him those references to her son’s ability and promise, which, though natural to herself, had slight interest to him,—him, the condescending benefactor! As to his opinion, what could I care for the opinion of one I had never seen? All that could sensibly affect my—oh, but I cannot go on with those cutting phrases, which imply but this, ‘All I can care for is the money of a man who insults me while he gives it.’”
VANCE (emphatically).—“Without being a wizard, I should say your relative was rather a disagreeable person,—not what is called urbane and amiable,—in fact, a brute.”
LIONEL.—“You will not blame me, then, when I tell you that I resolved not to accept the offer to maintain me at college, with which the letter closed. Luckily Dr. Wallis (the head master of my school), who had always been very kind to me, had just undertaken to supervise a popular translation of the classics. He recommended me, at my request, to the publisher engaged in the undertaking, as not incapable of translating some of the less difficult Latin authors,—subject to his corrections. When I had finished the first instalment of the work thus intrusted to me, my mother grew alarmed for my health, and insisted on my taking some recreation. You were about to set out on a pedestrian tour. I had, as you say, some pounds in my pocket; and thus I have passed with you the merriest days of my life.”
VANCE.—“What said your civil cousin when your refusal to go to college was conveyed to him?”
LIONEL.—“He did not answer my mother’s communication to that effect till just before I left home, and then,—no, it was not his last letter from which I repeated that withering extract,—no, the last was more galling still, for in it he said that if, in spite of the ability and promise that had been so vaunted, the dulness of a college and the labour of learned professions were so distasteful to me, he had no desire to dictate to my choice, but that as he did not wish one who was, however remotely, of his blood, and bore the name of Haughton, to turn shoeblack or pickpocket—Vance—Vance!”
VANCE.—“Lock up your pride—the sackcloth frets you—and go on; and that therefore he—”
LIONEL.—“Would buy me a commission in the army, or get me an appointment in India.”
VANCE.—“Which did you take?”
LIONEL (passionately). “Which! so offered,—which?—of course neither! But distrusting the tone of my mother’s reply, I sat down, the evening before I left home, and wrote myself to this cruel man. I did not show any letter to my mother,—did not tell her of it. I wrote shortly,—that if he would not accept my gratitude, I would not accept his benefits; that shoeblack I might be,—pickpocket, no! that he need not fear I should disgrace his blood or my name; and that I would not rest till, sooner or later, I had paid him back all that I had cost him, and felt relieved from the burdens of an obligation which—which—” The boy paused, covered his face with his hands, and sobbed.
Vance, though much moved, pretended to scold his friend, but finding that ineffectual, fairly rose, wound his arm brother-like round him, and drew him from the arbour to the shelving margin of the river. “Comfort,” then said the Artist, almost solemnly, as here, from the inner depths of his character, the true genius of the man came forth and spoke,—“comfort, and look round; see where the islet interrupts the tide, and how smilingly the stream flows on. See, just where we stand, how the slight pebbles are fretting the wave would the wave if not fretted make that pleasant music? A few miles farther on, and the river is spanned by a bridge, which busy feet now are crossing: by the side of that bridge now is rising a palace; all the men who rule England have room in that palace. At the rear of the palace soars up the old Abbey where kings have their tombs in right of the names they inherit; men, lowly as we, have found tombs there, in right of the names which they made. Think, now, that you stand on that bridge with a boy’s lofty hope, with a man’s steadfast courage; then turn again to that stream, calm with starlight, flowing on towards the bridge,—spite of islet and pebbles.”
Lionel made no audible answer, though his lips murmured, but he pressed closer and closer to his friend’s side; and the tears were already dried on his cheek, though their dew still glistened in his eyes.
CHAPTER V
Speculations on the moral qualities of the Bandit.—Mr. Vance, with mingled emotions, foresees that the acquisition of the Bandit’s acquaintance may be attended with pecuniary loss.
Vance loosened the boat from its moorings, stepped in, and took up the oars. Lionel followed, and sat by the stern. The Artist rowed on slowly, whistling melodiously in time to the dash of the oars. They soon came to the bank of garden-ground surrounding with turf on which fairies might have danced one of those villas never seen out of England. From the windows of the villa the lights gleamed steadily; over the banks, dipping into the water, hung large willows breathlessly; the boat gently brushed aside their pendent boughs, and Vance rested in a grassy cove.
“And faith,” said the Artist, gayly,—“faith,” said he, lighting his third cigar, “it is time we should bestow a few words more on the Remorseless Baron and the Bandit’s Child! What a cock-and-a-bull story the Cobbler told us! He must have thought us precious green.”
LIONEL (roused).—“Nay, I see nothing so wonderful in the story, though much that is sad. You must allow that Waife may have been a good actor: you became quite excited merely at his attitude and bow. Natural, therefore, that he should have been invited to try his chance on the London stage; not improbable that he may have met with an accident by the train, and so lost his chance forever; natural, then, that he should press into service his poor little grandchild, natural, also, that, hardly treated and his pride hurt, he should wish to escape.”
VANCE.—“And more natural than all that he should want to extract from our pockets three pounds, the Bandit! No, Lionel, I tell you what is not probable, that he should have disposed of that clever child to a vagabond like Rugge: she plays admirably. The manager who was to have engaged him would have engaged her if he had seen her. I am puzzled.”
LIONEL.—“True, she is an extraordinary child. I cannot say how she has interested me.” He took out his purse, and began counting its contents. “I have nearly three pounds left,” he cried joyously. “L2. 18s. if I give up the thought of a longer excursion with you, and go quietly home—”
VANCE.—“And not pay your share of the bill yonder?”
LIONEL.—“Ah, I forgot that! But come, I am not too proud to borrow from you: it is not for a selfish purpose.”
VANCE.—“Borrow from me, Cato! That comes of falling in with bandits and their children. No; but let us look at the thing like men of sense. One story is good till another is told. I will call by myself on Rugge to-morrow, and hear what he says; and then, if we judge favourably of the Cobbler’s version, we will go at night and talk with the Cobbler’s lodgers; and I dare say,” added Vance, kindly, but with a sigh,—“I daresay the three pounds will be coaxed out of me! After all, her head is worth it. I want an idea for Titania.”
LIONEL (joyously).—“My dear Vance, you are the best fellow in the world.”
VANCE.—“Small compliment to humankind! Take the oars: it is your turn now.”
Lionel obeyed; the boat once more danced along the tide—thoro’ reeds,—-thoro’ waves, skirting the grassy islet—out into pale moonlight. They talked but by fits and starts. What of?—a thousand things! Bright young hearts, eloquent young tongues! No sins in the past; hopes gleaming through the future. O summer nights, on the glass of starry waves! O Youth, Youth!
CHAPTER VI
Wherein the historian tracks the public characters that fret their hour on the stage, into the bosom of private life.—The reader is invited to arrive at a conclusion which may often, in periods of perplexity, restore ease to his mind; namely, that if man will reflect on all the hopes he has nourished, all the fears he has admitted, all the