us about twelve paces off; he recognized and instantly named me. He was very polite, and seemed already to know all that had taken place about me. We went up the steps together slowly and alone; I told him briefly the whole affair. He said that I ought at once to request an audience of his Highness the Elector, but that, if I failed in obtaining it, I must make a written statement. I entreated him to keep this all quite private, and he agreed to do so. When I remarked to him that there really was room for a genuine composer here, he said, "I know that well." I afterwards went to the Bishop of Chiemsee, and was with him for half an hour. I told him everything, and he promised to do all he could for me in the matter. At one o'clock he drove to Nymphenburg, and declared positively he would speak to the Electress. On Sunday the Count comes here. Herr Joannes Kronner has been appointed Vice-Concertmeister, which he owes to a blunt speech of his. He has produced two symphonies—Deo mene liberi [God preserve me from such]—of his own composition. The Elector asked him, "Did you really compose these?" "Yes, your Royal Highness!" "From whom did you learn?" "From a schoolmaster in Switzerland, where so much importance is attached to the study of composition. This schoolmaster taught me more than all your composers here, put together, could teach me." Count Schonborn and his Countess, a sister of the Archbishop [of Salzburg], passed through here to-day. I chanced to be at the play at the time. Herr Albert, in the course of conversation, told them that I was here, and that I had given up my situation. They were all astonishment, and positively refused to believe him when he said that my salary, of blessed memory, was only twelve florins thirty kreuzers! They merely changed horses, and would gladly have spoken with me, but I was too late to meet them. Now I must inquire what you are doing, and how you are. Mamma and I hope that you are quite well. I am still in my very happiest humor; my head feels as light as a feather since I got away from that chicanery. I have grown fatter already.
61.
Munich, Sept. 29, 1777.
TRUE enough, a great many kind friends, but unluckily most of them have little or nothing in their power. I was with Count Seeau yesterday, at half-past ten o'clock, and found him graver and less natural than the first time; but it was only in appearance, for to-day I was at Prince Zeill's [Bishop of Chiemsee—No. 56], who, with all courtesy, said to me, "I don't think we shall effect much here. During dinner, at Nymphenburg, I spoke privately to the Elector, who replied: 'It is too soon at this moment; he must leave this and go to Italy and become famous. I do not actually reject him, but these are too early days as yet.'" There it is! Most of these grandees have such paroxysms of enthusiasm for Italy. Still, he advised me to go to the Elector, and to place my case before him as I had previously intended. I spoke confidentially at dinner to-day with Herr Woschitka [violoncellist in the Munich court orchestra, and a member of the Elector's private band], and he appointed me to come to-morrow at nine o'clock, when he will certainly procure me an audience. We are very good friends now. He insisted on knowing the name of my informant; but I said to him, "Rest assured that I am your friend and shall continue to be so; I am in turn equally convinced of your friendship, so you must be satisfied with this." But to return to my narrative. The Bishop of Chiemsee also spoke to the Electress when tete-a-tete with her. She shrugged her shoulders, and said she would do her best, but was very doubtful as to her success. I now return to Count Seeau, who asked Prince Zeill (after he had told him everything). "Do you know whether Mozart has not enough from his family to enable him to remain here with a little assistance? I should really like to keep him." Prince Zeill answered: "I don't know, but I doubt it much; all you have to do is to speak to himself on the subject." This, then, was the cause of Count Seeau being so thoughtful on the following day. I like being here, and I am of the same opinion with many of my friends, that if I could only remain here for a year or two, I might acquire both money and fame by my works, and then more probably be sought by the court than be obliged to seek it myself. Since my return here Herr Albert has a project in his head, the fulfilment of which does not seem to me impossible. It is this: He wishes to form an association of ten kind friends, each of these to subscribe 1 ducat (50 gulden) monthly, 600 florins a year. If in addition to this I had even 200 florins per annum from Count Seeau, this would make 800 florins altogether. How does papa like this idea? Is it not friendly? Ought not I to accept it if they are in earnest? I am perfectly satisfied with it; for I should be near Salzburg, and if you, dearest papa, were seized with a fancy to leave Salzburg (which from my heart I wish you were) and to pass your life in Munich, how easy and pleasant would it be! For if we are obliged to live in Salzburg with 504 florins, surely we might live in Munich with 800.
