heed Lady Delville's coolness, Constance entered into conversation with her. She dwelt upon books, pictures, music: her manner was animated, and her wit playful. Pleased, in spite of herself, Lady Delville warmed from her reserve.
"My dear Lady Delville," said Constance, suddenly turning her bright countenance on the countess with an expression of delighted surprise, "will you forgive me?—I never dreamed before that you were so charming a person! I never conceal my sentiments: and I own with regret and shame that, till this moment, I had never seen in your mind—whatever I might in your person—those claims to admiration which were constantly dinned into my ear."
Lady Delville actually coloured.
"Pray," continued Constance, "condescend to permit me to a nearer acquaintance. Will you dine with us on Thursday?—we shall have only nine persons beside yourself: but they are the nine persons whom I most esteem and admire."
Lady Delville accepted the invitation. From that hour, Lady Delville—who had at first resented, from the deepest recess of her heart, Constance Vernon's accession to rank and wealth,—who, had Constance deferred to her early acquaintance, would have always found something in her she could have affected to despise; from that hour, Lady Delville was the warmest advocate, and a little time after, the sincerest follower, of the youthful countess.
CHAPTER XXIII
The time we now speak of was the most brilliant the English world, during the last half century, has known. Lord Byron was in his brief and dazzling zenith; De Stael was in London; the Peace had turned the attention of rich idlers to social enjoyment and to letters. There was an excitement, and a brilliancy, and a spirituality, about our circles, which we do not recognise now. Never had a young and ambitious woman—a beauty and a genius—a finer moment for the commencement of her power. It was Constance's early and bold resolution to push to the utmost—even to exaggeration—a power existing in all polished states, but now mostly in this,—the power of fashion! This mysterious and subtle engine she was eminently skilled to move according to her will. Her intuitive penetration into character, her tact, and her grace, were exactly the talents Fashion most demands; and they were at present devoted only to that sphere. The rudeness that she mingled, at times, with the bewitching softness and ease of manner she could command at others, increased the effect of her power. It is much to intimidate as well as to win. And her rudeness in a very little while grew popular; for it was never exercised but on those whom the world loves to see humbled. Modest merit in any rank; and even insolence, if accompanied with merit, were always safe from her satire. It was the hauteur of foolish duchesses or purse-proud roturiers that she loved, and scrupled not, to abase.
And the independence of her character was mixed with extraordinary sweetness of temper. Constance could not be in a passion: it was out of her nature. If she was stung, she could utter a sarcasm; but she could not frown or raise her voice. There was that magic in her, that she was always feminine. She did not stare young men out of countenance; she never addressed them by their Christian names; she never flirted—never coquetted: the bloom and flush of modesty was yet all virgin upon her youth. She, the founder of a new dynasty, avoided what her successors and contemporaries have deemed it necessary to incur. She was the leader of fashion; but—it is a miraculous union—she was respectable!
At this period, some new dances were brought into England. These dances found much favour in the eves of several great ladies young enough to dance them. They met at each other's houses in the morning to practise the steps. Among these was Lady Erpingham; her house became the favourite rendezvous.
The young Marquis of Dartington was one of the little knot. Celebrated for his great fortune, his personal beauty, and his general success, he resolved to fall in love with Lady Erpingham. He devoted himself exclusively to her; he joined her in the morning in her rides—in the evening in her gaieties. He had fallen in love with her?—yes!—did he love her?—not the least. But he was excessively idle!—what else could he do?
Constance early saw the attentions and designs of Lord Dartington. There is one difficulty in repressing advances in great society—one so easily becomes ridiculous by being a prude. But Constance dismissed Lord Dartington with great dexterity. This was the occasion:—
One of the apartments in Erpingham House communicated with a conservatory. In this conservatory Constance was alone one morning, when Lord Dartington, who had entered the house with Lord Erpingham, joined her. He was not a man who could ever become sentimental; he was rather the gay lover—rather the Don Gaolor than the Amadis; but he was a little abashed before Constance. He trusted, however, to his fine eyes and his good complexion—plucked up courage; and, picking a flower from the same plant Constance was tending, said,—
"I believe there is a custom in some part of the world to express love by flowers. May I, dear Lady Erpingham, trust to this flower to express what I dare not utter?"
Constance did not blush, nor look confused, as Lord Dartington had hoped and expected. One who had been loved by Godolphin was not likely to feel much agitation at the gallantry of Lord Dartington; but she looked gravely in his face, paused a little before she answered, and then said, with a smile that abashed the suitor more than severity could possibly have done:—
"My dear Lord Dartington, do not let us mistake each other. I live in the world like other women, but I am not altogether like them. Not another word of gallantry to me alone, as you value my friendship. In a crowded room pay me as many compliments as you like. It will flatter my vanity to have you in my train. And now, just do me the favour to take these scissors and cut the dead leaves off that plant."
Lord Dartington, to use a common phrase, "hummed and hawed." He looked, too, a little angry. An artful and shrewd politician, it was not Constance's wish to cool the devotion, though she might the attachment, of a single member of her husband's party. With a kind look—but a look so superior, so queen-like, so free from the petty and coquettish condescension of the sex, that the gay lord wondered from that hour how he could ever have dreamed of Constance as of certain other ladies—she stretched her hand to him.
"We are friends, Lord Dartington?—and now we know each other, we shall be so always."
Lord Dartington bowed confusedly over the beautiful hand he touched; and Constance, walking into the drawing-room, sent for Lord Erpingham on business—Dartington took his leave.
CHAPTER XXIV
Constance, Countess of Erpingham, was young, rich, lovely as a dream, worshipped as a goddess. Was she happy? and was her whole heart occupied with the trifles that surrounded her?
Deep within her memory was buried one fatal image that she could not exorcise. The reproaching and mournful countenance of Godolphin rose before her at all times and seasons. The charm of his presence no other human being could renew. His eloquent and noble features, living, and glorious with genius and with passion, his sweet deep voice, his conversation, so rich with mind and knowledge, and the subtle delicacy with which he applied its graces to some sentiment dedicated to her, (delicious flattery, of all flatteries the most attractive to a sensitive and intellectual woman!)—these occurred to her again and again, and rendered all she saw around her flat, wearisome, insipid. Nor was this deep-seated and tender weakness the only serpent—if I may use so confused a metaphor—in the roses of her lot.
And here I invoke the reader's graver attention. The fate of women in all the more polished circles of society is eminently unnatural and unhappy. The peasant and his dame are on terms of equality—equality even of ambition: no career is open to one and shut to the other;—equality even of hardship, and hardship is employment: no labour occupies the whole energies of the man, but leaves those of the woman unemployed. Is this the case with the wives in a higher station?—the wives of the lawyer, the merchant, the senator, the noble? There, the men have their occupations; and the women (unless, like poor Fanny, work-bags and parrots can employ them) none. They are idle. They employ the imagination and the heart. They fall in love and are wretched; or they remain virtuous, and are either wearied by an eternal monotony or they fritter away intellect, mind, character, in the minutest frivolities—frivolities being their only refuge from