room?”
Lord Petherton, at this enquiry, broke into instant mirth. “Well, of all the coolness, Mitchy!—he does go at it, doesn’t he, Mrs. Brook? What do you want to do in another room?” he demanded of his friend. “Upon my word, Duchess, under the nose of those—”
The Duchess, on the first blush, lent herself to the humour of the case. “Well, Petherton, of ‘those’?—I defy him to finish his sentence!” she smiled to the others.
“Of those,” said his lordship, “who flatter themselves that when you do happen to find them somewhere your first idea is not quite to jump at a pretext for getting off somewhere else. Especially,” he continued to jest, “with a man of Mitchy’s vile reputation.”
“Oh!” Edward Brookenham exclaimed at this, but only as with quiet relief.
“Mitchy’s offer is perfectly safe, I may let him know,” his wife remarked, “for I happen to be sure that nothing would really induce Jane to leave Aggie five minutes among us here without remaining herself to see that we don’t become improper.”
“Well then if we’re already pretty far on the way to it,” Lord Petherton resumed, “what on earth MIGHT we arrive at in the absence of your control? I warn you, Duchess,” he joyously pursued, “that if you go out of the room with Mitchy I shall rapidly become quite awful.”
The Duchess during this brief passage never took her eyes from her niece, who rewarded her attention with the sweetness of consenting dependence. The child’s foreign origin was so delicately but unmistakeably written in all her exquisite lines that her look might have expressed the modest detachment of a person to whom the language of her companions was unknown. Her protectress then glanced round the circle. “You’re very odd people all of you, and I don’t think you quite know how ridiculous you are. Aggie and I are simple stranger-folk; there’s a great deal we don’t understand, yet we’re none the less not easily frightened. In what is it, Mr. Mitchett,” the Duchess asked, “that I’ve wounded your susceptibilities?”
Mr. Mitchett cast about; he had apparently found time to reflect on his precipitation. “I see what Petherton’s up to, and I won’t, by drawing you aside just now, expose your niece to anything that might immediately oblige Mrs. Brook to catch her up and flee with her. But the first time I find you more isolated—well,” he laughed, though not with the clearest ring, “all I can say is Mind your eyes dear Duchess!”
“It’s about your thinking, Jane,” Mrs. Brookenham placidly explained, “that Nanda suffers—in her morals, don’t you know?—by my neglect. I wouldn’t say anything about you that I can’t bravely say TO you; therefore since he has plumped out with it I do confess that I’ve appealed to him on what, as so good an old friend, HE thinks of your contention.”
“What in the world IS Jane’s contention?” Edward Brookenham put the question as if they were “stuck” at cards.
“You really all of you,” the Duchess replied with excellent coolness, “choose extraordinary conditions for the discussion of delicate matters. There are decidedly too many things on which we don’t feel alike. You’re all inconceivable just now. Je ne peux pourtant pas la mettre a la porte, cette cherie”—whom she covered again with the gay solicitude that seemed to have in it a vibration of private entreaty: “Don’t understand, my own darling—don’t understand!”
Little Aggie looked about with an impartial politeness that, as an expression of the general blind sense of her being as to every particular in hands at full liberty either to spot or to spare her, was touching enough to bring tears to all eyes. It perhaps had to do with the sudden emotion with which—using now quite a different manner—Mrs. Brookenham again embraced her, and even with this lady’s equally abrupt and altogether wonderful address to her: “Between you and me straight, my dear, and as from friend to friend, I know you’ll never doubt that everything must be all right!—What I spoke of to poor Mitchy,” she went on to the Duchess, “is the dreadful view you take of my letting Nanda go to Tishy—and indeed of the general question of any acquaintance between young unmarried and young married females. Mr. Mitchett’s sufficiently interested in us, Jane, to make it natural of me to take him into our confidence in one of our difficulties. On the other hand we feel your solicitude, and I needn’t tell you at this time of day what weight in every respect we attach to your judgement. Therefore it WILL be a difficulty for us, cara mia, don’t you see? if we decide suddenly, under the spell of your influence, that our daughter must break off a friendship—it WILL be a difficulty for us to put the thing to Nanda herself in such a way as that she shall have some sort of notion of what suddenly possesses us. Then there’ll be the much stiffer job of putting it to poor Tishy. Yet if her house IS an impossible place what else is one to do? Carrie Donner’s to be there, and Carrie Donner’s a nature apart; but how can we ask even a little lamb like Tishy to give up her own sister?”
The question had been launched with an argumentative sharpness that made it for a moment keep possession of the air, and during this moment, before a single member of the circle could rally, Mrs. Brookenham’s effect was superseded by that of the reappearance of the butler. “I say, my dear, don’t shriek!”—Edward Brookenham had only time to sound this warning before a lady, presenting herself in the open doorway, followed close on the announcement of her name. “Mrs. Beach Donner!”—the impression was naturally marked. Every one betrayed it a little but Mrs. Brookenham, who, more than the others, appeared to have the help of seeing that by a merciful stroke her visitor had just failed to hear. This visitor, a young woman of striking, of startling appearance, who, in the manner of certain shiny house-doors and railings, instantly created a presumption of the lurking label “Fresh paint,” found herself, with an embarrassment oddly opposed to the positive pitch of her complexion, in the presence of a group in which it was yet immediately evident that every one was a friend. Every one, to show no one had been caught, said something extremely easy; so that it was after a moment only poor Mrs. Donner who, seated close to her hostess, seemed to be in any degree in the wrong. This moreover was essentially her fault, so extreme was the anomaly of her having, without the means to back it up, committed herself to a “scheme of colour” that was practically an advertisement of courage. Irregularly pretty and painfully shy, she was retouched from brow to chin like a suburban photograph—the moral of which was simply that she should either have left more to nature or taken more from art. The Duchess had quickly reached her kinsman with a smothered hiss, an “Edward dear, for God’s sake take Aggie!” and at the end of a few minutes had formed for herself in one of Mrs. Brookenham’s admirable “corners” a society consisting of Lord Petherton and Mr. Mitchett, the latter of whom regarded Mrs. Donner across the room with articulate wonder and compassion.
“It’s all right, it’s all right—she’s frightened only at herself!”
The Duchess watched her as from a box at the play, comfortably shut in, as in the old operatic days at Naples, with a pair of entertainers. “You’re the most interesting nation in the world. One never gets to the end of your hatred of the nuance. The sense of the suitable, the harmony of parts—what on earth were you doomed to do that, to be punished sufficiently in advance, you had to be deprived of it in your very cradles? Look at her little black dress—rather good, but not so good as it ought to be, and, mixed up with all the rest, see her type, her beauty, her timidity, her wickedness, her notoriety and her impudeur. It’s only in this country that a woman is both so shocking and so shaky.” The Duchess’s displeasure overflowed. “If she doesn’t know how to be good—”
“Let her at least know how to be bad? Ah,” Mitchy replied, “your irritation testifies more than anything else could do to our peculiar genius or our peculiar want of it. Our vice is intolerably clumsy—if it can possibly be a question of vice in regard to that charming child, who looks like one of the new-fashioned bill-posters, only, in the way of ‘morbid modernity,’ as Mrs. Brook would say, more extravagant and funny than any that have yet been risked. I remember,” he continued, “Mrs. Brook’s having spoken of her to me lately as ‘wild.’ Wild?—why, she’s simply tameness run to seed. Such an expression shows the state of training to which Mrs. Brook has reduced the rest of us.”
“It doesn’t prevent