the temperature of the air, while the lively idea of a certain local impression peculiar to those times, transports me back again to the very spot; for example, all that was repeated at our meetings, all that was sung in the choir, everything that passed there; the beautiful and noble habits of the canons, the chasubles of the priests, the mitres of the singers, the persons of the musicians; an old lame carpenter who played the counter-bass, a little fair abbe who performed on the violin, the ragged cassock which M. le Maitre, after taking off his sword, used to put over his secular habit, and the fine surplice with which he covered the rags of the former, when he went to the choir; the pride with which I held my little flute to my lips, and seated myself in the orchestra, to assist in a recitative which M. le Maitre had composed on purpose for me; the good dinner that afterwards awaited us, and the good appetites we carried to it. This concourse of objects, strongly retraced in my memory, has charmed me a hundred time as much, or perhaps more, than ever the reality had done. I have always preserved an affection for a certain air of the ‘Conditor alme Syderum’, because one Sunday in Advent I heard that hymn sung on the steps of the cathedral, (according to the custom of that place) as I lay in bed before daybreak. Mademoiselle Merceret, Madam de Warens’ chambermaid, knew something of music; I shall never forget a little piece that M. le Maitre made me sing with her, and which her mistress listened to with great satisfaction. In a word, every particular, even down to the servant Perrine, whom the boys of the choir took such delight in teasing. The remembrance of these times of happiness and innocence frequently returning to my mind, both ravish and affect me.
I lived at Annecy during a year without the least reproach, giving universal satisfaction. Since my departure from Turin I had been guilty of no folly, committed none while under the eye of Madam de Warens. She was my conductor, and ever led me right; my attachment for her became my only passion, and what proves it was not a giddy one, my heart and understanding were in unison. It is true that a single sentiment, absorbing all my faculties, put me out of a capacity of learning even music: but this was not my fault, since to the strongest inclination, I added the utmost assiduity. I was attentive and thoughtful; what could I do? Nothing was wanting towards my progress that depended on me; meantime, it only required a subject that might inspire me to occasion the commission of new follies: that subject presented itself, chance arranged it, and (as will be seen hereafter) my inconsiderate head gave in to it.
One evening, in the month of February, when it was very cold, being all sat round the fire, we heard some one knock at the street door. Perrine took a light, went down and opened it: a young man entering, came upstairs, presented himself with an easy air, and making M. Maitre a short, but well-turned compliment, announced himself as a French musician, constrained by the state of his finances to take this liberty. The heart of the good Le Maitre leaped at the name of a French musician, for he passionately loved both his country and profession; he therefore offered the young traveller his service—and use of his apartment, which he appeared to stand much in need of, and which he accepted without much ceremony. I observed him while he was chatting and warming himself before supper; he was short and thick, having some fault in his shape, though without any particular deformity; he had (if I may so express myself) an appearance of being hunchbacked, with flat shoulders, and I think he limped. He wore a black coat, rather worn than old, which hung in tatters, a very fine but dirty shirt, frayed ruffles; a pair of splatterdashes so large that he could have put both legs into either of them, and, to secure himself from the snow, a little hat, only fit to be carried under his arm. With this whimsical equipage, he had, however, something elegant in his manners and conversation; his countenance was expressive and agreeable, and he spoke with facility if not with modesty; in short, everything about him bore the mark of a young debauchee, who did not crave assistance like a beggar, but as a thoughtless madcap. He told us his name was Venture de Villeneuve, that he came from Paris, had lost his way, and seeming to forget that he had announced himself for a musician, added that he was going to Grenoble to see a relation that was a member of Parliament.
During supper we talked of music, on which subject he spoke well: he knew all the great virtuosi, all the celebrated works, all the actors, actresses, pretty women, and powerful lords; in short nothing was mentioned but what he seemed thoroughly acquainted with. Though no sooner was any topic started, than by some drollery, which set every one a-laughing, he made them forget what had been said. This was on a Saturday; the next day there was to be music at the cathedral: M. le Maitre asked if he would sing there—“Very willingly.”—“What part would he chose?”—“The counter-tenor:” and immediately began speaking of other things. Before he went to church they offered him his part to peruse, but he did not even look at it. This Gasconade surprised Le Maitre—“You’ll see,” said he, whispering to me, “that he does not know a single note.”—I replied: “I am very much afraid of him.” I followed them into the church; but was extremely uneasy, and when they began, my heart beat violently, so much was I interested in his behalf.
I was presently out of pain: he sung his two recitatives with all imaginable taste and judgment; and what was yet more, with a very agreeable voice. I never enjoyed a more pleasing surprise. After mass, M. Venture received the highest compliments from the canons and musicians, which he answered jokingly, though with great grace. M. le Maitre embraced him heartily; I did the same; he saw I was rejoiced at his success, and appeared pleased at my satisfaction.
It will easily be surmised, that after having been delighted with M. Bacle, who had little to attract my admiration, I should be infatuated with M. Venture, who had education, wit, talents, and a knowledge of the world, and might be called an agreeable rake. This was exactly what happened, and would, I believe, have happened to any other young man in my place; especially supposing him possessed of better judgment to distinguish merit, and more propensity to be engaged by it; for Venture doubtless possessed a considerable share, and one in particular, very rare at his age, namely, that of never being in haste to display his talents. It is true, he boasted of many things he did not understand, but of those he knew (which were very numerous) he said nothing, patiently waiting some occasion to display them, which he then did with ease, though without forwardness, and thus gave them more effect. As there was ever some intermission between the proofs of his various abilities, it was impossible to conjecture whether he had ever discovered all his talents. Playful, giddy, inexhaustible, seducing in conversation, ever smiling, but never laughing, and repeating the rudest things in the most elegant manner—even the most modest women were astonished at what they endured from him: it was in vain for them to determine to be angry; they could not assume the appearance of it. It was extraordinary that with so many agreeable talents, in a country where they are so well understood, and so much admired, he so long remained only a musician.
My attachment to M. Venture, more reasonable in its cause, was also less extravagant in its effects, though more lively and durable than that I had conceived for M. Bacle. I loved to see him, to hear him, all his actions appeared charming, everything he said was an oracle to me, but the enchantment did not extend far enough to disable me from quitting him. I spoke of him with transport to Madam de Warens, Le Maitre likewise spoke in his praise, and she consented we should bring him to her house. This interview did not succeed; he thought her affected, she found him a libertine, and, alarmed that I had formed such an ill acquaintance, not only forbade me bringing him there again, but likewise painted so strongly the danger I ran with this young man, that I became a little more circumspect in giving in to the attachment; and very happily, both for my manners and wits, we were soon separated.
M. le Maitre, like most of his profession, loved good wine; at table he was moderate, but when busy in his closet he must drink. His maid was so well acquainted with this humor that no sooner had he prepared his paper to compose, and taken his violoncello, than the bottle and glass arrived, and was replenished from time to time: thus, without being ever absolutely intoxicated, he was usually in a state of elevation. This was really unfortunate, for he had a good heart, and was so playful that Madam de Warens used to call him the kitten. Unhappily, he loved his profession, labored much and drank proportionately, which injured his health, and at length soured his temper. Sometimes he was gloomy and easily offended, though incapable of rudeness, or giving offence to any one, for never did he utter a harsh word, even to the boys of the choir: on the other hand, he would not suffer another to offend him, which was but just: the misfortune was, having little understanding, he did not properly discriminate, and was often angry without cause.