them, glancing at Margret's fingers.
There was a flower stuck in the button-hole of the school-master's coat, a pale tea-rose. If Dr. Knowles had been a man of fine instincts, (which his opaque shining eyes would seem to deny,) he might have thought it was not unapt or ill-placed even in the shabby, scuffed coat. A scholar, a gentleman, though in patched shoes and trousers a world too short. Old and gaunt, hunger-bitten even it may be, with loose-jointed, bony limbs, and yellow face; clinging, loyal and brave, to the quaint, delicate fancies of his youth, that were dust and ashes to other men. In the very haggard face you could find the quiet purity of the child he had been, and the old child's smile, fresh and credulous, on the mouth.
The Doctor had not spoken for a moment. It might be that he was careless of the poetic lights with which Mr. Howth tenderly decorated his old faith, or it might be, that even he, with the terrible intentness of a real life-purpose in his brain, was touched by the picture of the far old chivalry, dead long ago. The master's voice grew low and lingering now. It was a labour of love, this. Oh, it is so easy to go back out of the broil of dust and meanness and barter into the clear shadow of that old life where love and bravery stand eternal verities,—never to be bought and sold in that dusty town yonder! To go back? To dream back, rather. To drag out of our own hearts, as the hungry old master did, whatever is truest and highest there, and clothe it with name and deed in the dim days of chivalry. Make a poem of it,—so much easier than to make a life!
Knowles shuffled uneasily, watching the girl keenly, to know how the picture touched her. Was, then, she thought, this grand, dead Past so shallow to him? These knights, pure, unstained, searching until death for the Holy Grail, could he understand the life-long agony, the triumph of their conflict over Self? These women, content to live in solitude forever because they once had loved, could any man understand that? Or the dead queen, dead that the man she loved might be free and happy,—why, this WAS life,—this death! But did pain, and martyrdom, and victory lie back in the days of Galahad and Arthur alone? The homely face grew stiller than before, looking out into the dun sweep of moorland,—cold, unrevealing. It baffled the man that looked at it. He shuffled, chewed tobacco vehemently, tilted his chair on two legs, broke out in a thunder-gust at last.
"Dead days for dead men! The world hears a bugle-call to-day more noble than any of your piping troubadours. We have something better to fight for than a vacant tomb."
The old man drew himself up haughtily.
"I know what you would say,—Liberty for the low and vile. It is a good word. That was a better which they hid in their hearts in the old time,—Honour!"
Honour! I think, Calvinist though he was, that word was his religion. Men have had worse. Perhaps the Doctor thought this; for he rose abruptly, and, leaning on the old man's chair, said, gently,—
"It is better, even here. Yet you poison this child's mind. You make her despise To-Day; make honour live for her now."
"It does not," the school-master said, bitterly. "The world's a failure. All the great old dreams are dead. Your own phantom, your Republic, your experiment to prove that all men are born free and equal,—what is it to-day?"
Knowles lifted his head, looking out into the brown twilight. Some word of pregnant meaning flashed in his eye and trembled on his lip; but he kept it back. His face glowed, though, and the glow and strength gave to the huge misshapen features a grand repose.
"You talk of To-Day," the old man continued, querulously. "I am tired of it. Here is its type and history," touching a county newspaper,—"a fair type, with its cant, and bigotry, and weight of uncomprehended fact. Bargain and sale,—it taints our religion, our brains, our flags,—yours and mine, Knowles, with the rest. Did you never hear of those abject spirits who entered neither heaven nor hell, who were neither faithful to God nor rebellious, caring only for themselves?"
He paused, fairly out of breath. Margret looked up. Knowles was silent. There was a smothered look of pain on the coarse face; the school-master's words were sinking deeper than he knew.
"No, father," said Margret, hastily ending his quotation, "'io non averei creduto, che [vita] tanta n' avesse disfatta.'"
Skilful Margret! The broil must have been turbid in the old man's brain which the grand, slow-stepping music of the Florentine could not calm. She had learned that long ago, and used it as a nurse does some old song to quiet her pettish infant. His face brightened instantly.
"Do not believe, then, child," he said, after a pause. "It is a noble doubt, in Dante or in you."
The Doctor had turned away; she could not see his face. The angry scorn was gone from the old master's countenance; it was bent with its usual wistful eagerness on the floor. A moment after he looked up with a flickering smile.
"'Onorate l' altissmo poeta!'" he said, gently lifting his finger to his forehead in a military fashion. "Where is my cane, Margret? The Doctor and I will go and walk on the porch before it grows dark."
The sun had gone down long before, and the stars were out; but no one spoke of this. Knowles lighted the school-master's pipe and his own cigar, and then moved the chairs out of their way, stepping softly that the old man might not hear him. Margret, in the room, watched them as they went, seeing how gentle the rough, burly man was with her father, and how, every time they passed the sweet-brier, he bent the branches aside, that they might not touch his face. Slow, childish tears came into her eyes as she saw it; for the school-master was blind. This had been their regular walk every evening, since it grew too cold for them to go down under the lindens. The Doctor had not missed a night since her father gave up the school, a month ago: at first, under pretence of attending to his eyes; but since the day he had told them there was no hope of cure, he had never spoken of it again. Only, since then, he had grown doubly quarrelsome,—standing ready armed to dispute with the old man every inch of every subject in earth or air, keeping the old man in a state of boyish excitement during the long, idle days, looking forward to this nightly battle.
It was very still; for the house, with its half-dozen acres, lay in an angle of the hills, looking out on the river, which shut out all distant noises. Only the men's footsteps broke the silence, passing and repassing the window. Without, the October starlight lay white and frosty on the moors, the old barn, the sharp, dark hills, and the river, which was half hidden by the orchard. One could hear it, like some huge giant moaning in his sleep, at times, and see broad patches of steel blue glittering through the thick apple-trees and the bushes. Her mother had fallen into a doze. Margret looked at her, thinking how sallow the plump, fair face had grown, and how faded the kindly blue eyes were now. Dim with crying,—she knew that, though she never saw her shed a tear. Always cheery, going placidly about the house in her gray dress and Quaker cap, as if there were no such things in the world as debt or blindness. But Margret knew, though she said nothing. When her mother came in from those wonderful foraging expeditions in search of late pease or corn, she could see the swollen circle round the eyes, and hear her breath like that of a child which has sobbed itself tired. Then, one night, when she had gone into her mother's room, after she was in bed, the blue eyes were set in a wild, hopeless way, as if staring down into years of starvation and misery. The fire on the hearth burned low and clear; the old worn furniture stood out cheerfully in the red glow, and threw a maze of twisted shadow on the floor. But the glow was all that was cheerful. To-morrow, when the hard daylight should jeer away the screening shadows, it would unbare a desolate, shabby home. She knew; struck with the white leprosy of poverty; the blank walls, the faded hangings, the old stone house itself, looking vacantly out on the fields with a pitiful significance of loss. Upon the mantel-shelf there was a small marble figure, one of the Dancing Graces: the other two were gone, gone in pledge. This one was left, twirling her foot, and stretching out her hands in a dreary sort of ecstasy, with no one to respond. For a moment, so empty and bitter seemed her home and her life, that she thought the lonely dancer with her flaunting joy mocked her,—taunted them with the slow, gray desolation that had been creeping on them for years. Only for a moment the morbid fancy hurt her.
The red glow was healthier, suited her temperament better. She chose to fancy the house as it had been once,—should be again, please God. She chose to see the old comfort and the old beauty which the poor school-master had gathered about their home. Gone now. But it should return. It was well, perhaps, that he