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The German Classics of the Nineteenth and Twentieth Centuries, Volume 03


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footfalls, Peace and Concord sweet!

        Distant the day, oh! distant far,

        When the rude hordes of trampling War

        Shall scare the silent vale—

        The where

        Now the sweet heaven, when day doth leave

        The air,

        Limns its soft rose-hues on the veil of Eve—

        Shall the fierce war-brand, tossing in the gale,

        From town and hamlet shake the horrent glare!

VIII

        Now, its destined task fulfilled,

        Asunder break the prison-mold;

        Let the goodly Bell we build,

            Eye and heart alike behold.

              The hammer down heave,

              Till the cover it cleave:—

        For not till we shatter the wall of its cell

        Can we lift from its darkness and bondage the Bell.

          To break the mold the master may,

            If skilled the hand and ripe the hour;

          But woe, when on its fiery way

            The metal seeks itself to pour,

          Frantic and blind, with thunder-knell,

            Exploding from its shattered home,

          And glaring forth, as from a hell,

            Behold the red Destruction come!

          When rages strength that has no reason,

          There breaks the mold before the season;

          When numbers burst what bound before,

          Woe to the State that thrives no more!

          Yea, woe, when in the City's heart,

            The latent spark to flame is blown,

         "Freedom! Equality!"—to blood

          And Millions from their silence start,

            To claim, without a guide, their own!

          Discordant howls the warning Bell,

            Proclaiming discord wide and far,

          And, born but things of peace to tell,

            Becomes the ghastliest voice of war:

         "Freedom! Equality!"—to blood

            Rush the roused people at the sound!

          Through street, hall, palace, roars the flood,

            And banded murder closes round!

          The hyena-shapes (that women were!)

            Jest with the horrors they survey;

          They hound—they rend—they mangle there,

            As panthers with their prey!

          Naught rests to hallow—burst the ties

            Of life's sublime and reverent awe;

        Before the Vice the Virtue flies,

              And Universal Crime is Law!

            Man fears the lion's kingly tread;

              Man fears the tiger's fangs of terror;

            And still, the dreadliest of the dread,

              Is Man himself in error!

            No torch, though lit from Heaven, illumes

              The Blind!—Why place it in his hands?

            It lights not him—it but consumes

              The City and the Land!

IX

            Rejoice and laud the prospering skies!

              The kernel bursts its husks—behold

            From the dull clay the metal rise,

              Pure-shining, as a star of gold!

                Neck and lip, but as one beam,

                It laughs like a sunbeam.

        And even the scutcheon, clear-graven, shall tell

        That the art of a master has fashioned the Bell!

            Come in—come in,

            My merry men—we'll form a ring

            The new-born labor christening;

              And "CONCORD" we will name her!

            To union may her heart-felt call

              In brother-love attune us all!

            May she the destined glory win

              For which the master sought to frame her—

            Aloft—(all earth's existence under)

              In blue-pavilioned heaven afar

            To dwell—the Neighbor of the Thunder,

              The borderer of the Star!

            Be hers above a voice to raise

              Like those bright hosts in yonder sphere,

            Who, while they move, their Maker praise,

              And lead around the wreathèd year!

            To solemn and eternal things

              We dedicate her lips sublime,

            As hourly, calmly, on she swings,

              Fanned by the fleeting wings of Time!

            No pulse—no heart—no feeling hers!

              She lends the warning voice to Fate;

            And still companions, while she stirs,

              The changes of the Human State!

            So may she teach us, as her tone

              But now so mighty, melts away—

            That earth no life which earth has known

            From the last silence can delay!

            Slowly now the cords upheave her!

              From her earth-grave soars the Bell;

            'Mid the airs of Heaven we leave her!

              In the Music-Realm to dwell!

                Up—upwards—yet raise—

                She has risen—she sways.

        Fair Bell to our city bode joy and increase,

        And oh, may thy first sound be hallowed to—PEACE.[15]

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      THE GERMAN ART (1800)

        By