Chambers Robert William

Ailsa Paige


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were sagging as he leaned slightly forward in his chair, arms resting on his knees, while around them the magic ebbed, eddied, ebbed; and lassitude succeeded tension; and she stirred, looked up at him with eyes that seemed dazed at first, then widened slowly into waking; and he saw in them the first clear dawn of alarm. Suddenly she flushed and sprang to her feet, the bright colour surging to her hair.

      "Don't!" he said. "Don't reason! There will be nothing left of me if you do—or of, these moments. You will hate them—and me, if you reason. Don't think—until we see each other again!"

      She dropped her eyes slowly, and slowly shook her head.

      "You ask too much," she said. "You should not have said that." All the glamour was fading. Her senses were seeking their balance after the incredible storm that had whirled them into chaos.

      Fear stirred sharply, then consternation—flashes of panic pierced her with darts of shame, as though she had been in physical contact with this man.

      All her outraged soul leaped to arms, quivering now under the reaction; the man's mere presence was becoming unendurable; the room stifled her. She turned, scarce knowing what she was doing; and at the same moment her sister-in-law entered.

      Berkley, already on his feet, turned short: and when she offered him a hand as slim and white as Ailsa's, he glanced inquiringly at the latter, not at all certain who this charming woman might be.

      "Mrs. Craig," said Ailsa.

      "I don't believe it," he said. "You haven't grown-up children!"

      "Don't you really believe it, Mr. Berkley? Or is it just the flattering Irish in you that natters us poor women to our destruction?"

      He had sense and wit enough to pay her a quick and really graceful compliment; to which she responded, still laughing:

      "Oh, it is the Ormond in you! I am truly ve'y glad you came. You are Constance Berkley's son—Connie Berkley! The sweetest girl that ever lived."

      There was a silence. Then Mrs. Craig said gently:

      "I was her maid of honour, Mr. Berkley."

      Ailsa raised her eyes to his altered face, startled at the change in it. He looked at her absently, then his gaze reverted to Ailsa Paige.

      "I loved her dearly," said Mrs. Craig, dropping a light, impulsive hand on his. "I want her son to know it."

      Her eyes were soft and compassionate; her hand still lingered lightly on his, and she let it rest so.

      "Mrs. Craig," he said, "you are the most real person I have known in many years among the phantoms. I thought your sister-in-law was. But you are still more real."

      "Am I?" she laid her other hand over his, considering him earnestly. Ailsa looking on, astonished, noticed a singular radiance on his face—the pale transfiguration from some quick inward illumination.

      Then Celia Craig's voice sounded almost caressingly:

      "I think you should have come to see us long ago." A pause. "You are as welcome in this house as your mother would be if she were living. I love and honour her memory."

      "I have honoured little else in the world," he said. They looked at one another for a moment; then her quick smile broke out. "I have an album. There are some Paiges, Ormonds, and Berkleys in it–"

      Ailsa came forward slowly.

      "Shall I look for it, Celia?"

      "No, Honey-bell." She turned lightly and went into the back parlour, smiling mysteriously to herself, her vast, pale-blue crinoline rustling against the furniture.

      "My sister-in-law," said Ailsa, after an interval of silent constraint, "is very Southern. Any sort of kinship means a great deal to her. I, of course, am Northern, and regard such matters as unimportant."

      "It is very gracious of Mrs. Craig to remember it," he said. "I know nothing finer than confidence in one's own kin."

      She flushed angrily. "I have not that confidence—in kinsman."

      For a moment their eyes met. Hers were hard as purple steel.

      "Is that final?"

      "Yes."

      The muscles in his cheeks grew tense, then into his eyes came that reckless glimmer which in the beginning she had distrusted—a gay, irresponsible radiance which seemed to mock at all things worthy.

      He said: "No, it is not final. I shall come back to you."

      She answered him in an even, passionless voice:

      "A moment ago I was uncertain; now I know you. You are what they say you are. I never wish to see you again."

      Celia Craig came back with the album. Berkley sprang to relieve her of the big book and a box full of silhouettes, miniatures, and daguerreotypes. They placed the family depository upon the table and then bent over it together.

      Ailsa remained standing by the window, looking steadily at nothing, a burning sensation in both cheeks.

      At intervals, through the intensity of her silence, she heard Celia's fresh, sweet laughter, and Berkley's humorous and engaging voice. She glanced sideways at the back of his dark curly head where it bent beside Celia's over the album. What an insolently reckless head it was! She thought that she had never before seen the back of any man's head so significant of character—or the want of it. And the same quality—or the lack of it—now seemed to her to pervade his supple body, his well-set shoulders, his voice, every movement, every feature—something everywhere about him that warned and troubled.

      Suddenly the blood burnt her cheeks with a perfectly incomprehensible desire to see his face again. She heard her sister-in-law saying:

      "We Paiges and Berkleys are kin to the Ormonds and the Earls of Ossory. The Estcourts, the Paiges, the Craigs, the Lents, the Berkleys, intermarried a hundred years ago. . . . My grandmother knew yours, but the North is very strange in such matters. . . . Why did you never before come?"

      He said: "It's one of those things a man is always expecting to do, and is always astonished that he hasn't done. Am I unpardonable?"

      "I did not mean it in that way."

      He turned his dark, comely head and looked at her as they bent together above the album.

      "I know you didn't. My answer was not frank. The reason I never came to you before was that—I did not know I would be welcomed."

      Their voices dropped. Ailsa standing by the window, watching the orioles in the maple, could no longer distinguish what they were saying.

      He said: "You were bridesmaid to my mother. You are the Celia Paige of her letters."

      "She is always Connie Berkley to me. I loved no woman better. I love her still."

      "I found that out yesterday. That is why I dared come. I found, among the English letters, one from you to her, written—after."

      "I wrote her again and again. She never replied. Thank God, she knew I loved her to the last."

      He rested on the tabletop and stood leaning over and looking down.

      "Dear Mr. Berkley," she murmured gently.

      He straightened himself, passed a hesitating hand across his forehead, ruffling the short curly hair. Then his preoccupied gaze wandered. Ailsa turned toward him at the same moment, and instantly a flicker of malice transformed the nobility of his set features:

      "It seems," he said, "that you and I are irrevocably related in all kinds of delightful ways, Mrs. Paige. Your sister-in-law very charmingly admits it, graciously overlooks and pardons my many delinquencies, and has asked me to come again. Will you ask me, too?"

      Ailsa merely looked at him.

      Mrs. Craig said, laughing: "I knew you were all Ormond and entirely Irish as soon as I came in the do'—befo' I became aware of your racial fluency. I speak fo' my husband and myse'f when I say, please remember that our do' is ve'y wide open to our own kin—and that you are of them–"

      "Oh, I'm all sorts of things beside—" He paused for a second—"Cousin Celia," he added