a wild creature driven to bay. I looked up-stream;—the ice had gathered in one high barrier mixed with flood-wood and timber, and, bearing above all the uprooted trunk of a huge sycamore, was coming down upon the dam like a battering-ram. Jo gasped. "The river is broken up and Arthur is on the island," said she, in a fearfully suppressed tone, and, swifter than I could think or guess her meaning, she had reached the timber, she was on it,—and with light, untrembling steps half across, when both she and I simultaneously caught sight of Mr. Waring running for dear life to the other and stronger bridge. Jo turned to come back; but the excitement was past that had sustained her; she trembled, she tottered. I ran to meet and aid her. Just then the roots of the great sycamore thundered against the dam; the already heavily pressed structure gave way; with the freed roar of a hurricane, the barrier, the dam, the foot-bridge swept down toward us. She had all but reached the end of the timber,—I stood there to grasp her hand,—when the old tree, whirled down by the torrent, struck the other end of the beam and threw Josephine forward to the bank, dashing her throbbing, panting breast, with all the force of her fall, against the hard ground. I lifted her in my arms. She was white with pain. Presently she opened her eyes and looked up, a flush of rapture glowed all over her face, and then the awful mist of death, gray and rigid, veiled it. Her head dropped on my shoulder; a sharp cry and a rush of scarlet blood passed her lips together; the head lay more heavily,—she was dead. But Arthur Waring never knew how or for what she died!
Five years have passed since that day. Still I live at Nook Cottage; but not alone. Of us three, Josephine is in heaven. Letty is still troubled upon earth; her husband tests her patience and her temper every hour, but both temper and patience are in good training; and if ever Henry Malden is reclaimed, as I begin to see reasons to hope he will be, he will owe it to the continual example and gentle goodness of his wife, who has grown from a petulant, thoughtless girl into a lovely, unselfish, religious woman, a devoted mother and wife, "refined by fire." For me, the last,—whenever now I say, as I used to say, "Three of us," I mean a new three,—Paul, baby, and me; for Jo was not a prophet. Four years ago, while my heart- ache for her was fresh and torturing, a new pastor came to the little village church of Valley Mills. Mr. Lyman was very good; I have seen other men with as fine natural traits, but I have never seen a man or woman so entirely good. He came to me to console me; for he, too, had just lost a sister, and in listening to his story I for a moment forgot my own, as he meant I should. But I did not love him,—no, not till I discovered, months afterward, that he suffered incessantly from ill-health, and was all alone in the world. I was too much a woman to resist such a plea. I pitied him; I tried to take care of him; and when he asked me if I liked the office of sick-nurse, I told him I liked it well enough to wish it were for life; and now, when he wants to light my eyes out of that dreamy expression that tells him I am re-living the past, and thinking of the dead, he tells me, for the sake of the flash that follows, that I offered myself to him! Perhaps I did. But he is well now; the air of the Tunxis hills, and the rest of a quiet life, partly, I hope, good care also, have restored to him his lost health. And I am what Jo said I should have been,—a blessed mother, as well as a happy wife. The baby that lies across my lap has traits that endear her to me doubly,—traits of each of us three cousins: Josephine's hair on her little nestling head, Letty's apple-blossom complexion, and my eyes, except that they are serene when they are not smiling. I ask only of the love that has given me all this unexpected joy, that my little Jo may have one better trait,—her father's heart; a stronger, tenderer, and purer heart than belonged to any one among "Three of us!"
WHAT A WRETCHED WOMAN SAID TO ME
All the broad East was laced with tender rings
Of widening light; the Daybreak shone afar;
Deep in the hollow, 'twixt her fiery wings,
Fluttered the morning star.
A cloud, that through the time of darkness went
With wanton winds, now, heavy-hearted, came
And fell upon the sunshine, penitent,
And burning up with shame.
The grass was wet with dew; the sheep-fields lay
Lapping together far as eye could see;
And the great harvest hung the golden way
Of Nature's charity.
My house was full of comfort; I was propped
With life's delights, all sweet as they could be,
When at my door a wretched woman stopped,
And, weeping, said to me,—
"Its rose-root in youth's seasonable hours
Love in thy bosom set, so blest wert thou;
Hence all the pretty little red-mouthed flowers
That climb and kiss thee now!
"I loved, but I must stifle Nature's cries
With old dry blood, else perish, I was told;
Hence the young light shrunk up within my eyes,
And left them blank and bold.
"I take my deeds, all, bad as they have been,—
The way was dark, the awful pitfall bare;—
In my weak hands, up through the fires of sin,
I hold them for my prayer."
"The thick, tough husk of evil grows about
Each soul that lives," I mused, "but doth it kill?
When the tree rots, the imprisoned wedge falls out,
Rusted, but iron still.
"Shall He who to the daisy has access,
Reaching it down its little lamp of dew
To light it up through earth, do any less,
Last and best work, for you?"
SONGS OF THE SEA
Not Dibdin's; not Barry Cornwall's; not Tom Campbell's; not any of the "Pirate's Serenades" and "I'm afloats!" which appear in the music-shop- windows, illustrated by lithographic vignettes of impossible ships in impracticable positions. These are sung by landsmen yachting in still waters and in sight of green fields, by romantic young ladies in comfortable and unmoving drawing-rooms to the tinkling of Chickering's pianos. What are the songs the sailor sings to the accompaniment of the thrilling shrouds, the booming double-bass of the hollow topsails, and the multitudinous chorus of Ocean? What does the coaster, in his brief walk "three steps and overboard," hum to himself, as he tramps up and down his little deck through the swathing mists of a Bank fog? What sings the cook at the galley-fire in doleful unison with the bubble of his coppers? Surely not songs that exult in the life of the sea. Certainly not, my amateur friend, anything that breathes of mastery over the elements. The sea is a real thing to him. He never is familiar with it, or thinks of it or speaks of it as his slave. It is "a steed that knows his rider," and, like many another steed which the men of the forecastle have mounted, knows that it can throw its rider at pleasure, and the riders know it too. Now and then a sailor will utter some fierce imprecation upon wind or sea, but it is in the impotence of despair, and not in the conscious, boastful mastery which the land-songs attribute to him. What, then, does the sailor sing?—and does he sing at all?
Certainly the sailor sings. Did you ever walk through Ann Street, Boston, or haunt the purlieus of the Fulton Market? and when there did you never espy a huckster's board covered with little slips of printed paper of the size and shape of the bills-of-fare at the Commonwealth Hotel? They are printed on much coarser paper, and are by no means as typographically exact as the aforesaid carte, or as this page of the "Atlantic Monthly," but they are what the sailor sings. I know they are there, for I once spent a long summer's day in the former place, searching those files for a copy of the delightful ballad sung (or attempted to be sung) by Dick Fletcher in Scott's "Pirate,"—the ballad beginning
"It was a ship, and a ship of fame,
Launched off the stocks, bound for the