And I am not used to thinking. I don't often have to do it. It distresses me.'
The children said they were sorry. Philip added:
'Do tell us a little about your city. It isn't a question. We want to know if it's magic. That isn't a question either.'
'I was about to tell you,' said Mr. Noah, 'and I will not answer questions. Of course it is magic. Everything in the world is magic, until you understand it.
'And as to the city. I will just tell you a little of our history. Many thousand years ago all the cities of our country were built by a great and powerful giant, who brought the materials from far and wide. The place was peopled partly by persons of his choice, and partly by a sort of self-acting magic rather difficult to explain. As soon as the cities were built and the inhabitants placed here the life of the city began, and it was, to those who lived it, as though it had always been. The artisans