To-day, the 30th, after a conversation with Herr Woschitka, I went to court by appointment. Every one was in hunting-costume. Baron Kern was the chamberlain on service. I might have gone there last night, but I could not offend M. Woschitka, who himself offered to find me an opportunity of speaking to the Elector. At 10 o'clock he took me into a narrow little room, through which his Royal Highness was to pass on his way to hear mass, before going to hunt. Count Seeau went by, and greeted me very kindly: "How are you, dear Mozart?" When the Elector came up to me, I said, "Will your Royal Highness permit me to pay my homage and to offer your Royal Highness my services?" "So you have finally left Salzburg?" "I have left it forever, your Royal Highness. I only asked leave to make a journey, and being refused, I was obliged to take this step, although I have long intended to leave Salzburg, which is no place for me, I feel sure." "Good heavens! you are quite a young man. But your father is still in Salzburg?" "Yes, your Royal Highness; he humbly lays his homage at your feet, &c., &c. I have already been three times in Italy. I have written three operas, and am a member of the Bologna Academy; I underwent a trial where several maestri toiled and labored for four or five hours, whereas I finished my work in one. This is a sufficient testimony that I have abilities to serve any court. My greatest wish is to be appointed by your Royal Highness, who is himself such a great &c., &c." "But, my good young friend, I regret that there is not a single vacancy. If there were only a vacancy!" "I can assure your Royal Highness that I would do credit to Munich." "Yes, but what does that avail when there is no vacancy?" This he said as he was moving on; so I bowed and took leave of his Royal Highness. Herr Woschitka advises me to place myself often in the way of the Elector. This afternoon I went to Count Salern's. His daughter is a maid of honor, and was one of the hunting-party. Ravani and I were in the street when the whole procession passed. The Elector and the Electress noticed me very kindly. Young Countess Salern recognized me at once, and waved her hand to me repeatedly. Baron Rumling, whom I had previously seen in the antechamber, never was so courteous to me as on this occasion. I will soon write to you what passed with Salern. He was very kind, polite, and straightforward.—P. S. Ma tres-chere soeur, next time I mean to write you a letter all for yourself. My remembrances to B. C. M. R. and various other letters of the alphabet. Adieu! A man built a house here and inscribed on it: "Building is beyond all doubt an immense pleasure, but I little thought that it would cost so much treasure." During the night some one wrote underneath, "You ought first to have counted the cost."
62.
Munich, Oct. 2, 1777.
YESTERDAY, October 1st, I was again at Count Salern's, and to-day I even dined with him. I have played a great deal during the last three days, and with right good will too. Papa must not, however, imagine that I like to be at Count Salern's on account of the young lady; by no means, for she is unhappily in waiting, and therefore never at home, but I am to see her at court to-morrow morning, at ten o'clock, in company with Madame Hepp, formerly Madlle. Tosson. On Saturday the court leaves this, and does not return till the 20th. To-morrow I am to dine with Madame and Madlle. de Branca, the latter being a kind of half pupil of mine, for Sigl seldom comes, and Becke, who usually accompanies her on the flute, is not here. On the three days that I was at Count Salern's I played a great many things extempore—two Cassations [Divertimentos] for the Countess, and the finale and Rondo, and the latter by heart. You cannot imagine the delight this causes Count Salern. He understands music, for he was constantly saying Bravo! while other gentlemen were taking snuff, humming and hawing, and clearing their throats, or holding forth. I said to him, "How I do wish the Elector were only here, that he might hear me play! He knows nothing of me—he does not know what I can do. How sad it is that these great gentlemen should believe what any one tells them, and do not choose to judge for themselves! BUT IT IS ALWAYS SO. Let him put me to the test. He may assemble all the composers in Munich, and also send in quest of some from Italy and France, Germany, and England and Spain, and I will undertake to write against them all." I related