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Royal Edinburgh: Her Saints, Kings, Prophets and Poets


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volie." James would seem throughout to have felt the greatest interest in the extraordinary new arm of artillery which had made a revolution in warfare. He pursued siege after siege with a zeal in which something of the ardour of a military enthusiast and scientific inquirer mingled with the necessities of the struggle in which he was engaged. The "Schort Cronikle," already quoted, describes him as lingering over the siege of Abercorn, "striking mony of the towers down with the gret gun, the whilk a Franche man shot richt wele, and failed na shot within a fathom where it was charged him to hit." And when, in the exultation of his heart to see each new accession of force come in, he ordered "a new volie" against the stout outstanding walls, the excitement of the discharge, the eagerness of an adept to watch the effect, no doubt made this dangerous expression of satisfaction a real demonstration of pleasure.

MONS MEG

      MONS MEG

      King James had attained at this time a success which probably a few years before his warmest imagination could not have aspired to. He had brought into subjection the great families which had almost contested his throne with him. Douglas, the highest and most near himself, had been swept clean out of his way. The fiercest rebel of all, the head of the Highland caterans, with his wild host in all their savage array, was by his side, ready to charge under his orders. The country, drained of its most lawless elements, was beginning to breathe again, to sow its fields and rebuild its homesteads. Instead of the horrors of civil war his soldiers were now engaged in the most legitimate of all enterprises—the attempt to recover from England an alienated possession. Everything was bright before him, the hope of a great reign, the promise of prosperity and honour and peace.

      It is almost a commonplace of human experience that in such moments the blow of fate is near at hand. The big guns which were a comparatively new wonder, full of interest in their unaccustomed operation, were still a danger as well as a prodigy, and James would seem to have forgotten the precautions that were considered necessary in presence of an armament still only partially understood. The historian assumes, as every human observer is apt to do in face of such a calamity, a tone of blame. "This Prince," says the chronicle with a shrill tone of exasperation in the record of the catastrophe, "more curious than became the majestie of a king, did stand hard by when the artilliarie was discharging." And in a moment all the labours and struggles, and the hope of the redeemed kingdom and all the prosperity that was to come, were at an end. One can imagine the sudden dismay in the group around him, the rush of his attendants, his own feeble command to keep silence when some cry of horror rose from the pale-faced circle. His thigh had been broken, "dung in two," by the explosion of the gun, "by which he was struken to the ground, and died hastilie thereafter," with no time to say more than to order silence, lest the army should be discouraged and the siege prove in vain.

      So ended the troublous reign of the second James, involved in strife and warfare from his childhood, vexed by the treacheries and struggles over him of his dearest friends, full of violence alien to his mind and temper, which yet was justified by his example at the most critical moment of his life. He made his way through continual contention, intrigue, and blood, for which he was not to blame, to such a settlement of national affairs as might have consolidated Scotland and made her great—by patience and firmness and courage, and conspicuously by mercy, notwithstanding one crime. And when the helm was in his hands, and a fair future before him, fell, not ignominiously indeed, yet uselessly, a noble life thrown away, leaving once more chaos behind him. He was only twenty-nine when the thunderbolt thus falling from a clear sky destroyed all the hopes of Scotland; yet had reigned long, for twenty-three years of trouble, tumult, and distress.

      CHAPTER III

      JAMES III: THE MAN OF PEACE

      Again the noises cease save for a wail of lamentation over the dead. The operations of war are suspended, the dark ranks of the army stand aside, and every trumpet and fatal cannon is silent while once more a woman and a child come into the foreground of the historic scene. Once more, the most pathetic figure surely in history, a little startled boy clinging to his mother—not afraid indeed of the array of war to which he has been accustomed all his life, and perhaps with an instinct in him of childish majesty, the consciousness which so soon develops even in an infant mind, of unquestioned rank, but surrounded by the atmosphere of horror and affright in which he has been taken from among his playthings—stands forth to be hastily enveloped in the robes so pitifully over-large of the dead monarch. The lords, we are told, sent for the Prince in the first sensation of the catastrophe, and had him crowned at Kelso, feeling the necessity of that central name at least, round which to rally. They were not always respectful of the real King when they had him, yet the divinity which hedged the title, however helpless the head round which it shone, was felt to be indispensable to the unity and strength of the kingdom. Mary of Gueldres in her sudden widowhood would seem to have behaved with great dignity and spirit at this critical moment. She is said to have insisted that the siege should not be abandoned, but that her husband's death might at least accomplish what his heart had been set upon; and the army after a moment of despondency was so "incouraged" by the coming of the Prince "that they forgot the death of his father and past manfullie to the hous, and wan the same, and justified the captaine theroff, and kest it down to the ground that it should not be any impediment to them hereafter." The execution of the captain seems a hard measure unless he was a traitor to the Scottish crown; but no doubt the conflict became more bitter from the terrible cost of the victory.

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      We here take Shakspeare's Prince Hal for granted, as we feel disposed at all times to take the poet's word in defiance of history; though no doubt the historical argument is calculated to throw a chill of doubt upon that gay and brilliant image.

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We here take Shakspeare's Prince Hal for granted, as we feel disposed at all times to take the poet's word in defiance of history; though no doubt the historical argument is calculated to throw a chill of doubt upon that gay and brilliant image.