be paid to giving perfect security to all the works and objects of art which they possess; and to giving convenience to the thorough student, whose business lies with those museums; and that collections for the amusement and improvement of the working classes ought to be entirely separate.
If such institutions as I have described were to be established, you would of course desire that they should be opened of an evening, and be specially arranged, with a view to evening exhibition?—Certainly.
It has been stated that the taxpayer has a right to have these exhibitions opened at hours when the workpeople can go to them, they being taxpayers; do not you think that the real interest of the taxpayer is, first, to have the pictures as carefully preserved as possible, and secondly, that they should be accessible to those whose special occupation in life is concerned in their study?—Most certainly.
Is not the interest of the taxpayer reached in this way, rather than by any special opportunity being given of visiting at particular hours?—Most certainly.
162. Mr. Kinnaird. Have you ever turned your attention to any peculiar localities, where museums of paintings and shells, and of birds and plants, might be opened for the purpose referred to?—Never; I have never examined the subject.
Has it ever occurred to you that the Vestry Halls, which have recently been erected, and which are lighted, might be so appropriated?—No; I have never considered the subject at all.
Supposing that suitable premises could be found, do you not think that many people would contribute modern paintings, and engravings, and various other objects of interest?—I think it is most probable; in fact, I should say certain.
You would view such an attempt with great favor?—Yes; with great delight indeed.
You rather look upon it as the duty of the Government to provide such institutions for the people?—I feel that very strongly indeed.
Do you not think that the plan which has been adopted at Versailles, of having modern history illustrated by paintings, would prove of great interest to the people?—I should think it would be an admirable plan in every way.
And a very legitimate step to be taken by the Government, for the purpose of encouraging art in that way?—Most truly.
Would it have, do you think, an effect in encouraging art in this country?—I should think so, certainly.
Whose duty would you consider it to be to superintend the formation of such collections? are there any Government officers who are at present capable of organizing a staff for employment in local museums that you are aware of?—I do not know; I have not examined that subject at all.
163. Chairman. The Committee would like to understand you more definitely upon the point that has been referred to, as to foreigners and Englishmen. I presume that what you wished the Committee to understand was, that upon the whole, so far as you have observed, more facilities are in point of fact afforded to the working classes, in some way or other, abroad than in this country for seeing pictures and visiting public institutions?—My answer referred especially to the aspect of the working classes as I have watched them in their times of recreation; I see them associated with the upper classes, more happily for themselves; I see them walking through the Louvre, and walking through the gardens of all the great cities of Europe, and apparently less ashamed of themselves, and more happily combined with all the upper classes of society, than they are here. Here our workmen, somehow, are always miserably dressed, and they always keep out of the way, both at such institutions and at church. The temper abroad seems to be, while there is a sterner separation and a more aristocratic feeling between the upper and the lower classes, yet just on that account the workman confesses himself for a workman, and is treated with affection. I do not say workmen merely, but the lower classes generally, are treated with affection, and familiarity, and sympathy by the master or employer, which has to me often been very touching in separate eases; and that impression being on my mind, I answered, not considering that the question was of any importance, hastily; and I am not at present prepared to say how far I could, by thinking, justify that impression.
164. Mr. Kinnaird. In your experience, in the last few years, have you not seen a very marked improvement in the working classes in this country in every respect to which you have alluded; take the last twenty years, or since you have turned your attention that way?—I have no evidence before me in England of that improvement, because I think that the struggle for existence becomes every day more severe, and that, while greater efforts are made to help the workman, the principles on which our commerce is conducted are every day oppressing him, and sinking him deeper.
Have you ever visited the manufacturing districts of Lancashire and Yorkshire, with a view of ascertaining the state of the people there?—Not with a definite view. My own work has nothing to do with those subjects; and it is only incidentally, because I gratuitously give such instruction as I am able to give at the Working Men's College, that I am able to give you any facts on this subject. All the rest that I can give is, as Sir Robert Peel accurately expressed it, nothing but personal impression.
You admit that the Working Men's College is, after all, a very limited sphere?—A very limited sphere.
165. Sir Robert Peel. You have stated that, in the Louvre, a working man looks at the pictures with a greater degree of self-respect than the same classes do in the National Gallery here?—I think so.
You surely never saw a man of the upper class, in England, scorn at a working man because he appeared in his working dress in the National Gallery in London?—I have certainly seen working men apprehensive of such scorn.
Chairman. Is it not the fact, that the upper and lower classes scarcely ever meet on the same occasions?—I think, if possible, they do not.
Is it not the fact that the laboring classes almost invariably cease labor at such hours as would prevent them from going to see pictures at the time when the upper classes do go?—I meant, before, to signify assent to your question, that they do not meet if it can be avoided.
Sir Robert Peel. Take the Crystal Palace as an example; do not working men and all classes meet there together, and did you ever see a working man gêné in the examination of works of art?—I am sure that a working man very often would not go where he would like to go.
But you think he would abroad?—I think they would go abroad; I only say that I believe such is the fact.
Mr. Slaney. Do not you think that the light-hearted temperament of our southern neighbors, and the fineness of the climate, which permits them to enjoy themselves more in the open air, has something to do with it?—I hope that the old name of Merry England may be recovered one of these days. I do not think that it is in the disposition of the inhabitants to be in the least duller than other people.
Sir Robert Peel. When was that designation lost?—I am afraid ever since our manufactures have prospered.
Chairman. Referring to the Crystal Palace, do you think that that was an appropriate instance to put, considering the working man pays for his own, and is not ashamed to enjoy his own for his own money?—I have never examined the causes of the feeling; it did not appear to me to be a matter of great importance what was the state of feeling in foreign countries. I felt that it depended upon so many circumstances, that I thought it would be a waste of time to trace it.
166. Sir Robert Peel. You stated that abroad the working classes were much better dressed?—Yes.
Do you think so?—Yes.
Surely they cannot be better dressed than they are in England, for you hardly know a working man here from an aristocrat?—It is precisely because I do know working men on a Sunday and every other day of the week from an aristocrat that I like their dress better in France; it is the ordinary dress belonging to their position, and it expresses momentarily what they are; it is the blue blouse which hangs freely over their frames, keeping them sufficiently protected from cold and dust; but here it is a shirt open at the collar, very dirty, very much torn, with ragged hair, and a ragged coat, and altogether a dress of misery.
You think that they are better dressed abroad because they wear a blouse?—Because they wear a costume appropriate to their work.
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