within.
At that moment he too opened the door below. The shrieks of the howling mob once more resounded close to her ears. It seemed as if they had surrounded him. She wondered what was happening, and marvelled how he dared to face that awful crowd alone.
The room into which she had entered was gay and cheerful-looking with its dainty chintz hangings and graceful, elegant pieces of furniture. The young girl looked up, as a kindly voice said to her, from out the depths of a capacious armchair:
"Come in, come in, my dear, and close the door behind you! Did those wretches attack you? Never mind. Paul will speak to them. Come here, my dear, and sit down; there's no cause now for fear."
Without a word the young girl came forward. She seemed now to be walking in a dream, the chintz hangings to be swaying ghostlike around her, the yells and shrieks below to come from the very bowels of the earth.
The old lady continued to prattle on. She had taken the girl's hand in hers, and was gently forcing her down on to a low stool beside her armchair. She was talking about Paul, and said something about Anne Mie, and then about the National Convention, and those beasts and savages, but mostly about Paul.
The noise outside had subsided. The girl felt strangely sick and tired. Her head seemed to be whirling round, the furniture to be dancing round her; the old lady's face looked at her through a swaying veil, and then—and then …
Tired Nature was having her way at last; she folded the quivering young body in her motherly arms, and wrapped the aching senses beneath her merciful mantle of unconsciousness.
CHAPTER II
Citizen-Deputy
When, presently, the young girl awoke, with a delicious feeling of rest and well-being, she had plenty of leisure to think.
So, then, this was his house! She was actually a guest, a rescued protégé, beneath the roof of Citoyen Déroulède.
He had dragged her from the clutches of the howling mob which she had provoked; his mother had made her welcome, a sweet-faced, young girl scarce out of her teens, sad-eyed and slightly deformed, had waited upon her and made her happy and comfortable.
Juliette de Marny was in the house of the man, whom she had sworn before her God and before her father to pursue with hatred and revenge.
Ten years had gone by since then.
Lying upon the sweet-scented bed which the hospitality of the Déroulèdes had provided for her, she seemed to see passing before her the spectres of these past ten years—the first four, after her brother's death, until the old Duc de Marny's body slowly followed his soul to its grave.
After that last glimmer of life beside the deathbed of his son, the old Duc had practically ceased to be. A mute, shrunken figure, he merely existed; his mind vanished, his memory gone, a wreck whom Nature fortunately remembered at last, and finally took away from the invalid chair which had been his world.
Then came those few years at the Convent of the Ursulines. Juliette had hoped that she had a vocation; her whole soul yearned for a secluded, a religious, life, for great barriers of solemn vows and days spent in prayer and contemplation, to interpose between herself and the memory of that awful night when, obedient to her father's will, she had made the solemn oath to avenge her brother's death.
She was only eighteen when she first entered the convent, directly after her father's death, when she felt very lonely—both morally and mentally lonely—and followed by the obsession of that oath.
She never spoke of it to anyone except to her confessor, and he, a simple-minded man of great learning and a total lack of knowledge of the world, was completely at a loss how to advise.
The Archbishop was consulted. He could grant a dispensation, and release her of that most solemn vow.
When first this idea was suggested to her, Juliette was exultant. Her entire nature, which in itself was wholesome, light-hearted, the very reverse of morbid, rebelled against this unnatural task placed upon her young shoulders. It was only religion—the strange, warped religion of that extraordinary age—which kept her to it, which forbade her breaking lightly that most unnatural oath.
The Archbishop was a man of many duties, many engagements. He agreed to give this strange "cas de conscience" his most earnest attention. He would make no promises. But Mademoiselle de Marny was rich: a munificent donation to the poor of Paris, or to some cause dear to the Holy Father himself, might perhaps be more acceptable to God than the fulfilment of a compulsory vow.
Juliette, within the convent walls, was waiting patiently for the Archbishop's decision at the very moment, when the greatest upheaval the world has ever known was beginning to shake the very foundations of France.
The Archbishop had other things now to think about than isolated cases of conscience. He forgot all about Juliette, probably. He was busy consoling a monarch for the loss of his throne, and preparing himself and his royal patron for the scaffold.
The Convent of the Ursulines was scattered during the Terror. Everyone remembers the Thermidor massacres, and the thirty-four nuns, all daughters of ancient families of France, who went so cheerfully to the scaffold.
Juliette was one of those who escaped condemnation. How or why, she herself could not have told. She was very young, and still a postulant; she was allowed to live in retirement with Pétronelle, her old nurse, who had remained faithful through all these years.
Then the Archbishop was prosecuted and imprisoned. Juliette made frantic efforts to see him, but all in vain. When he died, she looked upon her spiritual guide's death as a direct warning from God, that nothing could relieve her of her oath.
She had watched the turmoils of the Revolution through the attic window of her tiny apartment in Paris. Waited upon by faithful Pétronelle, she had been forced to live on the savings of that worthy old soul, as all her property, all the Marny estates, the dot she took with her to the convent—everything, in fact—had been seized by the Revolutionary Government, self appointed to level fortunes, as well as individuals.
From that attic window she had seen beautiful Paris writhing under the pitiless lash of the demon of terror which it had provoked; she had heard the rumble of the tumbrils, dragging day after day their load of victims to the insatiable maker of this Revolution of Fraternity—the Guillotine.
She had seen the gay, light-hearted people of this Star-City turned to howling beasts of prey, its women changed to sexless vultures, with murderous talons implanted in everything that is noble, high or beautiful.
She was not twenty when the feeble, vacillating monarch and his imperious consort were dragged back—a pair of humiliated prisoners— to the capital from which they had tried to flee.
Two years later, she had heard the cries of an entire people exulting over a regicide. Then the murder of Marat, by a young girl like herself, the pale-faced, large-eyed Charlotte, who had committed a crime for the sake of a conviction. "Greater than Brutus!" some had called her. Greater than Joan of Arc, for it was to a mission of evil and of sin that she was called from the depths of her Breton village, and not to one of glory and triumph.
"Greater than Brutus!"
Juliette followed the trial of Charlotte Corday with all the passionate ardour of her exalted temperament.
Just think what an effect it must have had upon the mind of this young girl, who for nine years—the best of her life—had also lived with the idea of a sublime mission pervading her very soul.
She watched Charlotte Corday at her trial. Conquering her natural repulsion for such scenes, and the crowds which usually watched them, she had forced her way into the foremost rank of the narrow gallery which overlooked the Hall of the Revolutionary Tribunal.
She heard the indictment, heard Tinville's speech and the calling of the witnesses.
"All this is unnecessary. I killed Marat!"
Juliette heard the fresh young voice ringing out clearly above the murmur of voices, the howls of execration; she saw the beautiful young face, clear, calm, impassive.
"I killed Marat!"
And