when she hoped to see Hippolitus. Madame was, as usual, friendly and cheerful, but she perceived a reserve in the conduct of Julia, and penetrated without difficulty into its cause. She was, however, ignorant of the object of her pupil's admiration. The hour so eagerly desired by Julia at length arrived, and with a palpitating heart she entered the hall. The Count was not there, and in the course of conversation, she learned that he had that morning sailed for Naples. The scene which so lately appeared enchanting to her eyes, now changed its hue; and in the midst of society, and surrounded by gaiety, she was solitary and dejected. She accused herself of having suffered her wishes to mislead her judgment; and the present conduct of Hippolitus convinced her, that she had mistaken admiration for a sentiment more tender. She believed, too, that the musician who had addressed her in his sonnet, was not the Count; and thus at once was dissolved all the ideal fabric of her happiness. How short a period often reverses the character of our sentiments, rendering that which yesterday we despised, to-day desirable. The tranquil state which she had so lately delighted to quit, she now reflected upon with regret. She had, however, the consolation of believing that her sentiments towards the Count were unknown, and the sweet consciousness that her conduct had been governed by a nice sense of propriety.
The public rejoicings at the castle closed with the week; but the gay spirit of the marchioness forbade a return to tranquillity; and she substituted diversions more private, but in splendour scarcely inferior to the preceding ones. She had observed the behaviour of Hippolitus on the night of the concert with chagrin, and his departure with sorrow; yet, disdaining to perpetuate misfortune by reflection, she sought to lose the sense of disappointment in the hurry of dissipation. But her efforts to erase him from her remembrance were ineffectual. Unaccustomed to oppose the bent of her inclinations, they now maintained unbounded sway; and she found too late, that in order to have a due command of our passions, it is necessary to subject them to early obedience. Passion, in its undue influence, produces weakness as well as injustice. The pain which now recoiled upon her heart from disappointment, she had not strength of mind to endure, and she sought relief from its pressure in afflicting the innocent. Julia, whose beauty she imagined had captivated the count, and confirmed him in indifference towards herself, she incessantly tormented by the exercise of those various and splenetic little arts which elude the eye of the common observer, and are only to be known by those who have felt them. Arts, which individually are inconsiderable, but in the aggregate amount to a cruel and decisive effect.
From Julia's mind the idea of happiness was now faded. Pleasure had withdrawn her beam from the prospect, and the objects no longer illumined by her ray, became dark and colourless. As often as her situation would permit, she withdrew from society, and sought the freedom of solitude, where she could indulge in melancholy thoughts, and give a loose to that despair which is so apt to follow the disappointment of our first hopes.
Week after week elapsed, yet no mention was made of returning to Naples. The marquis at length declared it his intention to spend the remainder of the summer in the castle. To this determination the marchioness submitted with decent resignation, for she was here surrounded by a croud of flatterers, and her invention supplied her with continual diversions: that gaiety which rendered Naples so dear to her, glittered in the woods of Mazzini, and resounded through the castle.
The apartments of Madame de Menon were spacious and noble. The windows opened upon the sea, and commanded a view of the straits of Messina, bounded on one side by the beautiful shores of the isle of Sicily, and on the other by the high mountains of Calabria. The straits, filled with vessels whose gay streamers glittered to the sun-beam, presented to the eye an ever-moving scene. The principal room opened upon a gallery that overhung the grand terrace of the castle, and it commanded a prospect which for beauty and extent has seldom been equalled. These were formerly considered the chief apartments of the castle; and when the Marquis quitted them for Naples, were allotted for the residence of Madame de Menon, and her young charge. The marchioness, struck with the prospect which the windows afforded, and with the pleasantness of the gallery, determined to restore the rooms to their former splendour. She signified this intention to madame, for whom other apartments were provided. The chambers of Emilia and Julia forming part of the suite, they were also claimed by the marchioness, who left Julia only her favorite closet. The rooms to which they removed were spacious, but gloomy; they had been for some years uninhabited; and though preparations had been made for the reception of their new inhabitants, an air of desolation reigned within them that inspired melancholy sensations. Julia observed that her chamber, which opened beyond madame's, formed a part of the southern building, with which, however, there appeared no means of communication. The late mysterious circumstances relating to this part of the fabric, now arose to her imagination, and conjured up a terror which reason could not subdue. She told her emotions to madame, who, with more prudence than sincerity, laughed at her fears. The behaviour of the marquis, the dying words of Vincent, together with the preceding circumstances of alarm, had sunk deep in the mind of madame, but she saw the necessity of confining to her own breast doubts which time only could resolve.
Julia endeavoured to reconcile herself to the change, and a circumstance soon occurred which obliterated her present sensations, and excited others far more interesting. One day that she was arranging some papers in the small drawers of a cabinet that stood in her apartment, she found a picture which fixed all her attention. It was a miniature of a lady, whose countenance was touched with sorrow, and expressed an air of dignified resignation. The mournful sweetness of her eyes, raised towards Heaven with a look of supplication, and the melancholy languor that shaded her features, so deeply affected Julia, that her eyes were filled with involuntary tears. She sighed and wept, still gazing on the picture, which seemed to engage her by a kind of fascination. She almost fancied that the portrait breathed, and that the eyes were fixed on hers with a look of penetrating softness. Full of the emotions which the miniature had excited, she presented it to madame, whose mingled sorrow and surprise increased her curiosity. But what were the various sensations which pressed upon her heart, on learning that she had wept over the resemblance of her mother! Deprived of a mother's tenderness before she was sensible of its value, it was now only that she mourned the event which lamentation could not recall. Emilia, with an emotion as exquisite, mingled her tears with those of her sister. With eager impatience they pressed madame to disclose the cause of that sorrow which so emphatically marked the features of their mother.
'Alas! my dear children,' said madame, deeply sighing, 'you engage me in a task too severe, not only for your peace, but for mine; since in giving you the information you require, I must retrace scenes of my own life, which I wish for ever obliterated. It would, however, be both cruel and unjust to withhold an explanation so nearly interesting to you, and I will sacrifice my own ease to your wishes.
'Louisa de Bernini, your mother, was, as you well know, the only daughter of the Count de Bernini. Of the misfortunes of your family, I believe you are yet ignorant. The chief estates of the count were situated in the Val di Demona, a valley deriving its name from its vicinity to Mount AEtna, which vulgar tradition has peopled with devils. In one of those dreadful eruptions of AEtna, which deluged this valley with a flood of fire, a great part of your grandfather's domains in that quarter were laid waste. The count was at that time with a part of his family at Messina, but the countess and her son, who were in the country, were destroyed. The remaining property of the count was proportionably inconsiderable, and the loss of his wife and son deeply affected him. He retired with Louisa, his only surviving child, who was then near fifteen, to a small estate near Cattania. There was some degree of relationship between your grandfather and myself; and your mother was attached to me by the ties of sentiment, which, as we grew up, united us still more strongly than those of blood. Our pleasures and our tastes were the same; and a similarity of misfortunes might, perhaps, contribute to cement our early friendship. I, like herself, had lost a parent in the eruption of AEtna. My mother had died before I understood her value; but my father, whom I revered and tenderly loved, was destroyed by one of those terrible events; his lands were buried beneath the lava, and he left an only son and myself to mourn his fate, and encounter the evils of poverty. The count, who was our nearest surviving relation, generously took us home to his house, and declared that he considered us as his children. To amuse his leisure hours, he undertook to finish the education of my brother, who was then about seventeen, and whose rising genius promised to reward the labours of the count. Louisa and myself often shared the instruction of her father, and at those hours Orlando