not the only ones who were living out this unfolding adventure. ‘I got off the train at Paddington,’ papa would begin, stifling a satisfied burp, ‘sick as a dog from that damn boat, twenty-five pounds in my pocket, and I looked up across the platform and I saw …’ ‘Me!’ my Uncle Amman would say proudly. ‘Va, you looked like a film star, Kumarsaab, that Jimmy Cagney suit and all.’ ‘So, naturally, I go up and introduce myself, and …’ ‘And we found out our cousins had gone to the same college! So we went back to my home and that was that!’ Uncle Amman would finish with a flourish, as if it were perfectly natural to meet a total stranger and within ten minutes, find him a meal, a home and a list of Situations Vacant.
During this particular story, mama would always listen with a patient, fond look, absorbing the history she had not been around to witness. Papa had left her in Delhi whilst he tried his luck in England, promising to send for her as soon as he had discovered the promised gold beneath the dog shit on the streets. We have the photograph taken on the day of his departure, it looks like a still from one of the old black and white movies I used to watch on Saturday afternoons (after the football and before the wrestling). Papa is leaning out of a steam train window in a brilliant white shirt, an overcoat slung over his waving arm. The smoke rises like cold-morning breath around his face and he is backlit by a rising sun. He is smiling his gap-toothed smile, though his eyes are intense. Mama stands on the platform, the fingers of one hand slightly raised, as if she is afraid to wave him goodbye. She is impossibly young and utterly bereft, her long chiffon dupatta is frozen in mid-curl, lifted by the wind. Even in such a small photograph her longing is palpable, the way her fingers say what her mouth cannot.
This was always one of my favourites, this image of my parents as epic, glamorous figures, touched by romantic tragedy. I knew there was plenty more where that came from too; I have heard the excited whispers between the Aunties whenever my parents’ marriage was mentioned, odd words from which I concocted a whole scenario – ‘…Saw her riding her bike round college…At first sight it was…Her parents, of course…Long negotiations…Such a love story!’ I was in a fever of excitement the first time I eavesdropped on these juicy morsels. My parents in a love story! I kept myself awake imagining them chasing each other around old Indian streets (which were basically English streets with a few cows lounging around on the corners), mama on a bicycle laughing loudly as papa tried to grab onto her saddle and haul himself beside her whilst various old people looked out of half-shuttered windows and tutted under their breath.
But when I confronted mama about her courtship adventures, her face closed up like a fan. ‘Don’t be so silly!’ she sniffed. ‘We were introduced by an uncle. It all was done through the proper channels. Listening to your elders’ conversation again …’ And that was that. I did not have the courage to ask her why there was only one single photograph of their wedding, when all the other Aunties each had a van load of nuptial albums, which they would whip out at the slightest excuse, and sigh over their eighteen-inch waists and demure demeanours, neither of which would ever return. In my parents’ album, this single photograph is given a page all on its own. Mama and papa are seated in the back of a car. Papa wears a turban with strings of pearls attached to the front which obscure his face, except for one guarded eye. Mama is in the foreground, her delicate neck seemingly bent under the weight of a heavily encrusted dupatta. She looks up into the camera lens with the expected posture of all new brides, a victim’s pose showing passivity and bewilderment, stressing the girl would much rather stay with her family than drive off to a bed with her new husband. But mama is not crying, although her head is bowed, her gaze is direct and calm, and there is a light in her pupils which papa said was the camera flash, but which I recognise as joy.
Individually, the Aunties were a powerful force, my mother was an Auntie to several kids in her own right too, but together they were a formidable mafia whose collective approval was a blessing, and whose communal contempt was a curse wrapped up in sweet sari-shaped packages. I found myself continually surprised at how these smiling women who would serve up their husband’s food first with such wifely devotion, could also be capable of such gentle malice.
For example, when I once confronted my mother about the Front Garden dilemma, I unwisely did this in front of the Aunties. Under their benevolent gaze, I tried to explain to her what a social embarrassment it was to have such a bare, ugly display in front of our house and could she not possibly consider buying an ornamental well, make some effort to fit in with the neighbourhood? Mama shot her posse a knowing look and explained that all this garden frippery, gnomes, wells and the like, was an English thing. ‘They have to mark out their territory …’ It was on the tip of her tongue to add ‘…like dogs’, but the Aunties recognised their cue and launched into their own collected proverbs on English behaviour. ‘They treat their dogs like children, no, better than their children …’ ‘They expect their kids to leave home at sixteen, and if they don’t, they ask for rent! Rent from your kids!’ ‘They don’t like bathing, and when they do, they sit in their own dirty water instead of showering …’ ‘The way they wash up, they never rinse the soap off the dishes …’ ‘You know that barmaid-type woman from up the hill has run away again, this time with the driving instructor. He is called Kenneth and wears tank tops…It’s the children I pity …’
At this point I would be sent on a non-existent errand so my mother could finish the latest piece of yard gossip whilst the Aunties would listen wide-eyed, ears flapping, moustaches quivering, glad they had made the perilous journey from the civilised side of Wolverhampton to catch up on the peculiar goings on of the ‘gores’. There was much affectionate laughter, but laughter all the same, tinged with something like revenge.
But mama was not laughing today. The sun was hot now and I felt sick with all the sugar I had consumed; every sweet had tasted only of one thing, Guilt. Through the open front door, I could hear my parents having what they called one of their ‘discussions’, which began as a stilted, almost embarrassed conversation as if two neighbours who barely knew each other had met on the steps of a VD clinic, progressed to a strangely musical monologue by my father, accompanied on percussion by mother banging down various pots and pans, and always ended with a male vocal explosion and a tangible female silence which invaded the house like a sad damp smell. I wondered vaguely if they were arguing about the house.
Whenever my father got sick of our three-up-three-down with its high uneven walls and narrow winding stairs, sick of the damp in the pantry, the outside toilet, the three buses it took to get to work, taking a bath in our bike shed and having to whisper when he wanted to shout, he’d turn to my mother and say, ‘You wanted this house, remember that.’
My mother grew up in a small Punjabi village not far from Chandigarh. As she chopped onions for the evening meal or scrubbed the shine back onto a steel pan or watched the clouds of curds form in a bowl of slowly setting homemade yoghurt, any action with a rhythm, she would begin a mantra about her ancestral home. She would chant of a three-storeyed flat-roofed house, blinkered with carved wooden shutters around a dust yard where an old-fashioned pump stood under a mango tree.
She would talk of running with her tin mug to the she-goat tethered to the tree and, holding the mug under its nipples, pulling down a foaming jet of milk straight into her father’s morning tea. She spoke of the cobra who lived in the damp grasses beneath the fallen apples in the vast walled orchard, of the peacocks whose keening kept her awake on rainy monsoon nights, of her Muslim neighbours whom they always made a point of visiting on festivals, bringing sweetmeats to emphasise how the land they shared was more important than the religious differences that would soon tear the Punjab in two.
Yet, in England, when all my mother’s friends made the transition from relatives’ spare rooms and furnished lodgings to homes of their own, they all looked for something ‘modern’. ‘It’s really up-to-date, Daljit,’ one of the Aunties would preen as she gave us the grand tour of her first proper home in England. ‘Look, extra strong flush system…Can opener on the wall…Two minutes walk to all local amenities …’ But my mother knew what she wanted. When she stepped off the bus in Tollington, she did not see the outside lavvy or the apology for a garden or the medieval kitchen, she saw fields and trees, light and space, and a horizon that welcomed the sky which, on a warm night and through squinted eyes, could almost look something like home.
At